Screenplay Shake Up Means New Predictions

We warned everyone to not "lock" up any screenplay predictions too early, especially when the provenance of a screenplay is confusing, and our warnings were not in vain. The Academy has rejected the campaigns of Loving and Moonlight as "Originals" and they have been moved to the "Adapted" category. Both had made no secret that they were inspired by other works, despite their Original campaigns. Loving is partially based on the documentary The Loving Story (2011) and Moonlight on an unproduced play (of sorts -- though now the playwright is saying it never was intended as a play... which makes the situation yet more confusing) called "In Moonlight Black Boys Look Blue". Regardless, the murkiness was enough for the Academy to cry foul on their preferred Original designations.  (If only the Academy's acting branch would play this kind of interference when obviously lead acting roles like Rooney Mara in Carol or Hugh Grant in Florence Foster Jenkins or dozens of others in recent years claimed "supporting" designation.)

Prior to this Academy ruling, the Original Screenplay competition looked enormously competitive with a nail-biting battle between Manchester by the Sea and Moonlight for the gold. Now both movies -- arguably the two biggest critical darlings of the year -- have a clearer shot at a win but it does make the competition for the other four nominations in each category more exciting and open. Both charts have been updated accordingly. Which screenplays do you think benefit from this ruling? 

SAG Ensemble - Everyone Was Nominated.... Except *You*

by Nathaniel R

Alex R Hibbert's omission from the nominated cast of Moonlight is one of the worst yet from SAG

For several years now we've highlighted a major problem with the Screen Actors Guild Awards that we hope their union will eventually address. The rule is that to be included in the Ensemble nomination you have to have your own title card (or share the first title card if the whole principle cast is listed on the same card as in Woody Allen movies). But the prize is meant to honor the whole cast and sometimes a less famous person can deliver in a big way in which the movie wouldn't be the same without. My fascination/aggravation with this rule and its collateral damage goes all the way back to The Avatior (2004) when I realized that Matt Ross (an actor who is now a director - see Captain Fantastic) was not included though he is terrifc in the movie and in a ton of scenes with Leonardo DiCaprio while Gwen Stefani, a very famous woman with only a cameo, was included. 

So let's look at each ensemble nomination this year and figure out who has fallen victim to this aggravating rule after the jump...

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SAG Nomination Surprises: Emily Blunt, Captain Fantastic, and More

As we've noted several times in the past, SAG nominations are often among the most surprising for two reasons. First, the nominating committee changes each year, drawn randomly from the Screen Actor's Guild enormous body of dues paying members. Second, because the members are randomly selected and (presumably) spread out more geographically than the easier to target Academy and Globe members, their nominations can often feel like they were voted on earlier and that's the case this year with more summer films nominated than other awards bodies went with. 

The nominees with commentary are after the jump...

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Judy by the Numbers: "Smile"

Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...

On January 22, 1964, CBS announced the inevitable: The Judy Garland Show would be cancelled after just one season. Though the network stated that the cancellation was so that Judy could spend more time with her family, the subpar ratings and tumultuous backstage difficulties had made the show untenable for the studio. In fact, less than a month after the announcement - after Episode 22 was shot - Judy ended the longest artistic partnership she'd had on the show when she fired Mel Torme. Musical director replaced and show revamped for the fifth time, Judy still ended the series looking and singing like a million bucks.

The Show: The Judy Garland Show Episode 22
The Songwriters: Charlie Chaplin (original score), John Turner & Geoffrey Parsons
The Cast: Judy Garland, directed by Dean Whitmore

The Story: The style the show settled on was one with which Judy was familiar, and which had inspired the series to begin with: the concert. Guests were winnowed down to one or two (or none) per episode, sketches were cut, and instead the series focused on producing mini-concerts beamed directly to American living rooms. No longer needing to memorize lines or force interactions, Judy instead used the format to let her talent and the emotion of the songs carry her away, as she did in this bittersweet version of "Smile." Though the show would not go off the air until late March, it left a lasting impression on fans. A fan-led write-in protest was even started to try to resurrect it. The series had an effect on Judy, as well. With her third marriage and her television career over, Judy turned back to tours to spend time on the two things she loved most: her children, and her fans.

We link up again... over and over

So hard to keep up each December! But we get by with a little help from our links...

Variety we hadn't noticed this but it's true - Major studios were nearly entirely shut out of the Best Picture lineups. 
TFE in case you missed it our SAG Ensemble predictions... they announce tomorrow morning
AV Club talks to 80s funny lady Terri Garr of Tootsie and Mr Mom fame
Screencrush forever undervalued Patrick Wilson just got a possibly big deal role. He'll play the villain of sorts Orm in Aquaman

Lots more after the jump including the NAACP Image Award nominations, Madonna, men's tuxes on the red carpet, and The Accused...

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