The Furniture: Building a Way out of Mudbound

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail. 

“I dreamed in brown,” remembers Laura McAllan (Carey Mulligan), surveying the near-monochrome dirt of a Mississippi farm. This small pocket of land is owned by her husband, Henry (Jason Clarke), but one doesn’t get much of a sense that she’d call it home. He appears not to like it either, but is motivated by a sour sense of duty. Perhaps this is why his agricultural efforts fail, barely introducing any green into this expanse of brown.

Even more obvious, when it comes to metaphors, is the way Mudbound begins. Dee Rees opens her earthbound epic on Henry in the dirt, digging a grave. The deceased is his Pappy (Jonathan Banks), an acrimonious Klan member who has done his utmost to pass his ideology down to his sons. It’s largely worked on Henry. Jamie (Garrett Hedlund) resists, but still winds up digging in the mud.

At the bottom of this new ditch, Henry finds a skull. It’s a “slave’s grave,” he declares; he can tell by the bullet-hole. It’s a hint at an old story, one that Rees knows she needn’t bother put into words...

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Which actresses are we underestimating in the nomination hunt?

by Nathaniel R

Are we underestimating them: Winslet, Bening, Chastain, Haddish, Vega, Dench, Williams, Stone, Chau, Blige, Scott Thomas, Gadot

If you look around the web you'd suspect we are closer to Oscar nominations than we actually are. Two months remain before we have our Oscar nominations (57 days to be exact) so there's a month of campaigning left before the Academy even starts filling out their nomination ballots! Despite the plentiful time remaining and few precursors yet announcing (NBR is first tomorrow), the internet seems convinced that we're narrowed down to about 6 or 7 players for 5 slots in virtually all the acting categories. But is it this cut and dry?

It's likely not.

We know the general field at this point but there's still a lot of wiggle room, some films/people are always underestimated and the reverse at this point. But even if none of the 12 women we've including in the image above end up with a difficult to snag Oscar nomination, I'm curious if any of them will be cited anywhere this season from precursors to the Globes to SAG to regional critics groups. What do you suspect?

RELATED: Updated charts for Best Actress and Supporting Actress. Thoughts?

FYC: Young Performer Award 2017

by Nathaniel R

Remember when the Beguiled girls did that charity lipsynch to "Schuyler Sisters" from HAMILTON?

Each year one of our awards traditions here at The Film Experience is to help fellow BFCA members choose more wisely when it comes to the "Young Performer" category at the Critics Choice Movie Awards by sharing an eligibility list. Ballots don't come with lists of eligible choices so it's up to each member to think up a list and since the category is "under 21" it takes a bit of research for the teen/young adult performances; as is Hollywood tradition almost everyone playing high schoolers in Lady Bird or Spider-Man Homecoming are in their early-to-mid 20s. It's just a guess but I'm betting some members even leave that category blank on their ballots. If true that's a pity because there are always enough strong options to fill out a ballot. This year, in fact, has several high profile movies with options to choose from like the blockbuster horror film It, the controversial remake of The Beguiled, the Todd Haynes puzzle Wonderstruck, and Wonder is a star vehicle for Jacob Tremblay, a previous winner in this very category for Room (2015). 

Ballots go out to the BFCA today so here's a cheat sheet to help them vote after the jump. The actors are listed alphabetically (asterisks by their name indicate a previous nomination in this category). So which of these performances would make your ballot? Let us know in the comments...

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Box Office: Animation of 2017

by Nathaniel R

This long holiday weekend saw the releases of three major Oscar contenders. Call Me By Your Name had a sensational per screen average (101,000 per screen). Darkest Hour also showed its prosthetic Churchill face for a good opening ($44,000 per screen). And then there was Pixar's Coco, which easily trounced Justice League to take the #1 spot. Critics are raving and, more importantly, Latino critics are raving, too, as you can see at Remezcla and here at The Film Experience.

So let's do the box office report differently this weekend and look at this year's Animated Features...

ANIMATED FEATURES AT THE BOX OFFICE IN 2017 GROSSES AS OF NOV 26th
1. Despicable Me 3  $264.3	6. Captain Underpants $73.9
2. Lego Batman Movie $175.7	7.🔺 Coco $71.1 REVIEW
3. The Boss Baby $175 REVIEW	8. Lego NinjaGo Movie $59
4. Cars 3  $152.9	9. Smurfs: Lost Village $45 REVIEW
5. The Emoji Movie $86 REVIEW	10. Nutjob 2 Nutty by Nature $28.3

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Stage Door: The Hilarious Cast of "Desperate Measures"

by Nathaniel R

Before we plunge into the deep end of movie awards season, which tends to consume our every waking moment from right now through Oscar night each year, a wee theater break.

Though we love movies with all our hearts, the one thing live-action movies don't really have an equivalent of is the grand theatrical tradition of the musical comedy. I'm talking inspired silliness as goddamn raison d'etre. I recently fell hard for Desperate Measures, a hilarious wild west riff on Shakespeare's Measure for Measure. The show has now been extended three times at the York Theatre in Manhattan and will close on New Year's Eve so get to it! (The York specializes in helping develop new musicals and I'm happy to call attention to this noble cause as a bonafide fanatic of the genre.)

I sat down recently to talk to with two of the musical's stars, strapping Peter Saide and rockstar feisty Lauren Molina, who both really "outta be in pictures" as they say though we're happy they're killing it on stage, don't misunderstand! The interviews are after the jump... 

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