Golden Horse Nominations for 2019

by Nathaniel R

A lonely student and his teacher become friendly in "Wet Season"

Usually the Golden Horse nominations are a fun and glamorous mix of all the hot movies and movie stars from various Chinese language countries. This year, however, due to political fallout from a speech last year and a Chinese boycott because of increasing tension between the way China sees Taiwan and the way Taiwan sees itself, no films from Mainland China are competing (which takes out a huge chunk of movies and a lot of the most famous movie stars). So the bulk of the features nominated this year are features from Taiwan with a little Malaysia, Singapore and Hong Kong thrown in. UPDATED WITH THE WINNERS MARKED BY STARS

BEST NARRATIVE FEATURE 

• A Sun (Taiwan) ★
• Suk Suk (Hong Kong)
• The Garden of Evening Mists (Malaysia)
• Wet Season (Singapore)
• Detention (Taiwan)

You may have noticed that Taiwan's current Oscar submission Dear Ex  (streaming on Netflix) is not nominated here. That's because it was a major nominee last year at these same awards. Curiously Singapore's current Oscar submission A Land Imagined (streaming on Netflix) was not nominated in Best Feature at the Golden Horse Awards. It had to settle for a few craft nominations...

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NYFF: Aquarius team wows again with "Bacurau"

by Jason Adams

You think you know somebody. You think you've got it all figured out. You think you sit down to a movie at the New York Film Festival you're gonna see something respectable -- something serious and challenging. But hyper-violent revenge westerns? Those are for Toronto. 

Well Kleber Mendonça Filho and Juliano Dornelles' film Bacurau already played Toronto, and now it is playing NYFF, and it somehow splits the difference -- it's somehow an ass-blistering revenge fable with exploding heads, while also being a deadly serious story of an indigenous community terrorized by big business interests. It is, quite simply, the sort of movie we'll look back on from the future -- assuming there is a future -- and say, "Yup, that got it just right..."

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The New Classics - The Florida Project

Michael C. here. When I started this column I made a rule that anything less than two years old was too recent. So for the season finale let's go with a first round draft pic. 

Sean Baker and Willem Dafoe on the set of The Florida Project

Scene: Child Predator
There’s nothing that he can do about it. That’s the guiding principle that drives Willem Dafoe’s Bobby throughout Sean Baker’s heart-rending The Florida Project. He maintains the boundaries he needs to keep up the pretense that he is operating a motel and not a lilac-colored homeless shelter, but we can intuit that he would help more if he could. It’s all in the unnecessary helping of kindness and humor around the edges when he’s laying down the law... 

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Elle, Angelina, and somebunny we worship

How had I never seen... "Three Days of the Condor" or "The Parallax View"?

In this new series, members of Team Film Experience watch and share their reactions to classic films they’ve never seen. 

by Lynn Lee

The 1970s may have been a great era for cinema, but they were a pretty lousy time for faith in the great American experiment.  Between the Vietnam War, the Pentagon Papers, the Church Committee reports, and of course Watergate, there were seemingly endless reasons to suspect the U.S. government and other institutions meant to serve and protect the public were instead covering up all manner of malfeasance—and that they might be watching you if they thought you were a threat.  This generalized paranoia found fertile ground in Hollywood, leading to a spate of conspiracy thrillers of varying quality and goofiness.

Until last month, the only one of these films I’d seen was All the President’s Men (unless you count Chinatown and Network, which I’d argue you could).  But something about the social and political tensions of today made these movies seem especially current again.  So it seemed like a good occasion to watch two of the most famous examples of the genre: Three Days of the Condor (1975) and A Parallax View (1974)...

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