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Sunday
Sep242017

NYFF: Faces Places

by Murtada

Agnes Varda, recently named one of 2017's Honorary Oscar recipients, retuns to cinemas very soon. Her latest documentary is Faces Places or Visages Villages - sounds more delicious in French, n'est pas? It's Varda's collaboration with visual artist JR to celebrate the power of images. For that it was the perfect confection to see first at NYFF. The two artists set out on a journey inside France, finding farmers, miners, dock workers and others to document and preserve in the places in which they reside and work. They don’t have a plan, they just go where luck takes them or as Varda puts it:

Chance has always been my best assistant.

Varda and JR operate their own separate cameras, but they were also recorded in their travels by multiple other cameras in both still and moving images. What we get is a delightful mix of the histories and stories of the people they meet, JR’s eccentricities (he never takes off his small rounded sunglasses), plus Varda’s grapple with her mortality (she’s 88 and has problems with her eyesight). A joy from start to finish. It’s worth the price of admission just for recreating the running in the Louvre scene from Godard’s Bande A Part (1964), with Varda’s age adding poignancy and exuberance.

Grade: B+

Faces Places screens at the New York Film Festival on October 1st and 2nd. It will be out in limited release on October 6th. On November 11th, she will be awarded the Honorary Oscar at the annual Governor's Awards in Los Angeles.
Saturday
Sep232017

Oscar Chart Updates - All Categories

Check out the charts and report back, won'cha?

INDEXPICTUREDIRECTORACTRESSACTORSUPPORTING ACTRESSSUPPORTING ACTORVISUAL CATEGORIESSOUND CATEGORIESSCREENPLAYS ANIMATED FEATURES

Major foreign film chart updates tomorrow

Saturday
Sep232017

Here We Go Again...

Amanda Seyfried posted the following photo online this weekend with the hashtag #HereWeGoAgain which leads us to believe that Mamma Mia!: Here We Go Again is officially filming now...or has officially wrapped filming? One or the other...

Click to read more ...

Saturday
Sep232017

Tweetweek: Michelle & Miscellania

For this final* edition of Tweetweek, something more focused. Every once in a blue moon (okay, totally frequently) I do a search for "Michelle Pfeiffer" on twitter just to see what people are saying. It probably won't surprise you to hear that in the Off Years of her career, which are most years given how infrequently she works, it tends to be references to Grease 2, Scarface, and her iconic Catwoman with a light seasoning of other famous movies tossed into the mix.

Lately it's been mostly mother! and we're here for the web's enthusiasm about the RePfeiffal. I mean even RuPaul felt the need to chime in. We wish his prediction hadn't felt so quickly like wishful thinking (given the cold slap of audience response to the difficult movie) but it's not for lack of a great performance!

More Pfeiffer and a few random other topics after the jump like the Kingsman  franchise, Jessica Chastain's ubiquity, and Victoria & Abdul's leading man...

Click to read more ...

Friday
Sep222017

Review: Jake Gyllenhaal gets "Stronger"

by Eric Blume

Have patience watching director David Gordon Green’s film Stronger, which captures real-life Boston native Jeff Bauman (played by Jake Gyllenhaal) as he’s caught in the 2013 Marathon bombing.  After a rickety start, Green relaxes into a nice rhythm and delivers an almost extinct creature: a true adult movie drama.

The first few scenes of Stronger come on a little, ahem, strong.  They’re written to show what a great guy Bauman is (he cuts out from work so he and his lucky beer can help the Red Sox win, he stands up for his gay boss), and Green has all the actors pushing too hard.  The initial scene where we meet Bauman’s family (including mom Miranda Richardson and girlfriend Tatiana Maslany) in a bar reeks of Boston cliché.  It’s a very tricky thing, honestly capturing that lower-middle-class Beantown language and attitude, and Green overplays his hand in this and several other early scenes.  The energy is overly commercial, and the movie gets off to an uneasy start.


But once the big sequence begins, where Bauman loses his legs in the terrible terrorist attack, Green begins observing smaller details, and starts scoring...

Click to read more ...