Curio: Recycling Celluloid

Alexa here.  The arrival of The Master, possibly the last film shot in large format film, has many lamenting the turnover of most theaters from celluloid to digital. Next year 20th Century Fox isn't even distributing film prints of its movies, and the other studios will likely follow soon. Digital is cheaper and easier, but the magical grain and glow of film are certainly unique.  The projectionists are being cast aside along with the reels (see The Last Projectionist for a great trip through that lost craft).  

And what of all those soon-to-be useless reels? Fox's Latin American division announced that they would be sending all that celluloid away to be manufactured into polyester fabric.  Rather than create more flammable clothes, here are some crafters and artists putting all that leftover film to more creative ends.

Collapsible bookshelves using recycled film by VU35.Portraits of Audrey and Marilyn using recycled 8mm film by Erika Iris Simmons. 

Click for more creations, and for how to get your hands on some film stock yourself...

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Red Carpet Emmy Pt. 1: Mad Women, Power Couples, Pocket Smuggling

Nathaniel:  Hi Joanna and Jose! Welcome back. We'll call this Part One and it will be truly perverse if there isn't a part two since there was so very much gownage last night.

Joanna:  So happy to be back! Like so many things we saw last night, my excitement runneth over.

Nathaniel:  There are these precious few windows of time, see, and we're all online so we cover what we can. Speaking of windows of time... Mad Men's Emmy time passeth over. 0 for 17. So let's start with the Mad Women because they're never 0 for 17 in Nathaniel's World.

Megan Draper, Joan Holloway Harris, Marie Calvet, Peggy Olson, Betty Draper Francis

Joanna:  I feel like I just saw Jessica Pare's dress on someone else.  Am I crazy?

Nathaniel: Jose will know.

 Jose:  Maybe on her. She's been doing a lot of Jason Wu lately. But also, this is a very favored shape for red carpets, it might remind you of when Cate Blanchett won the Oscar too

Nathaniel: Oh, yes, that. I see it.

Joanna:  Well it's very goddessy and I like it and her cherry popping lip.  Unlike, say, Elisabeth Moss's dress which reminds me of a ravaged sofa

Nathaniel: Ravaged Sofa - ha! Some hipster band seeking a name just found it. Jessica Paré's look strikes me as a little too polished. Or maybe Jessica Paré is just making me nervous because I keep reading these theories that it was the Megan-focus of the latest season that turned Emmy against Mad Men... 

[gownage, gays, and gimmes after the jump]

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Say What, Green Hamm?

Amuse us. Add dialogue or caption to this picture of Jon Hamm and Adam Scott on the set of _____  in the comments.

You know you want to!

NYFF: "Barbara" Cold War Slow Burn

Michael C. here with another dispatch from the New York Film Festival. This time it’s Barbara, Germany’s submission to the Foreign Language Oscar race. 

When you read as many movie reviews as I do you begin to pick up on certain code words critics will occasionally use, not unlike the way a real estate agent will describe an apartment as “cozy” instead of  “so small you have to open a window to use the microwave.” The reviews for Christian Petzold’s Barbara, for example, will no doubt refer to its “deliberate pacing” or its “slow-burning tension”. They will praise the admirable “subtlety” of the storytelling. All of these descriptors are accurate, no question, but they also dance around a simple blunt truth, which is that for long stretches Barbara is more than a bit boring.

Critics are forbidden to come right out and say this. First, because it makes the writer sound like he or she has zero attention span and wishes the film had more car chases and velociraptor attacks, and second, because the word is so damning it essentially negates the rest of the review. Might as well post the words DON’T SEE THIS in “Man Walks On Moon” sized letters if you are going to bring the word boring into the discussion.

In point of fact, Barbara is quite a good film...

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"Inconceivable!" ~ a Princess Bride Reunion for NYFF

Hot off the presses! And given our wee Carol Kane tangent recently, we'll have fun storming this castle...

The director and cast of the adventure comedy classic The Princess Bride (1987), including Rob Reiner, Billy Crystal, Cary Elwes, Carol Kane, Mandy Patinkin, Chris Sarandon and Robin Wright, will reunite for a 25th anniversary special screening and Q & A at the 50th New York Film Festival on Tuesday October 2nd at 8:00 PM! Tickets will undoubtedly go fast for this one.

Oscar Trivia: It's worth noting that the Academy's bias against "light" movies can often cast them in an unflattering light historically. The Princess Bride only enjoyed one nomination -- a Best Original Song nomination at that -- in its year. It didn't even get a screenplay nomination which seems to strain all belief in hindsight. 1987's Oscar favorites were far from an anti-populist crop (Two Best Picture nominees, the wondrous Moonstruck, which definitely holds up in 2012, and the thriller Fatal Attraction were both blockbuster hits and Broadcast News was a major success, too) it's arguably The Princess Bride that remains 1987's most universally beloved film.

Miracle Max (Billy Crystal) and his wife (Carol Kane) in The Princess Bride (1987)

Does it make your top ten list from 1987? It made mine.