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Thursday
Sep142017

Robert Altman Chosen for First-Ever AFI Retrospective

by Ilich Mejía

American director Robert Altman has been selected by the American Film Institute as the focus of AFI Fest's first annual retrospective showcasing the works of an accomplished filmmaker. AFI Fest will run, this year, from November 9 to 16. Each of those days will feature screenings and special discussions of Altman's best work. 

Even though Altman passed over ten years ago, his films are constantly remembered by film fanatics around the globe. His haunting 3 Women recently screened as part of the Film Society of Lincoln Center's retrospective of 1977. Other Altman classics include Julie Christie's bursting curls in McCabe & Mrs. Miller, the fiery politics of Nashville, and Downton Abbey predecesor Gosford Park.

What film are you most excited to see as part of this retrospective? Share your favorite Altman scenes and moments!

Thursday
Sep142017

The hyped mysteriousness of "mother!" pre-release

Ongoing adventures at TIFF

During Oscar season awards journalists often receive little bits of swag in the mail, cupcakes when Jennifer Aniston was trying to get nominated for Cake, a lux coffee table book on Los Angeles when La La Land was in the race, a stuffed Olaf during the Frozen year. That sort of thing. My favorite mail came from the creative and memorable campaign for Black Swan. The first thing to arrive was a black envelope with no return address. Inside were three black and white feathers. That was it. No message, no card, no return address, no explanation. Creepy. By the time the season was in full swing and the movie was familiar a mirrored music box was the perfect curio to arrive. 

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Thursday
Sep142017

TIFF: "The Breadwinner" is a visual stunner

Our ongoing adventures at TIFF

 One of the most exciting animation houses in the world is Ireland's Cartoon Saloon. In its early years its largely been a showcase for co-founder Tomm Moore who made Secret of Kells and Song of the Sea (both deservedly Oscar nominated). Now Nora Twomey, also a co-founder, steps into the director's chair for their third feature, another visual stunner. (If you haven't seen their films yet get to it. They're doing the consistently best non-Pixar derivative animation on earth now that Studio Ghibli has slowed way down.)

This time we depart Ireland for an adaptation of The Breadwinner, Deborah Ellis's bestseller about an Afghani girl who disguises herself as a boy to provide for her family when her father is imprisoned by the Taliban. Without a male relative to escort them around the city they're trapped in their home with no way to earn money or go shopping...

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Wednesday
Sep132017

TIFF: Notes on Oscar hopefuls "Darkest Hour" and "Downsizing"

Detroit may have bombed but the letter "D" could still reign come Oscar time with Dunkirk, Darkest Hour, and Downsizing all potential Best Picture players. Though it can sometimes feel gross to discuss rich movies from an Oscar perspective before they've even been considered as films, it happens to us all this time of year and the films invite it with their slow rollouts from festival reviews that result in months of discussion and speculation before the public can buy tickets. In other words: Look what they made me us do!

DOWNSIZING
After 'miniature masterpiece' style reviews at Venice the critics got considerably chillier with Alexander Payne's latest once it hit Telluride. Now the film is playing in Toronto and the reviews continue to be mixed. This could spell trouble for the film, but be patient. Initial reviews are only part of the Oscar equation...

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Wednesday
Sep132017

How Necessary is "American Horror Story: Cult"?

By Spencer Coile 

A Ryan Murphy production is anything but subtle. They rely on over-the-top scares, extravagant set pieces, and his usual band of actors (notably Sarah Paulson). American Horror Story: Cult is no exception. It begins with the bleakest opening imaginable, a night that will live in infamy: 2016 election night. As characters rejoice, cry, vent their frustrations, it felt as though Murphy was attempting to hone in on the social panic that swept the country in the wake of the election results. It was a bold opening, one that hit close to home. 

And then the rest of the episode happened.

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