International Documentary Association winners announce

By Glenn Dunks

The International Documentary Association announced their winners this past weekend with the Syrian-UK For Sama taking the top prize among a field of ten nominees. IDA aren’t the best gauge of where the winds are going to blow for the Academy Awards – the last three years alone, the Best Feature prize has gone to Minding the Gap (Oscar nominated), O.J.: Made in America (Oscar winner) and Dina (not nominated). So, make of these results what you will.

Nevertheless, this win when combined with its recent BIFA win for Best British Independent Film and a swag of other nominations does position it nicely for a slot on the short list and inching closer to a nomination (although I am less a fan of it than most).

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A Best Picture think... what if there were only five?

by Nathaniel R

 

Consensus is taking clear shape with film critics and awards bodies. They're finding Parasite the very best film of 2019 fairly regularly now. In terms of both critics and larger more 'industry' organizations Martin Scorsese's elegaic The Irishman is leading the English language films in nomination counts and prizes. Noah Baumbach's impressive superbly-acted dramedy Marriage Story and Tarantino's shape-shifting gorgeously executed 1969 homage Once Upon a Time in Hollywood are not far behind in the collective love sweepstakes. That could mean that any of those four will be vying for the Best Picture win at the Oscars in February. With the preferential ballot it helps to have passion votes and all of them have that. It also helps to be everyone's second or third favourite and each of those films could theoretically score high on virtually any voter's ballot.

But what's in fifth place?

Since 2011 rules have been in place to deliver between 5 to 10 Best Picture nominees depending on percentages of votes. To date, though, this system has only produced years with either 8 or 9 nominees for the top prize. But a though exercize today. Which of the remaining films would make it in a year with only 5 films in play...

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SAG Nominations

by Nathaniel R

It was a surprising morning at the SAG nominations with Bombshell coming in hot with 4 nominations (!!!) and Parasite becoming only the second foreign language film ever nominated for Oustanding Cast. In other news we saw the first chink in Netflix's considerable Oscar-seeking armor today as The Irishman and Marriage Story both arguably underperformed and Dolemite was shut out. (And, as always, we've investigated the "Cast" nominations to see who was left out.)

Outstanding Performance by a Male Actor in a Leading Role:

Christian Bale (“Ford v Ferrari”)

Leonardo DiCaprio (“Once Upon a Time in Hollywood”)

Adam Driver (“Marriage Story”)

Taron Egerton (“Rocketman”)

Joaquin Phoenix (“Joker”)

In a surprising state of affairs -- though not as surprising if you remember that SAG nominations often skew “earlier” buzz than what’s happening in December, Taron Egerton, Leo DiCaprio, and Christian Bale are all accounted for rather than later openings like Robert DeNiro, Adam Sandler. Netflix push Eddie Murphy also failed to win them over...

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Soundtracking: Marriage Story

by Chris Feil

Noah Baumbach opens Marriage Story with the beginning thrums of Randy Newman’s fairy tale score set against a duet between its divorcing couple. As they list their affections, it’s almost like they could break into song. And eventually they will, but not until they are ready. Scarlett Johansson’s Nicole and Adam Driver’s Charlie won’t sing until they have been given the back-breaking gift of clarity, the kind of new beginning you can’t really get until the old you is burnt to the ground. Marriage Story presents their new outlook by making fresh use of two songs from one famous musical with its own musings on love and marriage, Stephen Sondheim’s Company.

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Questions for the podcast?

Murtada and Nathaniel are recording tonight so let us know what burning questions you have about the Oscar race!