Beauty vs Beast: Hannah's Sisters

Jason from MNPP here, looking out across this rainy New York City day and thinking of Woody Allen, as I'm wont to do. Today specifically we're thinking about his great 1986 film Hannah and Her Sisters, because today is the great Dianne Wiest's birthday, and that film won Wiest her first of two much deserved Oscars. (It doesn't hurt that the movie just celebrated its 30th anniversary on March 14th.) So today's edition of our "Beauty vs Beast" series it is!

We're facing off the "and the Sisters" of the title -- Weist as the recovering actress Holly and Barbara Hershey as the brother-in-law snatching Lee. Granted the awardage (and the general consensus that she totally deserved it too) might immediately tilt this contest in Wiest's direction in your mind, but slow yourself and don't make the mistake of under-valuing Barbara Hershey's fine work in the film; she makes the difficult and confused character of Lee pretty darn sympathetic and funny too. Much to my emotional consternation if they made online quizzes asking us which of the three sisters we are in this film I am sure I'd end up being a Lee.

PREVIOUSLY Last week nathaniel took over and delightfully went Full Tabloid, asking you to choose between the recently y'all to choose between the recently fractured power-couple Bennifer 2.0 -- y'all had the good sense to stand with Jennifer Garner to the tune of just under 70% of the vote. Said John T:

""I mean ehh on both of them but Jen seems like a nice person off screen and Ben like a jackass. As they're both gorgeous I will use that as my tiebreaker"

Cast This: Highsmith's Ripley TV Series

Manuel here. Patricia Highsmith is definitely back in vogue. We'll obviously credit Carol (based on her Price of Salt novel) but the ample filmography her books have begat should remind us that she's been the type of author whose works seem ready-made for the screen. While there's still no new word on whether that Gillian Flynn/David Fincher Strangers on a Train remake is still in the works, we now have another Highsmith property to get excited about.

Well, perhaps "new" is too strong a word. [More...]

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The Furniture: Batman's Nightmare at the Museum

New Series. Daniel Walber talks production design in "The Furniture". Previously we looked at The Exorcist, and Carol and Brooklyn. And now...

In the Oscar battle between Batman and Superman, there is no real contest. Superman’s three nominations, zero wins and one special achievement award have nothing on Batman’s fifteen nominations and three wins. And it doesn’t look as if we have to worry about the tally getting complicated by any nominations for Batman v Superman: Dawn of Justice.

However, the arrival of the newest Batman movie is an excellent excuse to discuss the oldest. Tim Burton’s 1989 Batman remains the only superhero movie to ever win the Best Production Design Oscar, an honor it certainly deserves to keep...

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Ask Nathaniel

Every other week you get a Q&A column. It's now that "other" week so ask away in the comments and I'll choose a handful or two to answer on Wednesday night (3/30) and bank the rest for possible random inspirations for this daily site. Wednesday is the joint birthday of Goya and Van Gogh* so let's get some art inspired questions this round (though other topics are fine, too.)

* Yes we will be celebrating Kirk Douglas's Centennial in 2016 but that's not until December.

Tim's Toons: Easter animation

Tim here. Easter is upon us, and with it comes the realization that, for a holiday with such prominent iconography and a pre-made adorable talking animal, the movies haven't been able to do much with it. The go-to classic Easter film for generations of TV audiences has been The Ten Commandments, a religious epic that isn't even about the life of Jesus; meanwhile, the secular side of the date has been horribly mangled. Recent attempts at minting new holiday classics include Rise of the Guardians, which devoted all of its energy to pretending to be a Christmas movie instead, and the deeply execrable Hop, a live-action/animation hybrid with James Marsden as the perpetually horrified human companion to an abominable CGI rabbit voiced by Russell Brand.

Dig a little, however, and you can still find some reasonably charming Easter Bunny pictures out in the world. As a public service, may I offer these three Easter-themed shorts, all of them available on the internet.

Funny Little Bunnies (1934)
One of Disney's Silly Symphonies from the middle of that series' life, this is a look at the factory-like process by which a community of rabbits ready the various candies distributed to the Christian American children of the world. Primitive already by the standards of 1934, with its metronome-like repetitions of action and complete lack of a plot, the film nonetheless thrives on account of its gorgeous color palette, blending dreamy springtime pastels with the rich saturation of early Technicolor. Not one of the all-time great Disney cartoons, but at just seven minutes, it goes down nicely. Right up until the split-second blackface gag, anyway, startlingly unnecessary even by the standards of Disney's 1930s infatuation with minstrelsy. (On YouTube)

Two more Easter shorts after the jump!

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