Best Actress Predictions - First Round

by Nathaniel R

Annette Bening as "NYAD" (Netflix, 2023)

If I had any hair, I would be tearing it out every time Best Actress predictions must be made. There are so many ways it could go. It's always fun to fantasize about but also agonizing to worry about. Oscar history is wildly hit and miss with Best Actress lineups. Sometimes it's electric quintets and other times they ignore most of the best work for a set of solid but unthrilling performances. 

The contender we're most excited / anxious about is the one and only Annette Bening in Nyad...

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Emmy Analysis: Drama Supporting Categories

By Abe Friedtanzer

Aubrey Plaza and Theo James in The White Lotus. Photograph by Fabio Lovino/HBO

Sixteen nominees for supporting actor and supporting actress are drawn from a mere four drama series, and two of them netted just a single mention apiece. That’s fourteen bids for two juggernauts from HBO, The White Lotus and Succession. The former is up one nomination from last year while the latter breaks even in these races, but two of its supporting contenders from last year, Kieran Culkin and Sarah Snook, got promoted to the lead race (and may be able to win there). Despite heavy internal competition, I think last year’s winners have a good shot at repeating, but let’s look closely at all the nominees and the episodes they’ve submitted for consideration…

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Ellen Mirojnick: From "Fatal Attraction" to "Oppenheimer"

by Cláudio Alves

There is little heroic about J. Robert Oppenheimer, whether in real life or on the big screen. Yet, in Christopher Nolan's latest, the commonplace act of getting dressed for the day is treated with the gravitas of a superhero movie's "suit up" scene. If nothing else, the moment highlights Ellen Mirojnick's work, another feather in the costume designer's cap. As with every one of the picture's elements, each choice is carefully deliberated, a negotiation of intimacy and immediacy that tries to transmit a first-person take on the period film. Two-piece tan suits rhyme with sky blue shirts, echoing the Los Alamos landscape, while a turquoise-inset silver belt buckle and porkpie-crowned cowboy-rimmed hat wink at Western iconography. It's a uniform as much as a costume, the men's "mythic look" as described by Mirojnick, who kept hats out of the other character's looks to make her protagonist stand out. 

This could be a lucky year for Mirojnick, awards-wise. Oppenheimer just might result in the designer's first Oscar nomination. Considering her vast career, it's hard to believe she's yet to be honored by the Academy…

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Weekend Box Office: "Blue Beetle" (temporarily) dethrones "Barbie"

by Nathaniel R

After a full month at the top of the box office charts, Barbie finally slipped to second place. But only barely as the comic juggernaut is still selling tickets robustly. In fact I went to it again with friends who hadn't seen it this weekend. The film to unseat Barbie was a new superhero picture Blue Beetle, but given the character's low profile in the DC universe of caped crusaders, it's unlikely he'll hold #1 status next weekend...

Weekend Box Office Aug 18-20 🔺 = new or expanding /  ★ = Recommended
WIDE (Over 600 Screens)	LIMITED / PLATFORM
BLUE BEETLE	PASSAGES
1 🔺 BLUE BEETLE $25 *NEW* 3871 screens	1 🔺★ OLDBOY (South Korea, action) $493k *RERELEASE* 250 screens
2  ★ BARBIE $21 (cum. $566.8) 4003 screens	2 ★ THEATER CAMP (US, comedy) $135k (cum. $3.4) 130 screens

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Review: "Ashkal" Keeps Its Cards Close to the Chest

by Cláudio Alves

Some viewers like their films tidily wrapped up, conclusions tied like neat bows. If there's mystery, it should come with a key to unlock it. Puzzles must be complete by the time credits roll. This is cinema as traditional storytelling, made easy to swallow whole. That kind of work can be made glorious by the right artist, but it would be erroneous to presume it the only valid form of film. Often, it's the rebellious piece that begets the biggest impact, forcing itself into the audience's imagination where it will percolate long after they've left the theater. This is cinema as haunt. This is Ashkal: The Tunisian Investigation, now in limited release…

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