The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Eric previously argued against Everybody Wants Some!! right here. Here's Daniel Crooke with a second opinion....
Nobody lives in the moment like Richard Linklater. Which is remarkable, considering his canny cinematic ability to lounge with a certain slice of society, simultaneously celebrate and circumvent the trappings of self-importance, and extrapolate no less than what one might call the meaning of life. This is not to say that Linklater offers any absolute definitions – or that he’s a sage Second Coming who has all of them – but that he stands alone when it comes to unassumingly examining issues of identity, socialization, and finding the place where one fits in the world. His latest film Everybody Wants Some!! is no exception; in fact, by isolating one group of folks oft regarded as empty-headed and disposable – that of the jock, the bro, whatever you call them when their glistening pecs aren’t in your way – Linklater challenges the viewer to costume change their own preconceptions along with his ensemble as they amble their way through myriad modes of social circles and shooting the shit.
Now, on its face, one can certainly see why these bong-hit beats would preclude certain audience members from even engaging with the characters onscreen, to miss the forest for the trees. Linklater’s films often work as living, breathing Rorschach tests where you only see what you want to see but the marrow of Everybody Wants Some!! is found in the Magic Eye of it all. Blur the edges of the frame. Blend the bro code, social structures, and pronounced personal differences from the brain’s left side and the spontaneous soul-searching, open-ended quests across campus, and embracing of social overlaps from the right and, in the middle, you’ll find what the film’s really about. More after the jump...
To keep ourselves entertained, we like to spin the box office charts so it's not just "copy/paste" from week to week. So let's look at the box office top ten through the lens of current movies with female leads. Melissa McCarthy (in a photo finish for #1 with superheroes) and Helen Mirren keep proving their box office consistency over and over again, don't they? We're also happy to see Sally Field doing so well in what could have been a blink and you'll miss it VOD movie. Field's already outperformed last year's senior female sleeper indie hits Grandma and I'll See You In My Dreams.
But the 10 female names below make up such an odd odd sorority you must admit...
TOP TEN FEMALE LEAD MOVIES THIS WEEKEND 01 The Boss (Melissa McCarthy) $23.4 NEW Melissa McCarthy 03 Zootopia (Ginnifer Goodwin) $14.3 (cum. $296) 04 My Big Fat Greek Wedding 2 (Nia Vardalos) $6.4 (cum. $46.7) 06 Miracles From Heaven (Jennifer Garner) $4.8 (cum. $53.8) 07 Gods Not Dead 2 (Melissa Joan Hart) $ 4.3(cum. $14.1) 08 Divergent: Allegiant (Shailene Woodley) $3.6 (cum. $61.8) 09 10 Cloverfield Lane (Mary Elizabeth Winstead) $3 (cum. $67.9) 10 Eye in the Sky (Helen Mirren) $2.8 (cum. $10.4) 13 Hello My Name is Doris(Sally Field) $1.6 (cum. $9.3) 21 Whiskey Tango Foxtrot(Tina Fey) $.2 (cum. $22.7)
As for the films we aren't including in this spun chart, Batman v Superman: Birth of Manic Depressive Anti-Heroes at #2 is still a ginormous money-devourer even if with $296.6 domestically and $780 globally it's underperforming given it's behemoth budget and its launch pad to dozens of other proposed movies (there's already a huge crack in the foundation? Yikes). Meanwhile the latest stop on Jake Gyllenhaal's 'look what i can do on screen -- anything!' tourflopped coming in 15th for the weekend atnearly 900 screens. While it's true that Jake runs circles around his movie Demolition the fact that his starpower alone couldn't wallop what looks like the most unpleasant movie-watching experience of all time (Hardcore Henry took $5 million finishing at #5 for the week) is just f***in' depressing.
— JASON (metalmeatwad) (@MichaelNotCera) April 7, 2016
Anyway -- What did you see this weekend? I mean, other than WITNESS (1985) on Netflix which you surely watched for Tuesday Night's Best Shot. (Can't wait for this one since that movie is such a beauty.) I personally couldn't take in any movies people have heard of because I'm cramming for my upcoming "New Directors" jury duty at the Nashville International Film Festival which kicks off this weekend.
Let's hear it for siblings, fictional and otherwise! Today is National Siblings Day so I dedicate this to my sister and brothers even though they're not movie people and won't read this. But let's look at beautiful photos of three of our favorite sets of screen siblings. Starting with the most successful of all...
This review was originally published in Nathaniel's column at Towleroad
Melissa McCarthy cuts an imposing figure in her first scene in The Boss and I’m not talking about her plus size physique though we’ll get there in a minute. In the new comedy she’s Michelle Darnell, a mega-successful businesswoman (details are fuzzy on what kind) descending into a stadium on a giant faux phoenix that’s shooting off fireworks. The sound mix is as uniformly deafening as that image is unsubtle so you can’t make out a single word of the rapping, mob chanting, pandemonium that follows. This should be annoying but it comes as a weird relief in this relentlessly politicking season of pandering narcissistic windbags wearing saggy human costumes on TV every night. It’s better to close your ears and laugh at the inanity of the spectacle than really contemplate what they’re saying and what their cults are cheering about; that way lies nihilistic depression about the state of the world and we’re here to laugh, damnit, this being a Melissa McCarthy movie. (In short: I was in the right mood to see this movie. And that often matters with comedy.)
Shortly after that insane entrance, which presents Darnell as a Susan Powter style self-help guru (for economics), the movie recasts her as a less specific cutthroat executive who buys and sells companies in the blink of an eye — and buys and sells out people with equally swift mercilessness. [More...]
