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Thursday
Jun022016

20 Years of TV History

what TVs looked like in the 90s (history of sets here)Here's a must read for the day. Over at HitFix, Alan Sepinwall has reached his 20th anniversary as a TV journalist/critic . It's a fascinating piece on 20 years of writing about TV and how much has changed in that medium since 1996. It's a fun history and nostalgia ride, particularly if you're interested in serialized TV (the best assett of TV but it took decades for TV to get there). I love most of the article and I'll save the highlights for your reading there.

But I do want to vehemently disagree with this statement I've bolded below even though the general idea now that "everything is better with TV" is totally true.

I can appreciate nostalgia for those days, if for no other reason than that the beat was easier to cover when there weren't 400+ original scripted series airing every year. But nearly everything about watching and writing about TV is so much better now than it was 20 years ago. The technology is better, giving us stunning imagery (imagine Lost or Breaking Bad shot for standard-def in the old aspect ratio) and easy access not only to the best of what's on now, but most of recorded TV history.

As someone who likes to curate my own viewing experiences, rather than leave the programming to the fancies of contracts/conflicts  between studios with both Netflix and Amazon, I am growing increasingly frustrated with acccess to both movies and television. It's getting worse not better (especially with movies) as everything splinters with "exclusivity" and things either stream or are  just not available since physical media is going the way of the dinosaur. Many TV shows I've tried to watch for research purposes or silly side pieces over the past few years have been unavailable to stream anywhere with prohibitively expensive DVD prices (if they're on DVD at all) like, oh, say Emmy favorite "Family" (1976-1980) or even something as recent as the failed CW show "Tarzan (2003)" which I had hoped to include in the Swing, Tarzan, Swing! series we've been doing on weekends. That's just two examples that have come up recently. But lots of times when we're considering a Centennial series on a famous star, their TV work is unavailable, period. Not one bit of it. That's especially true of telefilms which seem to evaporate as soon as they air, unless they were made in the last 15 years when everyone starting taking TV more seriously. When we were celebrating Mercedes McCambridge recently it felt like the exception and not the rule that I was able to rent her appearances on both "Bewitched" and "Charlie's Angels". Hell, even if you just want to watch something from last season (like "American Crime" S2) often streaming services will only let you watch the last few episodes aired and not the whole season, so if you're late to a show you probably have to wait a year or two until one of the streaming services picks it up.

But enough complaining. What are you most grateful in the evolution of this medium?

Thursday
Jun022016

"There is trouble until the robins come..."

After catching a restored, 30th anniversary rerelease of David Lynch’s psycho-suburban nightmare on the big screen last night, Blue Velvet has once again invaded my waking life with huffing menace, casting sinister shadows and nasty neon onto the innocuous surfaces of everyday existence. And it starts from the opening credits. Every time I see this curtain shimmer, I can feel my vision start to go soft as it flickers me into a dream state. The image hypnotically blurs the line between its politely decorative titles and the mysteriously unnerving surface breathing behind them. The strings of the score shimmy with sharp elegance and ironic doom. I’m already huddling inside the closet, unsettled and voyeuristic. Seeing candles dance in the dark. Coiling myself against the danger hiding in plain sight. Soaked in curdling Pabst Blue Ribbon.

Which of your favorite opening credits sequences instantly place you inside the mind and mood of the movie?

Thursday
Jun022016

Barbra Streisand Returning to The Tonys after 46 Years

Streisand 1970 Tony was for “star of the decade”

46 years is a long time. Richard Nixon was president in 1970 when Barbra Streisand last appeared at The Tonys. She’s coming back this year as a presenter. Who knows why? Maybe she has Hamilton fever like the rest of the world. Maybe she has a tour to promote (she does). Whatever it is we will get to see Streisand on The Tonys stage.

And we can’t wait. No details have been provided about her appearance. So let the speculation begin about which category she will present. The obvious choice is the night’s biggest category - best musical. But just saying "Hamilton" might rob us of her great Oscar ad libs. “I’m so happy to give this to you again, Clint”. “Well the time has come”. 

And as monumental as this news is, Barbra can't do it all alone. So there will be other presenters on the big night. Here are our category suggestions for a few of them:

Cate Blanchett - 'Lead Actress in a Play' because of her Oscar connection to the two frontrunners. She won her second on the same night as Lupita Nyongó (nominated for "Eclipsed") and, like Jessica Lange, Blanchett won Oscars on her 2nd and 6th nominations. Their second wins even share the same first word in the title, “Blue”. This would be a gift for Oscar nerds.

