Venice Diary #03 - Unstoppable Women from Isabelle Huppert to Nan Goldin

by Elisa Giudici

BONES AND ALL

The women in the four movies screened today are truly formidable. They're capable of eating their enemies alive -- one quite literally as in Guadagnino’s latest Bones and all. Two more are fighting conventional portraits of females as weak. The last is living an extraordinary life and using her power as an artist to expose rich capitalist shenanigans. What a quartet...

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Venice Gowns (and Pants) '22, Round 2

by Nathaniel R

online polls

Tessa Thompson and Jodie Turner-Smith continued to bring the DRAMA (all caps intended) and rising star Taylor Russell (Waves, Bones and All)  joined them in boldness. Meanwhile Maude Apatow went classic, Chloe Sevigny went short, Aimee Lou Wood (Sex Education) was doing a polka dot theme all day including this gown. And last but not least, Timothée Chalamet and Cate Blanchett knew exactly what to wear to keep people talking. So which was your favourite?

Venice at Home – Day 3: From Galleries to Gangsters

by Cláudio Alves

Day 3 at the Venice Film festival finds a nonfiction master dipping his foot into the murky waters of fictionalized narrative. Frederick Wiseman's A Couple purports to dramatize the correspondence between Leo Tolstoy and his wife, starring Nathalie Boutefeu, working from a script made from documented letters. Elsewhere in the official competition, Luca Guadagnino helms Bones & All, a cannibal romance starring Timothée Chalamet and Taylor Russell. Finally, Romain Gavras brings Athena to the festivities, working alongside Ladj Ly, who co-wrote the film.

As we wait for these movies to become more readily available, let's consider their directors' previous works, including an ode to museums, a fashionable short, and a Scarface revision…

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Venice Diary #02 - BARDO and other self-reflecting movies

by Elisa Giudici

Two men focusing on their own identities. Two women speaking to their relationship with their husbands. For day two of the Venice film festival it was a quartet of movies featuring personal intimate stories...

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Venice at Home – Day 2: Dazzling Debuts

by Cláudio Alves

The 79th Venice Film Festival's second day was a busy one with two premieres by directors who've managed to seduce critics and the Academy alike. First, Alejandro González Iñárritu came to the Lido with his most ambitious project yet, the epic Bardo, False Chronicle of a Handful of Truths, whose production history is embroiled in many controversies. Then, there was also Todd Field's long-awaited return to the big screen after a decade plus sabsence. TÁR is the director's third feature and feels poised to delight actressexuals in similar ways to his debut and sophomore efforts. So far, Cate Blanchett has received nothing but glowing reviews and might become the third Field leading lady to nab an Oscar nomination.

Let's remember both directors' debuts to celebrate these buzzy premieres. Frankly, as much as I may admire some of their following efforts, Amores Perros and In the Bedroom remain my favorite titles from their filmographies…

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