With Six You Get Linkroll

Towleroad Florence Henderson, "Mrs Brady" herself, dies at 82
Letterboxd "movies where jessica chastain gets fed up with the useless men around her so she decides to save the world herself"
EW Martin Scorsese's Silence to get world premiere at The Vatican
Medium "a letter to Tom Ford from a fat moviegoer" regarding Nocturnal Animals
Coco Hits NY finds Moana distractingly relevant to the current political situation
Elle Magazine all the different women who've played Jackie Kennedy (amazing, really)
The New Yorker the evolution of Pedro Almodóvar

oops that was seven links 

Exit Video
Doctor Strange as 8 bit game

They only do this for action and genre flicks since they're a natural fit but wouldn't it be satirical fun to do it for an unexpected non-teen boy favorite like say... Carol or The Hours?

Say What? John Boyega

Manuel here with a pretty picture to get our week started. 

What is John Boyega thinking about as he shoots scenes for the sequel for that other sci-fi franchise-to-be Pacific Rim: Maelstorm?

Great Moments In... Truth Telling

#41 (Octavia Spencer in The Help, 2011)

In Praise of Bradford Young

Chris here to spread some love for one of my below the line favorites in this year's Oscar Race. Like many of my cohorts here at The Film Experience, I am completely taken with Arrival. Director Denis Villeneuve's last two films (Sicario and Prisoners) resulted in Best Cinematography nominations for the genius Roger Deakins, but this time he partnered up with future legend Bradford Young to stunning results. If the Oscars want to reward some diversity below the line, Young is a mightily deserving talent.

Arrival seems like a fitting film to break him into the Oscar fold considering how it perfectly distills his greatest strengths: layering intimacy and the grandiose in equal measure, complimenting theme, and creating awe in the everyday. Like the film itself, his camera is only deceptively stoic with a great well of feeling underneath. Add in Arrival's many unforgettable images and fluid movement, and we have a real contender.

The cinematography branch is one of the stingiest to let in new voices, but with a major contender like Arrival he can hopefully break through. While much of his past work might have been too small for Oscar, he's been building a steady resume of immaculate work. Let's take a look back at five favorites from his work thus far...

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Five Teensy Reviews: Moana, Miss Sloane, Rules Don't Apply, Etc...

by Nathaniel R

Presented to assuage Nathaniel's guilt from not having properly reviewed them -- all five are now playing in theaters.

Moana (Clements, Hall, Musker & Williams)
Story: A chieftain's daughter sails the ocean to right an ancient wrong and save her people
Review: The episodic plot is ungainly and repetitive but the rest, from animal sidekick, to magical animation, to the heroine's self awakening and theme song ("How Far I'll Go") sure is dazzling. Disney's most resonant and hypnotic climax in forever and ever. "This is not who you are..."
Grade: B/B+
Oscar Chances: A nomination seems certain but Zootopia will be a tough film to dismount from this year's throne. It's worth noting that composer Lin-Manuel Miranda will complete his EGOT if he wins the Oscar.

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