Links: Irish cacophonies, crowded rooms, and guild prizes

• IndieWire did you see SNL's sketch lampooning Ammonite and Portrait of a Lady on Fire as "Lesbian Period Drama"
• Towleroad Tom Holland to play Billy Milligan the first person to successfully use Dissassociative Identity Disorder as a criminal defense in the series The Crowded Room
• The Guardian asks a very real and interesting question: which films have missed their moment given the pandemic. Lots of films benefit from feeling 'of the moment' and not all of the films coming out in 2021 and 2022 will.

 More after the jump including trouble for film production in Georgia, Bowen Yang's Titanic hilarity, and the Art Directors Guild Awards...

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Oscar history: Titanic's not-quite clean sweep, Julia's ascendance, and Chicago vs The Pianist

5 things that happened today, March 23rd, in Oscar History only...

1950 The 22nd annual Academy Awards honoring 1949 are held. All the King's Men wins Best Picture but it's the Olivia de Havilland classic The Heiress, among the Best Picture honorees, which wins the most Oscars (Actress, Costume Design, Art Direction, and Score) and has had the longest cultural shelf life thereafter.

1990 Pretty Woman hits movie theaters becoming a sensation and Julia Roberts ascends to superstardom...

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Showbiz History: Lady Godiva, RMS Titanic, and a Good Girl Gone Bad

15 random things that happened on this day, May 31st, in history as it relates to showbiz...

1279BC Ramasses II becomes Pharoah in ancient egypt. He grows up to look like Yul Brynner in the 1950s. yum. 

1057 Lady Godiva takes a naked ride. 898 years later Maureen O'Hara fills her shoes...er... saddle (she weren't wearing no shoes) in an G-rated wig in Lady Godiva of Coventry (1955)

1790 President George Washington signed the first US copyright act into law...

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Tweetweek

curated by Nathaniel R 

If you want to see the psychological impact of release dates and marketing campaigns on how critics perceive a film’s merits, these two movies boast a very similar premise, are pitched to the same audience, and are equally dismissive of the communities they claim to represent. pic.twitter.com/NA0fFSsgEe

— Robert S. Hamer (@robsolonhamer) February 22, 2019

 Aint that just the truth? I think tweet above is a very important thought that all critics and audience members and awards voters should keep in mind every damn year. And it works whether or not a movie is any good. A lot of people don't like these two movies mentioned above but it's even true of great great movies, perceived and received differently depending on the release dates. It's a real shame.

After the jump tweets on making movies "for the fans," ascendant gay icon must-haves, "Shallow" ear worm, Ruth E Carter's destiny, and a few leftover Oscar tweets...

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Soundtracking: A "Titanic" melody and Oscar memory

by Chris Feil

Aren’t we all happy now that the Best Original Song nominees are staying on the ceremony? Now that the uproar is settling, perhaps it’s a safe time to reflect on why removing them from the telecast never should have been up for debate. What better example of music’s inextricability from the movies and their intertwined cultural impact than Titanic?

“My Heart Will Go On” was its own inescapable beast in 1997 aside from Titanic itself, the dominance of the film and song fueling each other’s fire in tandem...

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