Weekend Box Office: Status Quo

By Ben Miller

With an extra day at the weekend box office, Avatar: The Way of Water and M3GAN both repeated at the top two spots, while continuing to show impressive legs.  The Way of Water droped less than 30% in its fifth week, adding another $30+ million to its domestic total.  It's already up to $1.9 billion worldwide, and it should become the sixth film in history to surpass $2 billion next week.  It's also currently 13th all-time in domestic gross and will probably end up in the top ten.  As for M3GAN, the film only dropped 40% in its second week, which is great for a horror film.  Budgeted at only $12 million, horror continues to be the best bang for your buck in films these days.

Weekend Box Office (actuals) Jan 13th-15th 🔺 = new or expanding /  ★ = Recommended
WIDE (OVER 800 SCREENS)	LIMITED / PLATFORM
M3GAN	SKINAMARINK
1 ★ AVATAR: THE WAY OF WATER $32.8 (cum. $564.6) 4,045 screens	1 🔺   WALTAIR VEERAYYA $1.1 *NEW* 350 screens
2 ★ M3GAN $18.3 (cum. $56.8) 3,605 screens	2 🔺  SKINAMARINK $819k *NEW* 692 screens

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Split Decision: "TÁR"

No two people feels the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of each of the awards movies this year. Here’s Chris James and Cláudio Alves on TÁR.

CHRIS: It’s no mistake that people mistook Lydia Tár for being a real person. There’s something authentic and substantiated about TÁR, Todd Field’s third film which centers around a complicated famed conductor. Lydia Tár (Cate Blanchett) doesn’t necessarily have delusions of grandeur, she simply has an inability to see anything below her ivory pedestal. As much as Field and Blanchett have a laser focused idea of this character, the movie never spoon feeds us the narrative. We enter her journey in media res, trying to piece together her home life, her work life and whether the visions in her head are delusions or real threats. It’s a refreshing and engrossing way of telling this woman’s story the way she would want it told, while leaving ample room for interpretation and opinion.

I could go on and on about my favorite movie of the year, as one often does. However, tell me Cláudio, why don't you love TÁR? What elements give you pause?

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Interview: Composer Michael Abels on "Nope" and "Chevalier"

by Nathaniel R

MIchael Abels photographed for the LA OperaOne of the most exciting film composers to gain prominence in the past decade is Michael Abels. He's received multiple nominations for his work and prizes, too like the Jerry Goldsmith Award and the World Soundtrack Award. We wait impatiently for an Oscar nomination to follow, given his memorable inventive scores that have played such a huge part in the mass appeal of the films of Jordan Peele. We were honored to sit down with him to talk about his diverse interests in musical genres, his history with piano and voice, his Nope score, and what's next.

This interview has been edited and condensed for clarity...

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Interview: Stephanie Hsu. The year's breakout star on her insane year, stage history, and working with legends.

by Nathaniel R

Stephanie Hsu as "Jobu Tupaki" in Everything Everywhere All At Once2022's wildest film was also it's most unlikely mainstream success. For sheer invention it Everything Everywhere All At Once, outdid the animated Spider-Verse and the Marvel Cinematic Universe in the suddenly flourishing subgenre of multi-verse hopping. At the center of its chaotic maelstorm, is Jobu Tupaki (Stephanie Hsu), the nihilistic variant of depressed Joy Wang, a young queer woman with a tense relationship to her overly critical mother Evelyn(Michelle Yeoh). Stephanie Hsu, 32, is not an overnight sensation but she is a sensation. 2022 essentially served as a mainstream coming out party for the gifted actress after years treading the boards in experimental theater and musical comedy, as well as season-long or guest episode TV gigs.

Back in October I had the change to moderate a Q&A for Everything Everywhere All At Once at which Hsu received a "Rising Star Award". Over the course of the day we met three times and talked Broadway theater, being dramaturgy nerds, forgetting your lines, wild costumes, and various movies that are competing with hers at awards shows (off the record of course!). What follows is the conversation we had as we met, shortly before we went on stage [edited for length and clarity]...

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Drag Race RuCap: "All Queens go to Heaven"

Is this heaven...or hell?

CLÁUDIO ALVES: This week, the talk of the town within Drag Race fandom is length. It's not inches we're talking about, sadly, but minutes. After that supersized premiere, episode 3 of season 15 brings us down to reality and the format the show is taking for its new home of MTV – 40-minute episodes. Last time RuPaul's Drag Race had such limited runtimes was Season 9, but they had less competing queens. Even after Irene DuBois' elimination last episode, we're still at 15 bitches, making this episode a frantic amuse-bouche that tastes unbalanced, unstable, unhinged...

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