Sarah Greenwood: From Narnia to Barbieland

by Cláudio Alves

Gerwig and Greenwood discuss BARBIE in a behind-the-scenes video. | © Warner Bros.Last Sunday, Sarah Greenwood officially became the most nominated production designer without an Oscar, breaking her tie with Nathan Crowley for the "Diane Warren" distinction. This year, she was nominated for Barbie, another triumph among many in a career spanning 1980s BBC miniseries to 21st-century Hollywood blockbusters.

Though many of her best works rely on a sense of material realism, the Greta Gerwig feature aimed for a sort of "authentic artificiality" where denying reality is a sort of reality into itself. For Greenwood, midcentury Palm Springs was a source of real-world inspiration to combine with Mattel's history, adding a sense of internal logic to Barbieland. Moreover, the aesthetic was sustained by old-school techniques like hand-painted backdrops and a practical fake sea, visible wires holding everything together in the loopy transitions between worlds. She used scale as a tool for wonderment, took cues from Gene Kelly musicals, and delivered a screen dream in fifty shades of fuchsia. Indeed, her team used so much pink paint that they caused an international shortage…

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Links: Multiple Sherlock Holmes, Change in Oscar Venue, and more...

• Crime Reads an amazing piece ranking the 100 best, strangest, and worst portrayals of Sherlock Holmes. I LOL'ed several times. 
• Deadline icymi the Visual Effects Society awards were held. The Midnight Sky, The Mandalorian, Project Power, Lovecraft Country, and Soul were all winners
• Variety on the absence of Latinos at the Oscars. Rosie Perez speaks out about never being asked back. And she's not even talking about being nominated again.

“Not even to sit in the audience, not to present, nothing—and I’m a member. I love the Academy Awards. I cheer on my peers, but it hurts. It’s like when your home team doesn’t ask you to come back into the stadium after you got up to bat and hit the home run.”

More after the jump including Los Angeles streets during Oscar week, Youn Yuh-jung, Queer as Folk, and more...

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Julie Harris: The woman who dressed 007, Sherlock, and The Beatles

by Cláudio Alves

The word 'iconic' gets thrown around a lot these days. So much so that its essence has become diluted, nearly meaningless. Nonetheless, some people do deserve to be called iconic. Costume designer Julie Harris, who was born 100 years ago, is one of them. If not her, then her work deserves the moniker. From the 1940s until 1991, Harris helped define the look of British cinema and pop culture, dressing a myriad of international stars and idols, working for some of the greatest directors ever.

Her impact was particularly felt in the 1960s when - designing films like Darling, the Beatles' A Hard Day's Night and Help! - she defined mod fashion on the silver screen. Furthermore, Harris dressed such iconic characters as James Bond, Sherlock Holmes, Dracula, and the Muppets. Her filmography's the stuff dreams are made of…

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"Enola Holmes"

by our new Italian contributor Elisa Giudici

It's been a while since a Netflix film prompted me to write in my cinephile What's App group chat: "ok everybody, I have a fun movie to suggest." After the boring disappointments of The Devil All the Time and Project Power, after the unspeakable horrors I witnessed in The Last Days of American Crime, I confess I log in my Netflix account holding my breath. Enola Holmes brought a sigh of relief. Nothing life-changing, mind you, just a fun, entertaining movie that reimagines the canon of Sherlock Holmes, the classic of classics. Conan Doyle's detective is one of the few fictional characters who keeps getting adapted in fresh ways without ever wearing out his welcome. 

Giving Mycroft and Sherlock a little sister is not entirely new...

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Posterized: Guy Ritchie

The British director Guy Ritchie never finished school and didn't attend film school either but by the time he was 28 he was on his way to making cinematic waves. His short film The Hard Case (1995) attracted the attention of financiers and his debut feature Lock Stock and Two Smoking Barrels (1998) was a scrappy success. Sudden fame for new directors is usually somewhat invisible since it's their names rather than faces that get the publicity. Not so for Guy Ritchie. His rise went meteoric via a marriage to global household name Madonna before people had even really learned his name. They famously wore each other's new products on t-shirts; he pushed her album "Music" across his chest in 2000 as she paraded Snatch, his second film, around on hers.

The marriage soured but his movies got bigger and bigger if not always more successful. Like any regularly working director he's had both hits and misses. His 9th feature King Arthur: Legend of the Sword is now open in theaters everywhere.

Let's look at all his movies via posterized after the jump. How many have you seen? 

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