Oprah Winfrey - Any category that Lin-Manuel Miranda might win. Imagine Oprah saying his name the same way she says "JOHN  TRA-VOL-TA”.

Audra McDonald - 'Lead Actress in A Musical'. It might be mean to ask her to present the category for which she was snubbed, but she IS musical theater’s most honored leading lady. It fits.

Saoirse Ronan - 'Featured Actress in a Play' just because we need to hear her say “Pascale Armand, Saycon Sengbloh and Jayne Houdyshell” in her lilting Irish accent.

Carole King - 'Original Score'. Duh.

Other presenters announced include Steve Martin, Nathan Lane and Patina Miller. The Tonys will be broadcast on Sunday June 12th and we'll undoubtedly celebrate here.

Which category would you like to see Barbra present?

Thursday
Jun022016

Marvin Hamlisch's Big Oscar Haul. And Other Stories...

On this day in history as it relates to the movies...

Dr Duran Duran and the Orgasmatron

1835 P.T. Barnum and his circus begin their first tour of the US. Wasn't Hugh Jackman supposed to play him in an original movie musical? Is that still on or did the endless Wolverine show derail it? (sigh)
1840 Novelist Thomas Hardy is born. Movies adapted from his work include multiple versions of Jude, Tess,  and Far From the Madding Crowd
1904 Johnny Weissmuller is born. We just wrote about Tarzan and His Mate (1934) which you should definitely see
1926 Character actor Milo O'Shea, aka Dr Duran Duran who tried to kill Jane Fonda by excessive pleasure in Barbarella, is born.
1937 Sally Kellerman, the original " 'Hot Lips' O'Houlihan" is born


1944 EGOT composing legend Marvin Hamlisch (of "A Chorus Line") fame is born...or as Cher calls him "Marvin Hamilsmisch". Classic songs include the Oscar winning "The Way We Were" and Oscar nominated gems like "Nobody Does it Better," and "Through the Eyes of Love." Get this: He is the only person other than a director or screenwriter to win more than two Oscars on a single night. At the '73 Oscars he took Song and Original Score for The Way We Were and also Adapted Score (back when they had that) for Best Picture winner The Sting
1953 The coronation of Queen Elizabeth II, aka Helen Mirren's signature role. Did you know that Queen Elizabeth II is now the longest running monarch in British history?
1989 Dead Poet's Society opens in theaters. Goes on to 4 Oscar nominations including Best Picture in one of the all time least satisfying Oscar years. I mean that Best Picture lineup is atrocious given that sex lies and videotape, The Little Mermaid, Fabulous Baker Boys and Do the Right Thing (all nominated for something) were right there for the taking.

No, don't take my picture.


1995 Bridges of Madison County opens in theaters and audiences start loudly demanding Meryl Streep's third Oscar. The conversation lasts for 16 whole years thereafter. (Demands for #4 have not yet begun but it's only a matter of time.)
2006 Peyton Reed's The Break-Up opens in theaters with Jennifer Aniston & Vince Vaughn 

And one year from today...
2017 Wonder Woman will open in theaters. Somehow it only took them 75 years to get her on the big screen. 

Wednesday
Jun012016

Hump Day Link Night

Vanity Fair Brie Larson reportedly frontrunner to play Captain Marvel. I'll believe that movie when I see it.
Boy Culture 90 things Marilyn Monroe would have done if she'd lived to be 90 today
The Playlist Susanne Bier, the Oscar winning Danish director of Brothers and After the Wedding fame, is rumored to be in the running to direct the next Bond film
Screencraft Do professional readers only read the first ten pages of each screenplay in their stacks? If you're an aspiring screenwriter you should read this.
Variety Jake Gyllenhaal to star in The Division, an adaptation of a video game

 

People Archives Mark Harris pointed us to this amazing profile of Sandy Dennis, Oscar-winner and crazy cat lady from 1989 
Vox has a detailed analysis and cool sortable list of all major TV characters who died this season, As per usual they're still killing off minorities in disproportionate numbers. Out of the 234 characters that died 29 of them were LGBT and 59 were people of color. 
Interview Mag Did you know that Debbie Reynolds and Carrie Fisher are the stars of a new documentary? It'll play on HBO later this year
Towleroad President Obama issues 2016 Pride Month Proclamation. We'll be celebrating here to throughout the month 
Twitter so i played one of those "like this and I will" games and had to reveal 25 crushes from my life. It was fun!  

That Carney/Keira Situation
An update...
Directors and actors came forward to defend Keira Knightley after John Carney's recent remarks about herskill and their time together on Begin Again which we discussed on the most recent  Film Experience Podcast. John Carney has since issued this very self-deprecating public apology.