Chicago Loves Lady Bird. AAFCA Loves Get Out

The Chicago Film Critics Association was established in 1988. Last year they broke big for the three arguable top dogs with Oscar so their tastes, shall we say, align. This year there were only two clear favorites were Lady Bird (4 prizes) and Call Me By Your Name (3 prizes) with a surprise Director win for Christopher Nolan and Dunkirk. 

Chicago's winners and the African American Film Critics Association prizes are after the jump...

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9 Foreign Film Finalists for the Oscar Race

by Nathaniel R

"The Wound" from South Africa might be the biggest surprise on the finalist list.The Academy's foreign film nominating committees have whittled down the 92 contenders to 9. If you've forgotten or never heard the procedure it involves multiple volunteers watching a certain number of entries to be eliglble to vote on them. The top six films advance from those ballots and the executive committee chooses another three which makes the 9 finalists. Then a final committee watches the nine finalists and votes to determine the five nominations. We correctly predicted 7 of the 9 finalist (you can peak here though we'll be updating that chart to reflect the official standings shortly)

A Fantastic Woman directed by Sebastián Lelio for Chile
In the Fade directed by Fatih Akin for Germany
On Body and Soul Ildikó Enyedi for Hungary
Foxtrot directed by Samuel Maoz for Israel
The Insult directed by Ziad Doueiri for Lebanon
Loveless directed by Andrey Zvyagintsev for Russia
Félicité directed by Alain Gomis for Senegal
The Wound directed by John Trengove for South Africa
The Square directed by Ruben Östlund for Sweden MORE AFTER THE JUMP...

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In Context: The Contentious Making of "Frida"

by Ilich Mejía

The New York Times published an op-ed by Salma Hayek where she discloses how working with Harvey Weinstein, then head of Miramax, affected the production of her passion project Frida. The film, centered around the life of Mexican painter Frida Kahlo, was released in 2002 with Hayek portraying the titular character. In the article, Hayek relates her refusals to Weinstein's inappropriate proposals (massages, showers, sex) to his explicit sabotaging of the film and its release. Up next, we contextualize five of Hayek's most poignant tellings of how Weinstein's ruthless power machine compromised the making of a promising film.

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"Ocean's Eight" Awaits

Chris here. While the world is continually bad, one of our sustaining mantras has been the promise of female ensemble heisting with Ocean's 8. The main refrain of this meditation / mindfulness exercise is obviously its stars - say their names with me and feel renewed: Sandra Bullock, Cate Blanchett, Sarah Paulson, Mindy Kaling, Rihanna, Anne Hathaway, Helena Bonham Carter, and Awkwafina.

Well done.

We've got a new poster and a photo of the assembled crew to distract ourselves, but even this is just a hint of the fun to come (you can expect a trailer to come very soon, impatient readers). Bullock will be playing Danny Ocean's equally conning sister Debbie, so the opportunity remains for some fun crossover with Steven Soderbergh's trilogy. The film's big heist will take place during the Met Gala and juicy cameos should be expected. Ocean's 12 already made a "Julia Roberts pretending to be Julia Roberts" gag, but it would be amusing to revamp the bit here. Rihanna is queen of the Met Gala, after all.

But our new looks are decidedly less fussy than that red carpet extravaganza, with the poster giving us coats and shades mystique and the image below has the team mid-planning. What is Debbie Ocean's octad looking at in their projector? The endless news cycle? Something from the screener pile? The trailer they're keeping from us? Hmmmm.

Blueprints: "mother!"

With the announcement of the Golden Globe and SAG Award nominations this week, we are officially in the awards race. So from now until Oscars, Jorge will be examining 2017’s most talked-about movies and their screenplays. First, he shows up uninvited at a party...

mother! is a fever dream. The stream-of-consciousness journey of a woman that just wants people to get the hell out of her space. It’s a biblical allegory, a metaphor for the destruction of the environment, a hallucination of the protagonist. It’s all of these, and it is none.

Watching the movie is a trip (take that word for whatever meaning). It’s more visceral than narrative. Trying to find a traditional, cohesive plot in it is useless, and it’s better to experience it through gut reactions of the vignettes presented. But how does the screenplay look? Exactly as you would imagine...

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