Review: A Star is (re) Born

This piece was originally published in Nathaniel's column at Towleroad. The movie was first screened at TIFF but he hopes to see it many times. 

Overnight success is a myth. Great artistic success in show business generally comes from working hard and learning the craft, often for years, so that you're ready should a big break ever come. 'Overnight'  is only just that moment when the world suddenly notices your long-standing gifts. A Star is Born as a franchise always synthesizes this myth and this truth for something like a fairy/cautionary tale; just as quickly as a star rises, a star can fall. Talent is never the question, but the starting point; whether the world notices and for how long, is out of your hands. The screenplay for the latest telling of A Star is Born, emphasizes this last point, as Jackson Maine (Bradley Cooper) urges Ally (Lady Gaga) to give it her all because the world might not always be listening. 

For those who've been living under a cultural rock the story of A Star is Born is ancient and simple: One already established successful showbiz man 'discovers' an absurdly gifted but basically unknown female performer and takes her under his wing. They fall in love but as her fame rises, his falls, plagued as he is by personal demons in liquid form. The story never has a happy ending so if you need a good cry, queue up...

Click to read more ...

"I dont know. You erased me."

Coming Very Soon: Oscar Submissions "Burning" and "Border"

NYFF/TIFF screenings from Nathaniel R

"My what lovely posters!" he said, as he struggled to decide how to review two pictures that are best seen cold, knowing as little as possible. "But people don't buy tickets / get excited about movies without knowing something," he reasoned with himself about reviewing both South Korea and Sweden's Oscar submissions which are opening in US theaters very soon.

"Okay, okay," the purist in him, responded. "I'll say a little something about each but only if I can limit my discussion to the posters! People absolutely shouldn't watch the trailers." "Deal" his practical self muttered rolling his eyes, having been through this existential crisis of movie blogging numerous times. "Proceed..."

Click to read more ...

"The Savages", Also Revisited

Chris Feil continues his look at the films of Tamara Jenkins...

The Savages came nearly a decade after Tamara Jenkins arrived in 1998 with Slums of Beverly Hills, and the wait found the writer/director’s onscreen family dynamics develop to something tougher. Turns out time brings a whole host of concerns both harder to reconcile and compromise with, both in fiction and real life. Though it deals with timeless issues like family and aging, The Savages is also quite of its time, though in subtle ways it has maybe taken over another decade to see. What’s always been clear is that the film is miraculous.

Laura Linney and Philip Seymour Hoffman star as adult siblings and unfulfilled creatives Wendy and Jon Savage, forced to care for their estranged and formerly abusive father as he succumbs to dementia. Jenkins again is fascinated with our unfortunate bodies and social pretenses, this time with the film’s humor taking a more refined, unflinching swing at our very human shortcomings.

Click to read more ...

Links

• IndieWire a brief interview with Steven Yeun about life after The Walking Dead -- strangely there are no questions about his new Korean movie Burning despite the fact that he's amazing in it
• THR Bradley Cooper getting an award from PETA for casting his own dog Charlie in A Star is Born. I mean.... the dog is perfection, so why not?
• Vanity Fair Fan Bingbing has broken her silence after disappearing. She is said to owe more than $100 million in backtaxes to the Chinese government

• /Film Trailer for The Conners series, essentially Roseanne without Roseanne
• The Guardian a wonderful interview with Samantha Morton about choices she made in her career, her new part on The Walking Dead, and why she was dubbed "difficult" in her early years of stardom.
• Playbill Emmy & Oscar winner Christine Lahti now starring in a play Off-Broadway about Gloria Steinem called Gloria: A Life. Steinem is quite the hot topic at the moment since there's also a biopic in the works
• Pajiba on the Bullseye rumors around Daredevil season 3
• Decider a Jeopardy moment that will go viral involving drag superstar Alyssa Edwards
• /Film Netflix will be releasing Paul Greengrass 22 July in 100 theaters (they're also rumored to be trying to buy movie theaters, which is odd considering how much they've worked to diminish the moviegoing habit)
• MNPP Luke Benward nine times
• Daily Beast and director Catherine Hardwicke reflect back on Twilight's success and the sexist aftermath

This Week's Must Read (s)
Wesley Morris has an amazing challenging essay about the new ways we discuss art and how they've come to center more on the artist and that person's perceived moral or representational correctness then the quality of the art.  I loved reading this because so much of what he's saying I've seen happening and whenever I tried to put my finger on why it was frustrating me, I couldn't quite locate the target. 

The essay also prompted this interesting discussion at Vulture among a panel of mostly female critics. I love the point raised that there's a way to discuss art in this new way while also balancing aesthetic discussion but a lot of younger critics haven't been trained in that way or encouraged to learn that skill in the charged political time we're living in.