ADG & ACE winners spread the wealth

by Nathaniel R

The Art Directors Guild and the American Cinema Editors Guild announced their winners last night. The results indicate support for multiple films vying for Best Picture with Encanto (not a Best Picture nominee) the only film to win at both ceremonies last night. King Richard made news winning the Drama Editing prize over presumedly stronger Best Picture hopefuls like Dune and Power of the Dog but who knows what Oscar might choose. Statistically, believe it or not, this win is not necessarily a big plus in King Richard's column (other than to be recognized which if of course wonderful on its own!). AMPAS has a differnet voting body and they often choose differently in the editing category.  

Winners and commentary after the jump for both guilds after the jump...

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Spirit Awards 2022: My Personal Ballot

by Cláudio Alves

The Film Independent Spirit Awards are upon us! After a few years of hewing concerningly close to the Oscars, this year's slot of nominees feels more connected to the organization's purpose of celebrating independent cinema, even the obscure stuff. Indeed, exploring the many nominated pictures was one of the highlights of this awards season. I discovered some beautiful gems and have new artists to look for in the incoming years. Isn't that the most beautiful part of movie awards – the uncovering of heretofore unknown talents and voices? It seems right, seeing as the Spirit Awards are voted on by cinephiles, all those who become Film Independent members out of their love for the seventh art.

With that in mind, I thought it could be fun to share my (not so anonymous) ballot for the Spirit Awards, perchance some predictions too…

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The long reach of 'Nosferatu,' now 100 years old

by Brent Calderwood

A century after its March 4th, 1922, premiere in Berlin, F.W. Murnau’s Nosferatu remains a truly chilling classic. It’s widely acknowledged that Nosferatu and other German Expressionist masterpieces were influential not only to the development of Hollywood horror, but also to film noir and other genres. Nothing demonstrates the shadowy reach of Expressionism quite so strikingly, though, as its prevalence in the first wave of Walt Disney’s full-length features, which quoted heavily from Murnau and his contemporaries...

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The One Inch Barrier: 'Nights of Cabiria' and 'The Seventh Seal'

by Nathaniel R

While we're sad about the current state of Oscar we still have 93 other years of Oscar history to obsess over. So I'm happy to share that I was invited back for a final appearance on "The One-Inch Barrier". Juan Carlos Ojano's podcast has looked at every Oscar race for Best International Feature Film while moving backward in time. Well almost every. There's still a few episodes to go. For this episode Juan Carlos and I talked about the nominated films of 1957 including The Gates of Paris (France), the noir The Devil Strikes at Night (Germany), the musical melodrama Mother India (India), the WW II survival drama Nine Lives (Norway), and the winning film Federico Fellini's enchanting Nights of Cabiria (Italy).

Ingmar Bergman's influential early classic The Seventh Seal was also submitted for the Oscars that year but the Academy unwisely passed. I have words about that. Hope you enjoy...

Fantasy Cast: Which Former Acting Winners Should Present For Each Oscar Nominee?

By: Christopher James

Screw the MCU, this is the greatest crossover event in history.

In a quest to get to three hours, the Academy has attempted to shave off so many things that make the Oscars great, including eight categories. As Nathaniel eloquently noted, the Oscars are best when they embrace the excess, full of clips, montages and moments to celebrate the nominees and the art of moviemaking in general. One of the best examples of this came during the 2008 Oscars, hosted by Hugh Jackman. Yes, Jackman was a great host with multiple fantastic dance numbers, including a bit about how “he didn’t see The Reader” and declaring the musical is back. There was one other major thing that was incredible about that particular Oscar ceremony: the presentation of the acting awards. Murtada also looked back on this wonderful moment a couple years back as well. These Oscars were not afraid of taking their time. In addition to clips, a different winner from a previous year introduced each acting nominee. The producers for that year didn’t just pick former winner names out of a hat, they found some thematic connection between the nominee and the former winner, as if to say that everyone has a chance. It was an exciting way to accentuate the legacy of the Oscars, honor each nominee and make the event even more star studded than normal. 

Let's fantasize about that happening again...

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