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Saturday
Jul092016

Stream This: Mustang, The Big Short, Hello Dolly, The Painted Veil

In the effort to stay au courant we're going to try to do "new to streaming" weekly, alternating between Netflix and Amazon Prime sometimes, big lists, sometimes highlights. This will also give us a chance to link to previous coverage of the old films that are "new" again via the power of the internet. But first a last chance notice...

Last Chance Netflix (Expires July 16th)

-Y'all were watching I take it. Did you see us fight?
-No.
-Trap." 

Serenity
I've been curious to watch Serenity (and Firefly for that matter) again to see if you can easily chart Joss Whedon's growth from self-created warm-up to Studio-hire mega-success in The Avengers. He was always good at selling team dynamics, though. That was clear from the earliest episodes of Buffy. We previously covered Serenity in Season 3 of Hit Me With Your Best Shot. I miss Whedon as TV creator on his own urges -- Agents of SHIELD just did not do it for me.

New to Netflix
We've freeze framed nine more titles totally at random to share whatever popped up for your amusement. Here we go...

-Lot of smug looking people here.

- It's like someone hit a piñata filled with white people who suck at golf."

The Big Short (2015)
Remember when this was suddenly a major Oscar player last season. That took me off guard even though I was at the actual premiere. It won Adapted Screenplay at the Oscars. Serious films with funny memorable lines are often popular in those categories.

I've decided to join the human race again.

Hello, Dolly! (1969)
Babs. Babs. You're really overworking this monologue...

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Saturday
Jul092016

New Posters: Beauty & The Beast, Light Between Oceans, Goat

Thoughts on three new posters as they came to me after the jump...

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Saturday
Jul092016

Tweetweek: Citizen Kane, Odd Marquees, New Arrivals

I have to begin this week's tweet roundup with this amazing find from Scott Feinberg - a press clipping about Citizen Kane on Oscar night and the room reaction to every mention of the film.

 

Crazy, right? The politics of the moment are always so hard to properly contextualize after the fact when it comes to art that endures.

More entertainment tweets ahead but first a joyous announcement from our friend and podcast mate Katey Rich...

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Saturday
Jul092016

Happy 60th Birthday Tom Hanks!

Is there such thing as the male America's sweetheart? If there is then Tom Hanks would surely have to be him. The general public love him, your mum loves him, cinephiles love him, his co-stars love him, and cinematic history definitely loves him. To say Happy Birthday let's say T-Hanks for 5 of the best characters he's gifted us after the jump...

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Friday
Jul082016

Halfway Mark: Best Actressing of 2016 (Thus Far)

Previously at the Halfway Mark
• 5 Favorite Pictures and imaginary Oscar scenario
• 11 Costume Design Honors from couture to the puritanical with swimwear on the side
• Cinematography & Production Design Sunset Song, etc...
• Heroes & Villains from Deadpool to Shere Khan
• 23 Male Actor Honorees in 5 categories

Cue fireworks. It's the grand finale. Our brief Halfway Mark Review honoring the best of the 50+ movies we've seen that have been released between January 1st and June 30th, is now at its end. But don't worry. The listing impulse fully never goes away and there's more excitement soon as we'll start updating the Oscar charts tomorrow. Naturally we're ending with BEST ACTRESS if five categories -- the same categories we previously did for the men.

If I had a ballot (hey, I do... albeit not an AMPAS ballot) here's what I'd honor from the year thus far -- January through June releases only though I've seen some July & August titles. [Disclaimer: The most noticeably actress-led film I haven't yet seen this year is The Meddler so please dont read anything into the absence of Susan Sarandon.]

Best Actress in a Leading Role

  • Sally Field as "Doris" in Hello My Name is Doris
    Doris is a CHARACTER but Sally never fails to humanize her written eccentricities making sure that she's the endearing source of the laughter rather than its target.  
  • Tilda Swinton as "Marianne Lane" in A Bigger Splash
    The "vocal rest" was her idea -- imagine an actor purposefully losing all their lines! -- and the result is you see Tilda's face and body alone capturing and reflecting the drama and auteurist impulses
  • Anya Taylor-Joy as "Thomasin" in The VVitch
    That angelic face is sensually attentive and her behavior innocent but mischievious. So many possible Masters (God, Lucifer, Herself, General Teen Hormones, and Restlessness)
  • Rachel Weisz as "Short Sighted Woman" The Lobster
    What a tricky tone to master, but she's in control. Her voiceover is beautifully at odds with her meekly submissive than overtly romantic screen self
  • Mary Elizabeth Winstead as "Michelle" in 10 Cloverfield Lane
    Sells shifting (dis)belief in this strange new reality while doing right by primal horror. Nails the only real in-script details about this character -- whip-smart instincts and a "Flight or Flight" response

Choices in 4 more categories after the jump...

Click to read more ...