I'll answer the question first. I might, though I probably shouldn't say that I might. For each year I make an internal plan to read all of the books on which upcoming films are based. Guess how many I usually get through? But given that I'd never trade F Scott Fitzgerald's "The Great Gatsby" for any film version that might ever exist, I should probably try and read source material quicker once I know it's going to be a movie. I weep proactively, for example, for anyone who sees August: Osage County first as a movie (if it's not good) without having previously known the brilliance of the play. With this year's "Adapted" crowd, I have actually had read/experienced at least five of them... plus all the superhero stuff, 'natch.
intimate knowledge *before* seeing the movies, 2013 edition
This topic is on the mind since I've posted my predictions in the Original and Adapted Screenplay Oscar categories.
What's the difference between ADAPTED and ORIGINAL these days? Well, like the Acting Categories, sometimes screenplays play fast and loose with definitions. The landmark year for "Original" vs "Adapted" shenanigans was 2002 in which both Gangs of New York and My Big Fat Greek Wedding, which had presented themselves as adaptations of a novel and play respectively for months on end as they made their way into the public consciousness, suddenly decided they were originals when that category proved conveniently easier to nab nominations in. Oh sure, they had their excuses ("only inspired by" "I wrote a version of this for the screen before I wrote it as a play") but it still smelled like Category Fraud.
I bring this up because it's possible that some of the films will be classified differently than I've classified them. The most confusing case is probably Foxcatcher since books have been written about the bizarre true story but the film doesn't seem to be based on those books but on an unpublished autobiography (?) by one of its secondary characters (played by Channing Tatum). I'm guessing Adapted for now but that could easily change.
But back to books. Have any of you read any of these pictured? Do you want to?
Which of these ten should I read and write about before the film version?
WHICHEVER BOOK WINS THIS POLL I PROMISE TO READ / BLOG.
I'll try for two but I will do one. I will, I will.
Monday, May 20, 2013 at 3:09PM 
abstew here. Although often cited as one of the reasons for the death of originality in American Theatre, the musicalization of popular films to stage is hardly new. After all, two Best Picture Oscar winners (All About Eve and The Apartment) were turned into musicals (1970's Applause and 1968's Promises, Promises, respectively) long before Bring It On was cheering it's way to a Best "New" Musical Tony Nomination. (I, myself, am still waiting for the musical version of Death Becomes Her. It already has a musical number! Someone, please, make this happen!) The latest film getting the song & dance treatment (well... song & walking around) is one that I'm sure TFE readers are familiar with, Todd Haynes' glorious Far From Heaven (2002). more...
