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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in Timbuktu (2)

Tuesday
Sep162014

Amir Sat on a Branch Reflecting on TIFF

Amir here, looking back at the Toronto Film Festival that recently wrapped up.

"Girlhood," superior to Boyhood and one of the best of TIFF 14

You may have noticed that after a few years of covering the festival to various degrees for The Film Experience, I was completely absent from this space for the past ten days, mostly because of a personal decision to enjoy the films without sweating over writing. TIFF is a big festival, maybe the most frantic and hectic in the world, with more choices than one can physically experience over ten days. Nathaniel and I shared so few films from the program’s sprawling lineup, we could have each written about every single thing we saw and you’d never know we attended the same festival. It’s this overwhelming scale that made me want to take a break from reporting, and yet, I feel unsure about how that affected my festival experience.

Writing about films for me is a passion born out of the necessity to articulate my thoughts on the things I watch. Maybe that process of writing makes the films more memorable? Isn’t it so that writing, even about bad films, makes us appreciate good cinema all the more? Without recording my memories, details about this year’s films have fled my mind quicker than ever. My feelings about some of them have been diluted a bit, too. There is something missing, even though I had the best festival experience of my life, meeting more people than ever and watching some terrific films. Maybe this pessimism is just a withdrawal symptom. Let’s stay positive!

As has become something of an unplanned tradition for me – with precedents including Oslo, August 31st and Closed Curtain – my favorite film of the festival came my way on the last day.

MORE...

"The Look of Silence" will be in theaters next summer

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Saturday
May172014

Cannes Diary Day 3: Mr Turner & Timbuktu

Diana Drumm is reporting from Cannes for The Film Experience on two new films that have won strong reviews.

Timothy Spall as Mr. Turner

Mr. Turner
Mike Leigh’s latest (and the current Palme d’Or frontrunner though we're only a few days into the festival) opens on a pastoral landscape of seemingly neverending fields. A windmill in the middle-ground and sunlight speckling through the vastness give hints of perspective. As the camera lingers, two women ease their way into frame and jolt the viewer into the 19th century. Chatting back and forth and carrying their errands’ loads, they breathe human life into the painterly image (lensed by Leigh's regular cinematographer, Oscar nominee Dick Pope). The camera follows this humble pair until it spots a graying stout figure staring off into the field and sketching near-furiously. Sticking out like a sore crooked-toothed thumb in this panorama, this is J.M.W. Turner (Timothy Spall), the controversial but influential British painter best remembered for his Romantic oil painting landscape and seascapes though he also worked in watercolor.

Spanning the final quarter decade of the artist's life, Mr. Turner eases through the artist’s autumn loves, losses and disappointments. The film opens with Turner leading the life of a discontented bachelor. His ex (Ruth Sheen who led Leigh's last, Another Year) and two daughters live elsewhere, though they call on him regularly enough to nag and harbinger guilt about his lack of involvement in their lives. His two main companions are his father (Paul Jesson), who acts as his studio assistant buying paints and hosting potential clients, and his housekeeper (Dorothy Atkinson), who he occasionally rogers from behind. Their relationship resembles a bizarrely reticent S&M relationship more than institutionalized employer-employee rape.  

More after the jump...

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