The Guardian talks to Jessica Chastain and she is fired up about gender in Hollywood - as a cool non-competitive 'everyone wins' take on Best Actressing awards that's pretty cool to hear. Kenneth in the (212) a protest of the Cats musical revival. LOL Tracking Board Judy Greer is moving behind the camera! She'll direct A Happening of Monumental Proportions. The cast is now coming together Girish Shambu on recent excellent micro-budget indie cinema Variety Star Melissa McCarthy and her Husband/Director Ben Falcone already have their next movie lined up: Life of the Party Gothamist Netflix is upping the prices for its longtime subscribers. Okay, cool Netflix. I guess this means you're going to add good movies to streaming again? Hello? Hello? [dial tone] MNPP which is hotter, annual Taylor Kitsch fetish-wear edition W Magazine for some reason Disney thought a fashion collaboration with Kenzo was smart marketing for The Jungle Book so here it is Film School Rejects rewatches No Way Out (1987) with directors commentary. Ugh, that's such a good little thriller. And Sean Young and Kevin Costner were scorching hot together at that precise moment in history Pajiba shares screenwriter Christopher McQuarrie's story about how Close Encounters of the Third Kind changed his life.
Superheroes still /Film shares early nerd joy tweets from Captain America: Civil War. As a Captain America nut I was excited until I started digging deeper and one person who loved it like crazy still says it's not as good as Deadpool (which is not even a *good* movie, let alone a great one) so I'll continue to downplay expectations as Captain America: Winter Soldier is the best Marvel Studios movie ever and it's difficult to top #1s in any subgenre. Coming Soon Confirmed: Marvel Studios characters will appear in Sony's 2017 Spider-Man movie surprisingly virtually no one. /Film Boyd Holbrook circling villain role in Hugh Jackman's superhero swansong Wolverine 3 with filming starting next month. The movie is said to be very loosely based on "Old Man Logan" story of the comics
Political Mic Drop I have announced on another platform and now here that I will stop talking about politics... at least until, oh, September. The why is that I find it absolutely damaging and yet strangely addictive like being a chainsmoker after a lung cancer diagnosis. Everyone hates everyone and I lose faith in almost everyone daily (including you. haha) when I listen to them talk about politics. And clearly people lose faith in me when I talk about politics (#imwithher). So since I will make a valiant effort to not speak about this until it's more relevant -- the next time anyone complains about how "long" the Oscars take I want to point them to this interminable two year long ordeal we're all living through politically -- I only ask that you read this hilarious, scathingly truthful Hilary Clinton endorsement from Ellie Mystal (thanks to MattRett for pointing it out) which sums up my feelings more than I thought was possible. And it put a smile on my face... which I didn't think was possible anymore politically.
(And that's it. Radio silence on politics after tonight. That's my plan at least.)
Today's Watch The ghoulish tortured cast of Penny Dreadful are almost back! It took me a second to realize that the new poster was not a deformed skull performing its best Munchian scream but actually a man's body; Josh Hartnett's perhaps? Just 22 days until Season 3 begins. If you're not watching the show you don't deserve Eva Green, who may well be the most under appreciated supreme sorceress of the acting arts.
Official Synopsis:
This season on PENNY DREADFUL, Tony® Award-winning star Patti LuPone (American Horror Story), who guest starred last season as the Cut-Wife, returns as a series regular in the new role of Dr. Seward, an American therapist who treats Vanessa (Eva Green) with an unconventional new approach. Wes Studi (Hell On Wheels) joins as a series regular as Kaetenay, an intense, enigmatic Native American with a deep connection to Ethan (Josh Hartnett) who also becomes an ally to Sir Malcolm (Timothy Dalton). The third season also adds Robert Louis Stevenson’s Dr. Henry Jekyll (Shazad Latif). Other guest stars include Screen Actors Guild® Award nominee Christian Camargo (DEXTER®, The Hurt Locker) as Dr. Alexander Sweet, a zoologist who strikes up an unlikely friendship with Vanessa; Sam Barnett (2012, Jupiter Ascending) as Dr. Seward’s mysterious young secretary; and Jessica Barden (The Outcast, Far from the Madding Crowd) as Justine, a young acolyte to Lily (Billie Piper) and Dorian Gray (Reeve Carney), and Perdita Weeks (THE TUDORS), as Catriona Hartdegan, a scholar with expert knowledge of the supernatural. Simon Russell Beale returns as Dr. Ferdinand Lyle. Rory Kinnear (as The Creature) and Harry Treadaway (as Dr. Frankenstein) also star.
Sunday, April 10, 2016 at 8:37PM 
Nobody lives in the moment like Richard Linklater. Which is remarkable, considering his canny cinematic ability to lounge with a certain slice of society, simultaneously celebrate and circumvent the trappings of self-importance, and extrapolate no less than what one might call the meaning of life. This is not to say that Linklater offers any absolute definitions – or that he’s a sage Second Coming who has all of them – but that he stands alone when it comes to unassumingly examining issues of identity, socialization, and finding the place where one fits in the world. His latest film Everybody Wants Some!! is no exception; in fact, by isolating one group of folks oft regarded as empty-headed and disposable – that of the jock, the bro, whatever you call them when their glistening pecs aren’t in your way – Linklater challenges the viewer to costume change their own preconceptions along with his ensemble as they amble their way through myriad modes of social circles and shooting the shit.
