The BFI's 30 Best LGBT Films of All Time

Have you seen the British Film Institute's 30 Best LBGT Films of All Time yet? The list was compiled in honor of the 30th London LGBT Film Festival and features a delightfully wide range of global cinema, classics, and new favorites.

There have been complaints of recent films performing so high on an All Time list, but it's important to remember that LGBT film has become increasingly more common and less niche in recent years - such a list is naturally going to be drawing from a larger pool of candidates from the past 20 years.

The BFI's number one is the most recent and we might have had a few things to say about it here at The Film Experience. Yes, the beloved Carol took the top spot. Say what you will about this months-old film winning an All Time title, at least our beloved has finally won something! It's also exciting that they awarded a film directed by an LGBT person, as our stories are historically rewarded when told by straight persons.

Following right behind is another gay romance: Andrew Haigh's Weekend. The film is recent to the world, but an even more recent release in Italy where it is just now opening five years after its debut. It even drew unusually large crowds, too - despite pushback from the Vatican.

The Full List after the jump...

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Thoughts I Had While Looking at the Miss Peregrine... Poster

Just in time for the kiddies' spring break movie fever, we've started to see teases for the new teen-targeted Tim Burton feature Miss Peregrine's Home for Peculiar Children. Based on the young adult book series by Ransom Riggs, there's a feast of spooky oddities that fit right into Burton's sensibilities. However, the first looks suggest that he's playing into his current era's weaknesses. The trailer and some thoughts I had staring at the new poster after the jump...

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Lick It Up, Baby. Lick It Up

“F*ck me gently with a chainsaw,” it looks like Daniel Waters 1989 cult classic Heathers (starring Winona Ryder, Christian Slater and Shannen Doherty among others) will be getting the small-screen treatment in a new anthology series on TV Land. This reincarnation will take place in present-day and feature a modern permutation on the three central “Heathers”. One is a black lesbian, another is a gender-queer male and the third is said to resemble the beleaguered Martha Dumptruck from the original film.

This is not the first cult-classic in recent years to be adapted for television. MTV’s “Scream” (largely eclipsed by “Scream Queens” in the public consciousness) is set to begin its second season May. TV Land itself has also picked up a television adaptation of The First Wives Club set to air next year.

Adaptations of movies into television series is hardly anything new. And there’s certainly precedent of it leading to a TV series that far surpasses the film its based on. Maybe “precedent” is a strong word. One shining example would probably be a more accurate assessment. The point is, for every generation-defining “Buffy the Vampire Slayer” we get about five or six middling “Dangerous Mind” or “Clueless” level retreads (remember these TV adaptations? Yikes.)

Whatever your feelings, qualitatively about high school hierarchy satire, its iconic status is hard to deny. Make no mistake—without Heathers, there would be no Clueless, no Mean Girls, probably no “Beverly Hills: 90210” whatever that means to you in any case. It’s easily the year zero of the high school queen bee sub-genre. Entertainment Weekly even teased the story with the headline “TV Land has picked up this Mean Girls-esque ‘80s cult classic.” Heresy. No one is set to reprise their original roles, which makes sense if you’ve seen Heathers. Here’s hoping that it retains at least some of the biting, note-perfect tone of the original.

Also, Martha Dumptruck did survive the original film, so maybe her return isn't out of the question. You know you're wondering what she's up to.

Will you be watching?

Lizzy Caplan and Amanda Seyfried: Mean Girls No More

Murtada here. Mean Girls alums Amanda Seyfried and Lizzy Caplan have announced upcoming projects. Amanda will star with Clive Owen in Andrew Niccol’s sci-fi thriller Anon. Niccol, the director of Gattaca (1997), and Seyfried have previously made the very forgettable In Time (2011) together. Caplan is joining Brad Pitt and Marion Cotillard in an untitled period spy thriller directed by Robert Zemeicks. Set in 1942, the film follows a spy (Pitt) who falls in love and marries a French agent (Cotillard) during a dangerous WW2 mission in North Africa. Caplan will play Pitt’s sister.

More Lizzy and Amanda after the jump......

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Interview: 'Take Me to the River' Director Matt Sobel and Stars Robin Weigert and Logan Miller

Jose here. When Ryder (Logan Miller) and his parents Cindy (Robin Weigert) and Don (Richard Schiff) arrive in Nebraska for a family reunion, things spiral out of hand when the teenager is implicitly accused of molesting one of his younger cousins. Tensions rise, and family secrets come to the surface, and yet nothing in this plot description makes justice to the uniqueness of Take Me to the River. Matt Sobel’s debut feature combines the eerie mood of a horror film, with the droll work of the best Finnish masters, to create a dreamlike experience that creeps under your skin. I sat down with director Sobel, and stars Weigert and Miller to discuss the film’s mood, their approach to the enigmatic screenplay, and the reaction the film sparks in audiences.

JOSE: Take Me to the River feels like it’s always a second away from turning into a horror movie. How did you set up that mood with your cast and crew?

MATT SOBEL: Years before making the film I was describing what I wanted to do to a friend, who said it sounded like I wanted to do something “uncanny”. I said it was more than just strange, so my friend suggested I looked up the definition of the word in the dictionary, and he was exactly right, the very specific meaning of it is: something that is simultaneously familiar and welcoming, and off putting and unfamiliar. That dissonance creates a very strong feeling of discomfort in everyone, so I spoke to my DP about how to achieve this every step of the way.

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