Tribeca 2019: "The Place of No Words"

Here's Jason Adams reporting from Tribeca once more...

Do you remember the moment you first realized what death is? The goldfish speech from Kill Bill: Volume II comes to mind -- "A fish flapping on the carpet, and a fish not flapping on the carpet." I remember a dead squirrel in the middle of the road, personally. But I think for most of us, the lucky ones who didn't experience an early loss, it's too gradual a process to recollect. The idea of a before and an after, heck even the concept of time itself, was less defined. Of course then we get older. Now I'm watching my friends have to explain these ideas to their kids, putting walls and definitions around boundless ideas.

Mark Webber's The Place of Lost Words attempts to straddle both of those places...

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Beauty vs Beast: Napalm Mornings

Jason from MNPP here with this week's "Beauty vs Beast" -- Francis Ford Coppola's film Apocalypse Now has been coming up in conversation a lot lately, and not just because my boyfriend kept accidentily getting the title of Gregg Araki's TV show Now Apocalypse backwards. The film is celebrating its 40th anniversary this Friday, and besides doing a screening and conversation about the film at the Tribeca Film Fest last week Coppola's putting out what he's calling a "Final Cut" in August, in theaters and on blu-ray. It falls somewhere between the original release and the 2001 Redux cut, apparently. But no matter the cut it's the tension between Captain Benjamin L. Willard (Martin Sheen) and Colonel Walter E. Kurtz (Marlon Brando) that remains the the backbone of the film, and that's what we're investigating today...

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PREVIOUSLY Two weeks back most of us still hadn't seen Avengers Endgame, and now two billion dollars worth of us have. But all that money couldn't help Chris Pratt, who lost the contest against Thanos 70 to 30%. Suck it, Star-lord. Said Tom G:

"Just like Jennifer Lawrence ran circles around [Pratt] in Passengers, Brolin literally ran galaxies around him."

Marielle Heller at Tribeca

by Murtada Elfadl

Marielle Heller has built quite a reputation as a director based on two films; Diary of a Teenage Girl (2015) and Can You Ever Forgive Me (2018). We attended a talk at the Tribeca Film Festival in which she was interviewed by the writer Jo Piazza. They talked about how she started as an actor and her transition to writing and directing. Of course she mentioned her next project, scheduled to come out later this year, A Beautiful Day in the Neighborhood. Tom Hanks plays Mr. Rogers in the film, but Heller was adamant that it’s not a biopic. She said it's a story about fathers and sons and based on journalist Tom Junod (Matthew Rhys) profile of Mr. Rogers. 

“Mr. Rogers is not the lead character. You can’t create a narrative around Mr. Rogers because he’s too good...”

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Auditions: "La La Land"

Our new series from Ginny O'Keefe, who knows from auditions as an actress in Los Angeles...

One of the most notable audition scenes in recent years comes from the sugar-coated musical hit film about how hard it is to make it Hollywood, whether you’re an aspiring actress or an attractive White guy who (for some reason) really wishes jazz music would go back to its roots. [I can’t even tell you how many White guys I’ve met in LA who constantly preach about how we need to save jazz music ... /sarcasm]. Yeah, you guessed it. This week's audition is from La La Land.

This film has its flaws. One of which is casting two A-list actors who pretend to be struggling artists in the unforgiving Tinseltown. (I personally think this film would have come across better if they cast two unknowns for the lead roles. Keep John Legend though, he’s good).  

But one particular sparkly gem in this film is an audition scene which puts Emma Stone’s character, Mia, in the spotlight to show her talent and how good she really is. Sometimes (most of the time) in Hollywood, good just isn’t enough...

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Chan's the Man

By Salim Garami

What's good?

This past Tuesday saw the home video Criterion Collection release of a 4K restoration for Police Story and Police Story 2, two of movies that made a household name out of Hong Kong international superstar Jackie Chan. Chan is ostensibly a man who needs no introduction in the world of action cinema, but put it this way: the bodily injury and risk, the way this man twists and flips his body and face for our entertainment, the rigorous and grueling discipline that he pushes despite looking so rubbery and clownish... it all makes Tom Cruise's high-altitude climbs and dives look like square cowardice.

The Hong-Kong-based actor-director is a more painful descendent of the school of physical comedy that Harold Lloyd and Buster Keaton opened up, utilizing his background in the Peking Chinese Opera to make things as small as answering multiple phone calls look like athletic feats...

In order to illustrate his excellence and to celebrate this canonization and recognition through the Blu-Ray set release, I've opted to provide two mini-lists here: his top five fights in this post and his top five solo stunts in a post later tomorrow...

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