The Man Is Chan

By Salim Garami

What's good?

I just wanted to tie up our celebration of Jackie Chan's quintessential Police Story and Police Story 2 finding their way into the esteemed catalog of the Criterion Collection by recognizing the other thing he's best known for besides kicking fools in the face: pre-emptively auditioning for the Jackass crew by partaking in some of the most dangerous stunts recorded on film. Safety is for mere mortals as far as Chan is concerned and he is probably convinced that if any characters are ever killed on-screen in a movie, then the actor themself must also be killed for versimilitude.

Not really, but much like his fight choreography, the sort of discipline and ambition Chan displays on screen in order to wow audiences around the world is the kind that pays off a lifetime of painful falls and crashes. He mirrors his own character's resilience to obstacles and defies fear and death with his stuntwork.

Let's get that listing over with so we can watch some more Jackie Chan.

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Disney Upcoming World Domination -- Now with Release Dates

by Nathaniel R

After Disney's acquisition of Fox, the Mouse House stands to control an ungodly percentage of the movie business (40%... what is the number exactly?) Today they released their schedule for the next few years, albeit a vague one since many of the movies are untitled. Several things become clear despite the lack of specifics: First, Disney hopes to maintain the luster of Star Wars by abandoning the overselling we've seen these past few years (which have taken a noticeable toll with diminishing box office) and releasing one only every other year, alternating them with Avatar pictures. Meanwhile Disney Animation, Pixar, and Marvel Studios will basically maintain their current clips of two to three titles each per year.  The more distressing thing that appears to be the case if you look at this schedule is that Disney seems to be burning off the Fox properties but must have abandoned anything in the pipeline that isn't finished already save for animated features since they take so long to make and Steven Spielberg's West Side Story which starts filming very soon. Apparently the only reason Disney wanted Fox was for the Avatar franchise? 

You can see the schedule after the jump...

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Doc Corner: The First Female Film Director in 'Be Natural: The Untold Story of Alice Guy-Blaché'

By Glenn Dunks

For a film about a little-known name of early silent cinema, Be Natural: The Untold Story of Alice Guy-Blaché sure does come out of the gates swinging. Swinging and sweeping and swooping and spinning and kicking and ecstatically careening through the streets of Paris. The opening passages of Pamela B. Green’s revelatory documentary are so frenetically paced that it’s almost exhausting. When I posited that none other than Baz Luhrmann’s Moulin Rouge! was an inspiration, the film’s own Twitter feed confirmed it. Indeed.

And it’s not just the opening, too. The entirety of this film is surprisingly fast-paced, often editing its collage of film clips, archival video, contemporary exploration and talking heads into a dizzying soup of cinematic nostalgia...

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Soundtracking: Her Smell

by Chris Feil

It’s not incorrect to call Alex Ross Perry’s Her Smell a musical, it just feels like a simple categorization doesn’t contain all of the levels that the film operates on. It’s also King Lear on downstairs cocaine, a Cassavettes character study, and an epic saga of female friendship. And of course it’s also a subtle period piece, unfolding over the years when Spin magazine reigned supreme, bad behavior was a natural extension of star persona, and grunge and punk excesses converged into a million different stylistic offshoots.

But music remains the film’s connective tissue, whether it is pushed to the background by the impossible behavior of Elisabeth Moss’s demonic antihero Becky Something or returns because of her genius. What makes it all work is that the music feels authentic both to the period and the specific, fractious aesthetic Perry is going for.

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Top 10: Nicole Kidman Vanity Fair Covers

by Mark Brinkerhoff

Australian Gold Rush. La Femme Nicole. Thoroughbred. The Lioness. Beguiling. Intoxicating. Spellbinding. Legend. Star.

Since first appearing in the pages of Vanity Fair as a newly-arrived, 23-year-old, soon-to-be breakout Hollywood star (circa July 1990, pictured above), Kidman has become one of the magazine’s favorite cover girls. In fact, the June 2019 issue marks the 10th time Kidman has graced the cover—seven solo and three as part of an ensemble (i.e. the annual Hollywood Issue)—not to mention assorted V.F. Hollywood portfolios over the years.

To commemorate Kidman’s milestone, let’s count down to the finest of our Vanity Fairest — a Tuesday Top 10...

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