Vintage 1954: Brando, Monroe, Godzilla, and Much More...

"Can Marlon Brando Be Tamed?" - the answer, as the next 50 years taught the world was an unequivocal "No."1954 is our "Year of the Month" and this post was fun to research. People who only care about 'the now' are really missing out. Movie tickets were only 70 cents. Can you imagine?

We'll announce the panelists for the Supporting Actress Smackdown (August 30th) on Tuesday. But until then let's marinate a little in the year that was.  

BEST MOVIES ACCORDING TO...

Oscar:
On the Waterfront (12 noms / 8 wins)
The Country Girl (7 noms | 2 wins)
The Caine Mutiny (7 nominations)
Seven Brides For Seven Brothers (5 noms | 1 win)
Three Coins in the Fountain (3 noms | 2 wins).

Just outside the Best Picture shortlist looking in was surely Billy Wilder's wonderful and funny Sabrina and maybe the airplane drama The High and the Mighty (both with 6 noms | 1 win). Probably not just-misses as they were not totally loved but definitely prestigious / respected were two musicals, the awesome A Star is Born (6 nominations) which should have definitely been there and which in fact won both the acting Globes for comedy/musical and the historic Carmen Jones (2 nominations). It's always worth noting that only beginning in the 80s were musicals like rare unicorns. There were 22 musicals released in 1954! It was just another type of movie with hits and misses like any other film genre for the first 50 years of sound cinema.

Golden Globe: (drama) On the Waterfront (comedy/musical) Carmen Jones

Cannes: Gate of Hell  (Japan) took the Palme D'Or and after opening in the US in December and Oscar nomination for Costume Design and an Honorary Oscar for Best Foreign Language Film (before that category was created)

List-Mania continues with music hits, debuts, and adorable "born in '54" people after the jump...  

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Working Late

YNMS: The Hateful Eight

David here digging into the trailer of the moment...

Or as the logo has it, The H8ful Eight. Which seems incongruous given both the Western setting and the classicism of the 70mm promotion at the end of the trailer, but that's Tarantino for you. He lives by his own rules.

Anyway, let's dig in to one of the year's most anticipated trailers, which gives us our first glimpse at the eighth/ninth film from one of cinema's most controversial auteurs.

The trailer, Jennifer Jason Leigh and more after the jump...

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Germany's Submissions for Oscar Consideration

Having had no luck scoring a nomination for the Best Foreign Language Film Oscar since Michael Haneke's The White Ribbon six years ago, Germany has just announced the shortlist for consideration as the country's entry for the 88th Academy Awards. The eight films listed are:

• 13 Minutes (Elser) by Oliver Hirschbiegel
• Head Full of Honey (Honig im Kopf) by Til Schweiger
• Jack by Edward Berger
• Labyrinth of Lies (Im Labyrinth des Schweigens) by Giulio Ricciarelli
• Sanctuary (Freistatt) by Marc Brummund
• Schmidts Katze by Marc Schlegel
• Victoria by Sebastian Schipper
• We Are Young. We Are Strong. (Wir sind jung. Wir sind stark.) by Burhan Qurbani

Let's take a closer look...

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Eddie Redmayne starts his Oscar Campaign

Here's Murtada on the first major magazine cover of the 2015 Awards Season.

Our current best actor winner is ready for his second straight nomination. Eddie Redmayne is starting his Oscar campaign for Tom Hooper’s The Danish Girl more than 3 months before the movie’s release. This week he covers OUT magazine’s fall preview issue with a lengthy interview that touches on everything from where he keeps his Oscar, to his privileged upbringing, to playing transgender artist Lili Elbe.

Perhaps what people are most curious about is how he handles the potential minefield of his casting as a transgender woman. Elbe, who had sexual reassignment surgery in 1930s, was one of the first known transgender people to transition and a movie about her life has been in the making for more than a decade.

Redmayne and his handlers are obviously trying to get ahead of any potential controversy. Hence the careful choice of the publication to which he gives his first interview about the film, and the inclusion in the article of advocates from the trans community like Paris Lees and Lana Wachowski. Lees is quoted and says about Redmayne's casting “Politically, it makes me groan. But if anybody’s going to do this justice, then I’m happy it’s Eddie. We had a good chat about everything”.

The interview is a good read and he handles some of the thornier issues with deft and careful thought. He comes through as humble while acknowledging his luck and privilege. He recognizes how divisive his portrayal of Elbe might become.

”People were so kind and generous with their experience, but also so open. Virtually all of the trans men and women I met would say ‘Ask me anything.’ They know that need for cisgender people to be educated. I felt like, I’m being given this extraordinary experience of being able to play this woman, but with that comes this responsibility of not only educating myself but hopefully using that to educate [an audience]. Gosh, it’s delicate. And complicated.”

As for the movie itself, the verdict will be out soon. It plays at both the Venice and Toronto film festivals in early September. Venice comes first and that will be our first indication whether or not that nomination is happening as we’ve seen many an Oscar campaign start at the Biennale.

In the last 10 years, 8 men and 3 women have won the Volpi Cup for English language performances, a big percentage. Of those performances David Strathairn (Good Night and Good Luck), Cate Blanchett (I’m Not There), Colin Firth (A Single Man), Philip Seymour Hoffman and Joaquin Phoenix (who won jointly for The Master) went on to land Oscar nominations. Michael Fassbender (Shame) came close but ultimately missed. However the only winner this decade at Venice who went on to win an Oscar is Helen Mirren (The Queen).

Are you looking forward to The Danish Girl? Do you think Redmayne is a good choice to play Elbe?