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Wednesday
Dec052012

The Lady or The Tiger: Ambiguity and Life of Pi 

Michael C. here. I hope everyone has had a chance to see Ang Lee’s adaptation of Yann Martel’s Life of Pi. I’ve been dying to dive into spoiler territory since the film’s premiere at the New York Film Festival. 

If you haven’t seen the film I recommend you do. Lee has created a visually magnificent fable that transfers the book’s expansive imagination to the screen better than I thought possible. It’s a terrific return to form for Lee following the face plant that was Taking Woodstock

But then there’s that nagging problem of that ending. I’ve struggled with it in the book and now I struggle with it in the film. Try as I might, I just can’t get behind it. 

Detailed SPOILERS follow… 

 

Click to read more ...

Wednesday
Dec052012

It's ZDT for the NBR

And things were looking so super extra competitive this year! Just a few days ago Les Miz, Argo, Lincoln, and Zero Dark Thirty all seemed to be on somewhat equal footing and to a lesser extent Beasts of the Southern Wild, Silver Linings Playbook, and Life of Pi had all received enough warmish embraces from critics, audiences and  Oscared corners of the showbiz culture that we could look forward to a real competition once the Oscar nominations were announced on January 10th. But with the one-two-zero-dark punch of the New York Film Critics Circle and the National Board of Review, the Oscar race suddenly looks a bit less like a clusterfuck and a ltitle more like a done deal. Zero Dark Thirty, Kathryn Bigelow's engrossing account of the hunt for Osama Bin Laden, is suddenly apparently way out front.The NBR generally attempts to spread the wealth but not so this year since they gave ZDT three of their top prizes (Pic, Director, Actress)

Will enough critics groups and precursors disagree or is this just one of those years that seemed competitive and then suddenly wasn't... like, oh, so many years in the past!

Winners and discussion after the jump

Click to read more ...

Wednesday
Dec052012

The Surprising Year-End Aesthetics of John Waters

For a filmmaker whose movies are so instantly recognizably HIS and his alone, John Waters's annual top ten list adventure at Artforum is not what you'd expect... until you've followed it for a few years that is. It's not the crazy comic camp-fest his movies would suggest. There's usually a mix of outre movies, risque movies, documentaries, and the highbrow dramas. He's all over the place. Literally. Though the 66 year old director hasn't made a movie in eight years he recently hitchhiked across the country and is writing a book about it ("Carsick") to be published next year.

John ♥ Rachel

His number one choice is The Deep Blue Sea... and after Rachel Weisz's win at the NYFCC that movie is suddenly being talked up again.

1 The Deep Blue Sea
Paradise: Faith
Paradise: Love
4 Amour

Misery is really in this year. “Hurts! Hurts! Hurts!” yells out the dying elderly wife to her longtime-caretaker husband, and ticket buyers will agree. Makes Saw seem like a romantic comedy.

Hee.

Killer Joe
6 Beasts of the Southern Wild
Compliance
Marina Abramović: The Artist Is Present
Beloved

Another crackpot Umbrellas of Cherbourg homage by the French director who adores unrequited love, cigarettes, Catherine Deneuve, and especially Louis Garrel. Yes, it’s L-O-N-G, but I wished the characters would have kept on singing in the theater even after the projectionist had gone home for the night.

I include this bit about Beloved because I was so curious as to what he saw in it. I tend to like Christophe Honore's films -- possibly because I share his love of love, cigarettes, musicals, and actresses ... but this film loses its way after a terrific start. Or maybe it finds too many ways after a terrific start. It's all over the place. Very first drafty, every idea included. 

10 The Imposter (on the documentary finalist list for Oscar)

Read John Waters top ten article here

Wednesday
Dec052012

Webcomics and New Movies

I've been aiming to launch my new Actressland series for months and despite the first strip, it will be an ongoing narrative rather than stand alone gags (usually). If only there were more hours in the day?! So, my mind has been on webcomics. Here's a couple of recent strips on movies I enjoyed.

Hijinks Ensue is a funny geek-oriented comic with lots of sci-fi and pop culture referencing. Here's the first part of their piece on Skyfall 

For the punchline click over to Hijinks

Joe Loves Crappy Movies is generally good for smile and occasionally it's very clever. That said Joe's taste is super narrow; no jokes about anything that's not a blockbuster. I love the recurring homages to cupcakes though, like this one... 

 

Other webcomics that feature movie-related moments regularly or are movie-themed: Multiplex (about a group of movie theater workers); The B-Movie Comic (Honestly, I can't follow this one); For the Reels (parodies); Theater Hopper (very long running biographical series that recently ended) ; The Chicken and the Egg (parodies); Hark, a Vagrant! (more obsessed with literature than film but always hilarious)
. If you know of any others feel free to share them in the comments! 

Tuesday
Dec042012

Help Me With My "Critics Choice" Ballot

Voting has begun for the BFCA's 'Critics Choice' prize and I thought I'd ask for your input as a memory jog. Though I do keep track of my favorite achievements in film during the year I always forget about the categories that I don't have in my own FiLM BiTCH prizes so I definitely need help with those.

I already asked for help on Twitter but for those of you who don't follow me there (what's wrong with you?) Please sound off here about your suggestions in the following categories:

BEST YOUNG ACTOR/ACTRESS (under 21)
BEST ACTION MOVIE  

and the following are *new* categories this year

BEST ACTOR in a COMEDY
BEST ACTRESS in a COMEDY
BEST ACTOR in a ACTION FILM
BEST ACTRESS in an ACTION FILM 
BEST SCI-FI/HORROR MOVIE

Make your FYC cases in the comment! Limit yourself to 3 choices in each category - that's all we get to put on the ballot (so difficult)