Golden Globe Nominations!

by Nathaniel R

Hollywood was up bright and early today for the Golden Globe Nominations. How cute are Dakota Fanning's glasses? As per usual they began with randomness (Best Song, Best Screenplay, some TV categories) before saving some biggies until the Today Show at 8:15 AM. We'll have much more coverage later but for now just a few quick notes since it's an information avalanche.

FILM

Drama 

• 1917
• The Irishman
• Joker
• Marriage Story
• The Two Popes
  
  

Netflix really campaigned with the HFPA as you can see hogging 60% of Best Drama. This is a tough break for Ford V Ferrari and Little Women which both seemed like Globes-ready movies...

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"Dark Waters" flood in but everything is still "Frozen"

This weekend Frozen II easily stayed up top and will soon vault over Joker which has been out for a month and a half longer in the box office sweepstakes. We share that only so you can marvel at how quickly the royal family of Arendelle is collecting taxes from their subjects (aka everyone on planet Earth). In other news Dark Waters expanded into wide release. Murtada reviewed it for us and let's just say that I think he was very kind (as several reviews have been). It felt like it twice the length of The Irishman with no shaping, rhythm, visual style, or verve -- completely mystified that it's a Todd Haynes film shot by Ed Lachmann and acted by Ruffalo and Hathaway who are both fairly generic in it. What happened?

Weekend Box Office [Estimates] Dec 6th-8th 🔺 = New or Expanding / ★ = Recommended
W I D E	PLATFORM
1 FROZEN II $34.6 (cum. $337.5) REVIEW	1 PARASITE $700k on 333 screens (cum. $19.3) PODCAST, CLASS, BONG ★
2 KNIVES OUT $16 (cum. $57.9) REVIEW, WHODUNNITS?, ANA DE ARMAS ★	2 JOJO RABBIT $562k on 579 screens (cum. $19.2) CAPSULE, PODCAST
3  FORD V FERRARI  $6.5 (cum. $91.1)  REVIEW, PODCAST ★	3 🔺  HONEY BOY $452k on 460 screens (cum. $2.1)  REVIEW, PODCAST ★
4 QUEEN & SLIM $6.5 (cum. $26.8)	4 🔺  WAVES $421k on 570 screens (cum. $1.0) REVIEW, 2ND OPINION ★
5 A BEAUTIFUL DAY...  $5.2 (cum. $43.1) CAPSULE, PODCAST, TOM HANKS ★	5 NO SAFE SPACES $292k on 200 screens (cum. $749k)
5 🔺 DARK WATERS $4.1 (cum. $5.2) REVIEW	6 🔺 PANIPAT $282k on 172 screens *new*

WHAT DID YOU SEE THIS WEEKEND? 

Critics Awards Sunday Results!

So many prize announcements today: Los Angeles Film Critics Association (LAFCA), the Toronto Film Critics Association (TFCA), Philadelphia Film Critics Circle (PFCC), and Washington DC Area Film Critics Association (WAFCA). Spoiler: It's been a very good day for Parasite.

LAFCA is always the most exciting critics group to watch when it comes to Best Actress because year after year they surprise and usually in good ways. This year is no exception as they've gotten behind Mary Kay Place's wonderful performance as Diane in Kent Jones underseen film of the same name. 

More winners after the jump...

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Critics Choice Award Nominations: "The Irishman and Little Women ... in Hollywood"

by Nathaniel R

The Critics Choice Association (previously known as the Broadcast Film Critics Association and the Broadcast Television Journalists Association) has about 420 members. It's the largest critics organization in the US of which your host here is but 1 voice so dont blame him when the votes go all wrong and veer closer to Oscar prognostication than a reflection of the critical hive mind over the course of 2019. As with the industry voters who vote on Oscars, SAG, and Guild prizes, film critics tend to forget what they loved the first 9 months of the year and focus primarily on releases from October, November, and December. 

This year The Irishman leads the nominations with 14. Once Upon a Time in Hollywood is close behind with 12 nods. Little Women takes position number three with 9 nominations. Herewith the nominees for 2019 in both film and television...

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Ana de Armas and the perils of playing a good person

by Cláudio Alves

When looking at the 94 performances which have conquered the Best Actress Oscar, some jump out as weird anomalies. It's not so much a question of the actor's work as it's an issue of character type. Good people are rare. Not those who are idealized icons or martyred by nightmarish cruelty, but the few that are just regular decent folk. That's one of the reasons Emma Thompson's Margaret Schlegel from Howards End seems so out of place, for instance. She's an average person who seems intrinsically decent but whose goodness isn't simplistic sainthood. More importantly, she's all that but isn't boring to watch.

That's a rare feat and few actors can accomplish it. In screenplays, such roles tend to look simplistic and lacking in substance. Just think of how insufferable Cosette tends to be in Les Misérables or how unconvincing Jane can be in Pride & Prejudice adaptations. Tom Hanks is one of those rare performers who can take such a role and play it to perfection, bringing humanity to decency and making ordinary kindness interesting to watch. Emma Thompson is another. And, in a delightful surprise, so is Ana de Armas…

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