Honoring the genius of Angela Bassett

by Cláudio Alves

Angela Bassett did the thing. And yet, that wasn't enough to win her a much-coveted Academy Award. In the moment of losing, her face betrayed a visceral disappointment seldom seen in such a setting nowadays, where fake smiles are de rigueur. Many used that flash of genuine emotion to lambast the actress, while others felt fueled by it in their outrage against AMPAS' choice. I've previously written about Jamie Lee Curtis, defending her work in Everything Everywhere All At Once, but that doesn't mean I didn't mourn Bassett's loss.

As a white Portuguese man, I can't pretend to know what the thespian and her potential victory would have meant for Black audiences, specifically Black women – read Angelica Jade Bastién's Vulture piece for that perspective and a marvelous analysis of the actress' gifts. However, I'm an Angela Bassett fan who thinks she should have an Oscar already, so the potential for a career win for Wakanda Forever felt like justice and her loss like a sting. So, as the month draws to a close and the 95th Academy Awards drift into the past, perhaps into collective closure, let me take you through Angela Bassett's career and my favorite of her big-screen achievements. After all, there's no better way to celebrate an artist than to appreciate their work...

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Showbiz History: Ralph Fiennes, Waiting to Exhale, and Moment by Moment,

random things that happend on this day, December 22nd, in showbiz history 

1932 The Mummy, the fourth "classic monsters" picture from Universal (following Phantom of the Opera, Dracula, and Frankenstein) and the second to star Boris Karloff ("Karloff the Uncanny"), arrives in theaters. It was only a modest success and received no official sequels but was instead "rebooted" though they weren't using the term back then, with The Mummy's Hand (1940).

1939 Two years after Disney premiered the US's first animated feature, Snow White, another animated feature makes it to movie theaters via Paramount Pictures: David Fleischer's Gullivers Travels...

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Showbiz History: Milk baths, hit singles, and Montalban's centennial

7 random things that happened on this day (Nov 25th) in showbiz history... 

1932 Claudette Colbert infamously bathes in milk in Cecil B DeMille's The Sign of the Cross, new in theaters.

1947 The Hollywood Blacklist begins, denying employment to those with perceived Communist ties or sympathies. This period has haunted self-reflecting Hollywood since as witnessed in Trumbo, The Way We Were, Guilty by Suspicion, Good Night and Good Luck, and numerous other movies...

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'The Best Man Holiday' a Fascinating Portrait in Black Cinema

Glenn here. I get the sense that I am not meant to have much of an opinion on The Best Man Holiday. I suspect that even to the filmmakers it was meant to do little more than make audiences feel good (as well as a little sad – oh gawd, the tears!!) and make money while not rocking the boat. And yet I come to this 14-years-later sequel to Malcolm D. Lee’s original The Best Man (1999) and find it one of the year’s most fascinating films in terms of the evolution of black cinema and filmmaking in general.

 

Oh sure, it’s a perfectly adequate movie. It’s certainly never truly great. There’s quite a bit of stuff here that makes no sense (two deus ex machinas in the span of ten minutes is a bit much), and I’m dubious about some of its politics in regards to female sexuality. It’s also too long. On that same day I had watched What’s Love Got To Do With It? for the next Team Experience poll and that one, a biopic about the life of Tina freakin’ Turner, was shorter than The Best Man Holiday! Nevertheless, by the end credits I had laughed, I had cried, and I felt like I’d revisited old friends that left me with a smile on my face. Even if as a gay, white, Australian, Hollywood probably doesn't think I should have any interest in it. [more]

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RIP Whitney Houston (1963-2012)

Jordin Sparks and Whitney in the forthcoming "Sparkle"Breaking news as CNN is currently investigating the discrepancies within the details but Whitney Houston has died at the age of 48, the day before the Grammys no less. She won six of the music industry's top prizes over the span of her career, the last in 2000 for "It's Not Right, But It's OK".

She'll always be remembered as one of the great voices of the 80s and 90s but her career had been quiet for a decade, plagued as it was with substance abuse. I'll personally never forget that chilling "crack is whack" Diane Sawyers interview but there were occasional intermittent signs that Whitney was on the mend. She had recently returned to acting filming a remake of Sparkle with "American Idol" alum Jordin Sparks. 

That musical is currently in postproduction aiming for an August 2012 release date. Whitney's movie career previously was sparse and short but started with a supernova: The Bodyguard (1992) was a smash hit at the box office and the music was an even bigger deal launching a series of hits and becoming the bestselling soundtrack of all time.

Houston jumped from A list co-star to A list co-star: Kevin Costner to Angela Bassett to Denzel Washington. (I remember being miffed at the time that Angela Bassett had to take second billing but I was a possessed Bassett fan in college and hoping to see her snag a second nod for her literally fiery work in Waiting To Exhale.).

The song everyone remembers from The Bodyguard is of course Dolly Parton's immortal "I Will Always Love You". My fondest memory of the song is actually Dolly Parton related. My friends and I would always be like 'ka-ching. You get that money, Dolly!' whenever Whitney held that crazy note which was, appropriately, ALWAYS ♫ since she didn't seem to need to breathe and the song was always on. Mostly out of loyalty to Dolly and The Best Little Whorehouse in Texas where 'I Will Always' was first movie-fied but maybe also because I go weak at the knees for a sparkly headdress or wrap, I was more partial to "I Have Nothing."

Rest in Peace, Whitney Houston.  Your voice had plenty and you gave quite a lot of it to the world.