"Wine Country" on Netflix

From new contributor Samantha Craggs

In theory, there's a lot to love about Wine Country. It's two whole hours devoted to women in their 40s and 50s, an often invisible demographic in film. What's more it's rarely about typical topics like marriage or children. It stars watchable and funny women. It passes the Beschdel Test in spades. 

But with Wine Country, sadly, the result is as bland as the biscuit and asparagus tones that permeate the backdrop...

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The Bening AND La Pfeiffer? In the same movie !?!

by Nathaniel R

Have you heard that news that Annette Bening and Michelle Pfeiffer have signed on as the leading ladies of a new feature film? If you've heard that news than you'll understand that I, Nathaniel, am typing this from heaven as I must have died and gone there for this to be true. Last thing I remember I was on a plane back to NYC (more on where I've been shortly) and then I was dead. Death by actressexuality. What a way to go. 

The future film what done me in is called Turn of Mind and it's based on the novel of the same name by Alice LaPlante. Gideon Raff (best known for creating the Israeli series that TV's Homeland is based on) will be directing the thriller with Doug Wright (Quills)  doing the screenplay. Annette Bening plays Dr Jennifer White, a retiree suffering from Alzheimers and suddenly accused of killing her longtime best friend Amanda (Michelle Pfeiffer) and unable to remember whether she actually committed the crime...

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Fosse/Verdon - Ep. 5: “Where Am I Going?”

previously on Fosse/Verdon

by Dancin' Dan

Figures that the episode randomly assigned to the resident dance expert of Team Experience is the only episode of Fosse/Verdon so far that hasn’t had even the tiniest bit of dancing in it. I seem to be enjoying the show more than some of the rest of the team, and i've particularly marveled at the series’ recreations of some of Fosse’s best known pieces, some of which I have had the good fortune to dance myself. One of the choreographers who taught me told our ensemble that most of Fosse’s choreography is defined by tension - you must always be holding tension in your body somewhere in order to make it look and feel right. To that end, when we were dancing movements that were supposed to be more fluid, she told us to imagine that we were dancing through peanut butter. It’s an image that I now always associate with Fosse’s work, and I found it particularly apt for this episode. Even though there’s no dancing, there’s plenty of tension. Every character looks like they’re moving through peanut butter, pushing and straining to get what they want.

Bob Fosse had his unprecedented year of glory, and ended up in the Payne Whitney Psychiatric Clinic for his troubles...

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Renee Zellweger Sings as Judy Garland

by Murtada Elfadl

The buzz is building fast and loud for Renee Zellweger's performace as Judy Garland in Judy. All we needed was to check the voice. Will she sing or will she lip sync a la Rami Malek? Well without further ado check it out.

This is not an exacting impersonation per se from Renee but rather an interpretation. It's just a few notes from one song...

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Nominations for the 61st Arieles Are Announced

by Jorge Molina

Award season is a misnomer. Movie awards are a year-long, worldwide affair. At the end of last month the Mexican Academy of Film Arts and Sciences (AMACC) announced its nominees for the 61st annual Ariel awards, celebrating the films of 2018.

As you undoubtedly would expect, Alfonso Cuarón’s multi-celebrated, Oscar-winning Roma garnered the most nominations, with 15. It was followed by Museo, by Alonso Ruizpalacios, and The Good Girls by Alejandra Márquez Abella (still awaiting US distribution), with 14 each.

You can see a full list of the nominees after the jump with a bit of trivia and commentary [UPDATED IN JULY: WE'VE ALSO NOTATED WHICH FILM WON EACH PRIZE AT THE CEREMONY. WINNERS ARE MARKED WITH A STAR]...

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