93rd Academy Awards: On the Best Animated Short nominees
Monday, March 22, 2021 at 7:05PM by Nathaniel R
We'll be reviewing each of Oscar's categories before the ceremony. We've already explored the nominees in Best Animated Feature, Doc Shorts, Live Action Shorts, and Visual Effects.
For Best Animated Short it's a pity we can't honor Kapaemahu a beautifully evocative Hawaiian story of transgender spirits, with a spot near the top of this preference ranking but awards season can be cruel like that. Nevertheless you should stream it on Vimeo to see the one that got away. Otherwise, though, the voters chose fairly well. Here are thoughts on each nominee and where you can stream them...
Opera (US/South Korea) 9 minutes
If we were voters we'd be very tempted to honor Opera, as we can't recall ever seeing anything like it. Opera is an intricate cycling visual feast that pans down and then back up -- only two camera movements -- with no dialogue but a sturm und drang score. But within the image is the whole world. Or a whole empire's history? Or a cycle of creation and destruction? There are weddings, funerals, births, war, religion, governments (?), the grind of work, and other mysteries encapsulated therein. It's quite impossible to decide where to look! We've watched it twice and still feel the need for a third visit. It's best viewed sitting very close to a large laptop or desktop screen or (wishful miracle thinking) on an IMAX screen; anybody watching it on a phone will be lost as it will be like looking down at people walking in the streets from a skyscraper, just little ants milling about with no context or distinctions between them. This the fifth short for California-based Erick Oh and his first Oscar nomination. He's worked with Pixar on several features as a animator but his personal work is much different aesthetically. While it's difficult to imagine this experimental work winning over non-animators within the Academy in order to rally enough votes to win, it's by far the most artistically fascinating of the nominated quintet. [Here's an interview with the director - not available to stream that we're aware of]
Yes-People (Iceland) 8 minutes
Here's the other short we'd be delighted to see win. Its charms are more traditional but come with a spiky adult edge. We watch several people, of varying ages, from one apartment block in Iceland go about their business on a snowy day; the day is surely exactly like all of their others. What they lack in verbosity -- nobody speaks but just hilariously mumbles -- the characters make up for with personality, quirk, and terrific visual design and their lives are filled with relatably amusing mundanities: shoveling snow, lazy spouses, boring jobs, etcetera. The cherry on top is that, despite portraying monotonous life, it somehow builds beautifully to a climax and then a very satisfying final beat. Icelandic director Gísli Darri Halldórsson has worked on animated features and other animated shorts including the Oscar-nominated Granny O'Grimm's Sleeping Beauty but this is his directorial debut and first Oscar nomination. [Stream on Vimeo $2.99].
The rest of the shorts have their pleasures but we Kapamehau absolutely should have subbed in for one of them; this is the danger of watching all of the finalists in a category, the feeling that something great has been lost. It's the same in Documentary and Live Action short, in that it's hard to enjoy the final quintet, fully, in the absence of Speed Cubers and The Human Voice. (Most audience members won't know what they're missing of course.)
Genius Loci (France) 16 minutes
The longest of the nominated shorts this season and the most beautiful. We follow a woman named Reine who lives with her sister and nephew (we think... characters are always shifting in appearance and sometimes dissolving into animals or objects). She's overwhelmed with the sounds and sights of the city around her. The film only stops shape-shifting once or twice for concrete images, like Reine talking to her musician friend Rosie (an ex-lover we think though this is unspoken) until Rosie becomes a rapidly growing tree. There are beautiful abstract touches like multiple points of view of the same object, and memorable images like three men merging into the shape of a bull, or paper blowing in the wind and shifting seamlessly into dogs like living origami. The sensation of watching a watercolor moving is strong. It's easy to see the appeal for the Academy's animation branch but, like Opera, we imagine it will be a harder sell for general members voting since it is more visually provocative than emotionally or thematically clear.
