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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Saturday
May112019

Fosse/Verdon - Ep. 5: “Where Am I Going?”

previously on Fosse/Verdon

by Dancin' Dan

Figures that the episode randomly assigned to the resident dance expert of Team Experience is the only episode of Fosse/Verdon so far that hasn’t had even the tiniest bit of dancing in it. I seem to be enjoying the show more than some of the rest of the team, and i've particularly marveled at the series’ recreations of some of Fosse’s best known pieces, some of which I have had the good fortune to dance myself. One of the choreographers who taught me told our ensemble that most of Fosse’s choreography is defined by tension - you must always be holding tension in your body somewhere in order to make it look and feel right. To that end, when we were dancing movements that were supposed to be more fluid, she told us to imagine that we were dancing through peanut butter. It’s an image that I now always associate with Fosse’s work, and I found it particularly apt for this episode. Even though there’s no dancing, there’s plenty of tension. Every character looks like they’re moving through peanut butter, pushing and straining to get what they want.

Bob Fosse had his unprecedented year of glory, and ended up in the Payne Whitney Psychiatric Clinic for his troubles...

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Friday
May102019

Renee Zellweger Sings as Judy Garland

by Murtada Elfadl

The buzz is building fast and loud for Renee Zellweger's performace as Judy Garland in Judy. All we needed was to check the voice. Will she sing or will she lip sync a la Rami Malek? Well without further ado check it out.

This is not an exacting impersonation per se from Renee but rather an interpretation. It's just a few notes from one song...

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Friday
May102019

Nominations for the 61st Arieles Are Announced

by Jorge Molina

Award season is a misnomer. Movie awards are a year-long, worldwide affair. At the end of last month the Mexican Academy of Film Arts and Sciences (AMACC) announced its nominees for the 61st annual Ariel awards, celebrating the films of 2018.

As you undoubtedly would expect, Alfonso Cuarón’s multi-celebrated, Oscar-winning Roma garnered the most nominations, with 15. It was followed by Museo, by Alonso Ruizpalacios, and The Good Girls by Alejandra Márquez Abella (still awaiting US distribution), with 14 each.

You can see a full list of the nominees after the jump with a bit of trivia and commentary [UPDATED IN JULY: WE'VE ALSO NOTATED WHICH FILM WON EACH PRIZE AT THE CEREMONY. WINNERS ARE MARKED WITH A STAR]...

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Thursday
May092019

Game of Thrones "The Last of the Starks" (S08E04)

by Eric Blume

In this season’s best episode yet, Game of Thrones head creatives David Benioff and D.B. Weiss display their astounding aesthetic taste and uncanny ability to know exactly what viewers want to see.  This episode featured one powerhouse match-up after the next, giving us duet after duet of characters we want to see together, talking about what we want them to talk about, in exactly the way we want them talking about it.  The episode also features particularly fine writing, an element of Game of Thrones that often goes unsung despite being one of the show’s strongest features.

The show opened with a funeral segment and an extended banquet scene that paid tribute to last week’s monumental battle...

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Thursday
May092019

Review: Tolkien

by Chris Feil

Inert biopics line the multiplex like gravestones, but seldom are they as dead on arrival as Tolkien. Depicting the author and philologist’s young adulthood and experience in World War I before creating The Hobbit, Dome Karukoski’s film isn’t just another dull cookie cutter telling of a famous figure. It’s perhaps a new gold standard of “Wikipedia entry as high school book report as prestige picture” malaise, the low bar to compare passable boring films. “At least it’s not Tolkien.”

Nicholas Hoult stars as the eponymoius J.R.R. Tolkien, struggling to overcome his social and fiscal limitations while at Oxford. He is part of a foursome of tightly knit male friends and artists, each with class stature above his own. Meanwhile he sacrifices his love for fellow orphan Edith Bratt (Lily Collins) in order to secure his future. The outbreak of the war casts all of this asunder, serving Tolkien blows to the body and spirit that ultimately serve his coming creative landmarks.

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