April Foolish Predictions: Best Picture

Every year in the first week of April we try to mentally project ourselves forward several months. This is not easy to do due to the pesky problem of films being so much different on screen than they are "on paper". Drama is Oscar's favorite category and the year has already produced two hit dramas in The Grey and The Hunger Games, one a surprise the other a bonafide phenomenon but they're both essentially genre movies so that's one strike against them. And they'll be old news when voting occurs. Strike two.

We're projecting forward anyway.

The Oscar race doesn't actually begin until summer's end anyway when media and pundit types (guilty!) get all respective about 'the year thus far'. At that point box office and critical heat will hopefully combine for one or two of the blockbusters or sleepers and give us our first real contenders. Fans who never forgave the Academy for leaving The Dark Knight out of the 2008 Best Picture field will surely hope that the magic strikes again for The Dark Knight Rises but I personally can't see it happening. It would have to surpass that film, I think, and even if it does it won't have the unrepeatable tragic connections that elevated the reception of the earlier film. Since I'm doubtful that that could possibly happen and don't particularly think Oscar should feel guilty about that omission (I'm much more pissed that WALL•E missed the list that year) I'd rather dream about an Oscar bid for a certain wild-haired princess. Can Pixar regain their "do no wrong" magic with Brave or did that era run out of gas [*cough Cars 2*] or will Merida strike a bullseye? Sorry to mix metaphors but archery is so hot this year (see also: The Avengers and The Hunger Games).

Late year curiousity and prediction battles after the jump

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Complete the Sentences. So Far...

My favorite movie of the year so far is _________________ because ________________. The next thing I'm planning to see is __________________ because _____________.

Curio: Smart Alec

Alexa here. Alec Baldwin, newly-engaged and soon-to-be-upstaged by Benigni antics in Woody's "To Rome With Love" (if the poster is any indication) turns 54 today. Hearing him deliver a deliciously clever line of dialogue is truly one of lie's great pleasures, no? I've thought so as far back as Married to the Mob ("Tony, I had no idea you was puttin' the stones to Karen"), but his performance in Glengarry Glen Ross may still be his high water mark in scene-stealing. Here's praying Woody has written him enough quality dialogue that even Begnini's arm waving won't matter. If not, well, he still has Tina.  Here are a few arty celebrations of Alec's best lines.

Poster by Amy McAdams.

Glengarry closers mug, available here.

Click for some Jack Donaghy gems...

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Linksploitation

Digital Spy Kate Winslet on Titanic then and now "he's fatter now - I'm thinner."
Baltimore Magazine an oral history of Diner (1982) the influential comedy.
Acidemic interesting piece on The Hunger Games as the They Shoot Horses Don't They of 2012
Rope of Silicon Christoph Waltz on the set of Django Unchained. First look at his character's look.
Furious Cinema films that may have influenced Quentin Tarantino's Django Unchained.

The House Next Door 15 Famous Movie Bullies 
Empire new Brave character posters. So much red hair.
Stirred Straight Up... Olivia, Newton, Johns (hee)
Awards Daily Jennifer Lawrence. She's happening.
Cinema Blend Danny Boyle making a short James Bond film with Daniel Craig? Stirring.
Gold Derby Adam Sandler and Adam Sandler and Jack and Jill took all 10 of the Razzie Awards! Clean sweep. 
Guardian a bizarre story of a leprosy joke cut from The Pirates! the new animated movie. 
Pajiba on the casting of Ashton Kutchner as Steve Jobs in a biopic.

The casting is ridiculous. I mean, it’s like Ashton Kutcher playing Steve Jobs: Yes, the most extreme, hyperbolic comparison I can make is THE ACTUAL CASTING.

lmfao.

Finally... enjoy this 5 second delight called "Vampire Bash" by António Silva

Burning Questions: Lifetime Passes

Michael C. here. This week’s Burning Question came to me when my heart sank upon seeing the poster for Woody Allen’s latest.

Maybe it's the inexplicably prominent placement of Roberto Benigni. Maybe it's because the Committee to Blandify Movie Titles reduced the movie's name from the interesting The Bop Decameron to the acceptable Nero Fiddled to the yawn-inducing To Rome With Love. Or maybe it was just the beige Nancy Meyers-ness of the whole thing. Whatever the reason, my gut tells me this is a return to the lifeless, script-out-of-the-bottom-drawer rehashes that have been the rule and not the exception for Woody’s output over the last decade. 

Of course this would all be a lot less distressing if I didn’t know there was no way I would miss seeing it. Why? Because I, like many others, have issued Mr. Allen a lifetime pass out of gratitude for Annie Hall and Manhattan and a dozen other titles that constitute a large chunk of the foundation of my love of movies. Therefore I will keep setting myself up for disappointment, like Charlie Brown forever returning to kick that football.

Annie Hall by Al Hirschfeld

Would it not make more sense to ignore the completist in me that insists I see every title Woody releases even when it's an obvious gutterball? Does anyone really deserve a lifetime pass?

First off, lets be clear what constitutes a lifetime pass...

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