Given this short's visual strength, it's no surprise that it comes from a French animator, Adrien Merigeau (France has a robust presence in the animation world) or that he has worked frequently with the great Cartoon Saloon in Ireland whose films have the kind of (accessible) mystery and beauty that's easy to imagine as a draw for filmmakers with more expressionistic aesthetics than the American animation industry would embrace. This is Merigeau's second short. This short was also a nominee at the European Film Awards and won a prize at Berlinale. [Trailer on Vimeo - not available to stream that we're aware of]
If Anything Happens I Love You (US) 12 minutes
This emotionally expressive short details the aftermath of a school shooting as two parents grieve their lost daughter, who watches over them as a ghost. While it's difficult to imagine this moving short not winning, there's something about it that made us uncomfortable. It's not exploitative per se but perhaps it is, paradoxically, the comforting qualities that put us off? In the face of a tragedy that's still ongoing and makes us burn with fiery rage, it's hard to accept comfort or healing until we all wake up as a country and remove this evil plague from our lives as well as all government officials who are complicit in the continued slaughter. Otherwise it's just going to keep happening, destroying more loving families like this one. The insane gun culture of the US must be put to an end. The co-directors Michael Govier and Will McCormack are both actor/writers. McCormack was on the 10 person writing team of Toy Story 4 but this is the first animated short for both of them and first Oscar nomination. [Available to stream on Netflix]
Burrow (US) 6 minutes
The cutest and easiest to digest of these nominated shorts, if not the funniest (that's Yes-People). This short is about a wee bunny trying to dig to her dream home. Everywhere she goes, she's too close to more elaborate homes of fellow burrowing critters. It's funny and sweet and just the right length for its story but it arguably lacks the kind of emotional or thematic punch that helps elevate other shorts of its ilk (like fellow Sparkshorts* finalist Out, which was not nominated) and why is this little bunny so antisocial? Director Madeline Sharafian has worked on Pixar's Coco as well as various animated shorts including the Oscar nominated Weekends (2017). This is her third animated short as a director and first Oscar nomination. [Available to stream on Disney+]
* Sparkshorts is a Pixar program where they grant various staff animators six months and a budget to produce their own short. It's a brilliant idea because (in theory at least, we don't work at Pixar) as it gives their artists personalized creative satisfaction outside of the demands of servicing a big corporate project and gives Disney+ fun content and the chance to see what their employees could bring to the table on larger future assignments. Burrow is the eighth Sparkshorts project and the second to be nominated after last year's Kitbull (which is also our vote for the best of the series thus far) and more are currently in development so Disney/Pixar must be pleased with how this program is working out so far.
P.S. The finalist that didn't make it, also in preferential order: Kapamaehu, Out (Pixar's first gay film with a Freaky Friday type situation with a gay man and his dog), Traces (mesmerizing sand painting if a bit long for its violent story), The Snail and the Whale (a very sweet if slow children's program - Sally Hawkins voices the snail), and To Gerard (cute and satisfying if extremely traditional)
What did you think of these if you've seen them? Here's the chart were you can vote daily on what should win.
Reader Comments (10)
Burrow is an amazing short as I just love the look of it and how it play into animals helping a bunny in creating her dream home. I love the Sparkshort series as it gives us a chance to see something new by people new to the world of animation.
I've only seen two of these nominees (though I echo the love for Kapaemahu!).
Yes People was fine, but does that thing that so many Oscar short films do (spoiler alert!) where they establish a routine for the first 95% of their runtime, then try to make a joke by changing abruptly right as they end. Frankly, I'm kinda over that structure in these categories.
I too was very uncomfortable with If Anything Happens I Love You. Maybe it's because I knew what it was about and so could see the build-up to a climax, but I just found it so manipulative. The emotions of that shadowy figure were so exaggerated, it just felt like a gross attempt to wring out every bit of sentiment that they could from our national failings.
(In that last sentence, I meant the 'motions' of that shadowy figure-- the way in which its movements are so over-the-top expressive-- but I guess 'emotions' works too.)
$3 for an 8-minute film? To quote an Australian classic film: "Tell 'em they're dreamin'."
"Out" wasn't only the best short film I've seen all year long, but I am still thinking, it may be the best short film (live action or animated) I've ever seen? I think it's been robbed from the Oscar win, but I haven't seen 3 of the nominees yet... but certainly is better than Burrow and If anything happens (which is amazing as well, though)
Where did you get to see Opera and Genius Loci??? In the history of the Best Animated Short category I am missing only three nominees, and incidentally two of them are Opera and Genius Loci.
$2.99 for an 8-minute film? No thank you.
ajnrules -- via publicists or film festivals. i really dont understand why they dont do them all like YES PEOPLE is doing. In that if you're not available to stream at least let people pay to see you!
Note: The New Yorker is showing Yes People on its Website. No charge.
I’ve seen all the nominees and frankly I am underwhelmed. Everything seems to be trying to be innovative or clever but comes up short. A disappointment.
If Anything Happens I Love You seems to have gained an apparent frontrunner foothold looking at predictions across the web. That may be the Netflix Effect, but it would make for a very aytpical winner. Ever since they opened this category to the full membership, they only ever give the Oscar to cute and uplifting fare.