Interview: 'Tanna' Directors Martin Butler and Bentley Dean on Australian Cinema, Oscar Season and Movies They Love

By Jose Solís.

At first glance Tanna might seem like another take on the Romeo and Juliet story, as we see two star-crossed lovers, living in the title South Pacific island, fight their way in a society that doesn’t understand their love. But upon giving it a closer look, the film reveals itself to be a fascinating anthropological study about the way in which ancient civilizations have been able to maintain their traditions for centuries, as the colonizers around them always seem to be on the verge of self-destruction. Watching the idyllic living of the Ni-Vanuatu people in the film makes one wish our governments also found ways to listen to everyone in the community. But even when it’s clear that not everything in the island is good, after all they’re living in a conservative patriarchal society, directors Bentley Dean and Martin Butler are able to remove all romanticism, and deliver a document that works as a love story and an insightful look at a culture we know very little about.

The gorgeously shot Tanna features wonderful acting by the locals, non-professional actors who were chosen based on qualities that best approximated the characters they would play. For example leading man Mungau Dain was chosen because everyone believed he was the most handsome man on the island, and his leading lady Marie Wawa was chosen for her strength. The film was warmly received at the 2016 Venice Film Festival where it picked up two awards, and was selected as Australia’s Oscar submission for Best Foreign Language Film, making the final five when nominations were announced. I spoke to the directors about the challenges of shooting the film, their love for movies, and Oscar season.

Read the interview after the jump.

Click to read more ...

Laura Dern Week: "Enlightened" (2011-2013)

Manuel here capping off Laura Dern Week on her 50th birthday.

Enlightened’s Amy Jellicoe is one of the most indelible television characters of the 21st century. And while that sounds like hyperbole, it may very well be an understatement. Pitched as a show “about a woman on the verge of a nervous breakthrough” (gotta love that wordplay) Mike White’s two-season wonder of a show was a quiet meditation on low-key Cali self-empowerment in the age of bitter cynicism. The HBO production was also a great performance showcase for co-creator Laura Dern who rightly won a Golden Globe for her portrayal of Amy, a woman whom we first meet while having a full-on breakdown at work. And it’s a thing of beauty...

Click to read more ...

Mia Wasikowska is "Piercing"

Murtada here. With her duties as Alice over, Mia Wasikowska is turning to smaller indies. Announced this week is Piercing, a psychological thriller from director Nicolas Pesce (The Eyes of My Mother). Wasikowska plays a prostitute who tassles with a family man client intent on murder. That part is played by Girls and James White star, Christopher Abbott. This film is so indie it flew under the radar while it was in production. The announcement mentions that it is already completed. Also complete is her other indie Damsel in which she reunites with her Maps to the Stars co-star Robert Pattinson. Directed by David Zellner (Kumiko the Treasure Hunter), little is known about the plot except that it’s a period western.

When Wasikowska appeared on the cover of the Vanity Fair Hollywood issue 4 years ago, alongside Rooney Mara, Jennifer Lawrence and Jessica Chastain, we thought she’d be the one to nab the most Oscar nominations from the quartet. Yet here we are and she has yet to get her first. It’s funny how these things work. We are glad to see her working with up and coming promising directors and in what sounds on paper to be challenging work.

To these eyes, her best performance remains Jane Eyre (2011). We return time and time again to this clip. Watch Jane’s spirit shine as she asserts her strength and her right to love. Mia mesmerizes.

It's Oscar month, so for which performance do you think Wasikowska should've been nominated?

Say What! Aaron Taylor-Johnson for NY Mag

Chris here with a little Aaron Taylor-Johnson. Remember him, the one whose potential nomination for Nocturnal Animals many of us were dreading a few short weeks ago? Well, he's just posed for New York Magazine sans shirt. Depending on your vantage, this means he is either doing just fine or is so forlorn he can't remember his clothing. In the comments below, tell us what you think is on ATJ's mind.

Valentine's - Weekend

Team Experience is celebrating Valentines Day with favorite love scenes. Here's Jose...

Early on in my life I decided that all my favorite romances had to end with the lovers apart. And I mean, seriously, can you name a perfect romance that ends with happily ever after? From Casablanca to Dr. Zhivago and Roman Holiday, it's as if the movies have always told us that a brief, but powerful romance, the kind which makes us swoon in our 80s like Gloria Stuart in Titanic, is the kind of romance we all should crave. But it wasn't until I watched Andrew Haigh's Nottingham-set Weekend in 2011 that I realized as a gay man there was finally one of these romances for someone like me (I won't go into details of how this movie seems to me my biopic...) in which no one ended dead, as most gay romances do in fiction.

In the last scene we see Russell (Tom Cullen) and Glen (Chris New) together, they share a brief kiss as they say goodbye before Glen heads to America. Even though there is nothing really "tragic" about their farewell, it's this idea of the person existing in the same planet, as you have to find the will to move on, that's most devastating. I can see the lovers running into each other years in the future (I doubt they remained Facebook friends, I wouldn't have, would you?) and either of them going into full "of all the gin joints..." Bogie mode as they wonder "what if".

What are some of your favorite non-tragic gay romances? What romantic movie do you feel could be your biopic?