Penny Dreadful and Other (NSFW) Randomness

My mood of late has been 'fourgy with the cast of Ex Machina' That cast! Or at least a private moment with Oscar Isaac. When I'm not thinking of that movie I am thinking of The Avengers and when someone tweeted "Ava > Ultron" I immediately pictured a full two hour mash-up of those titles in which Alicia Vikander with all her little subtle whirring process noises seduces Scarlet Johansson in black leather and Mark Ruffalo in green muscles and Paul Bettany in fresh synthetic body and now I need a cold shower. My point is this: The Lusty Month of May is upon us.

In keeping with that mood, let's talk about the Penny Dreadful premiere tonight and 5 other not safe for work things after the jump...

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Avengers Assemble... Your Loot!

As expected Marvel's latest evil plot for world domination was a significant success at the box office. The US opening took in an estimated $187.6 but that's just the beginning of its gross and in addition to what it's already earned overseas ($340 million). Even though its launch wasn't as successful as its predecessor, it should still end the year comfortably with crazy big grosses. How high can it fly? Expect a big drop-off domestically next weekend since audiences and critics seem grumpier this time. I personally don't think that's so much about the movie itself as it is about the increasing ubiquity of its genre. It will be harder and harder for these films to wow people as their ranks have grown so swiftly. The special becomes the standard and so forth. 

In 'it's about time' news, Furious 7 had a big percentage drop and lost 500 theaters. In far more curious news Cinderella one of the year's leggiest hits somehow rebounded (second run houses?) to return to the top ten despite losing more theaters. 

WIDE RELEASE
01 Avengers: Age of Ultron $187.6 NEW Review & Marathon
02 Age of Adaline $6.2 (cum. $23.4)  Trailer discussion
03 Furious 7 $6.1 (cum. $330.5) Review
04 Paul Blart: Mall Cop 2 $5.5 (cum. $51.1)
05 Home $3.3 (cum. $158.1) the rise and fall of Dreamworks
06 Cinderella $2.3 (cum. $193.6) Review
07 Ex-Machina $2.2 (cum. $10.8) Review
08 Unfriended $1.9 (cum. $28.5) 
09 The Longest Ride $1.7 (cum. $33.2)
10 Woman in Gold $1.6 (cum. $24.5) 

Limited releases were fairly quiet this week though Far From the Madding Crowd opened with $172,000 at 10 locations and Clouds of Sils Maria got a nice expansion and should soon cross the million dollar mark.

What did you see this weekend?

Supporting Actress Chatter: Alicia, Julie, Kristen, Judy, Etc...

Alicia Vikander as Gerta Wegener in "The Danish Girl": Supporting or Lead?2015 hasn't brought us much in the way of stellar supporting actressing quite yet, with the exception of César winning Kristen Stewart in Clouds of Sils Maria. It helps that it's practically a lead role and she holds her own with one of the world's most hypnotic talents (Juliette Binoche). The other possibly key player that's already been seen by the lucky ones who attended the Sundance Film Festival is Julie Walters from Brooklyn (reviewed). She's a scene stealing delight as the strict landlady of the girl's boarding house where the heroine (Saoirse Ronan) lives and definitely has enough screentime to make a play for a nomination should the film be well received in general release. 

Otherwise for Oscar Predictions we have to venture into the great unknown.

Most Likely To Succeed, at least sight unseen, is 2015's 'it girl' Alicia Vikander (Ex Machina, The Danish Girl, Seventh Son, The Light Between Oceans, The Man From UNCLE, Testament of Youth, Adam Jones, Tulip Fever ...Yes, she has 8 movies slated for US release this year - take that Jessica Chastain!) It's tough to imagine her missing if The Danish Girl is any good because she's a terrific actress and the role is amazing, too. She's playing the erotica painter Gerda Wegener who supported her husband (Eddie Redmayne) as he became the titular character in the world's first sex reassignment surgery. Is the role large enough to campaign in Best Actress? This early in any film year most questions have no answers.

Early 'anything could happen' oscar predictions give us a unique opportunity to fantasize about comebacks too, should the films play and the reviews be kind. Which of these possible comeback queens will you be rooting hardest for: Jennifer Jason Leigh, The Hateful Eight; Judy Davis, The Dressmaker; Parker Posey, Irrational Man; Kate Winslet, Steve Jobs (well comeback to Oscar glory that is)?

Kate Winslet and Judy Davis on the set of "The Dressmaker". They play mother & daughter.

See the Supporting Actress Chart here and please do discuss EVERYONE in the comments. You know you want to and you know you you love this category almost or as much as Best Actress (which will be our grand finale to the April Foolish Predictions tomorrow). 

RPDR: Season 8 Audition

Age of Ultron... And Marvel's Very Long "Connected" Movie

This article was originally published in Nathaniel's column at Towleroad

Movies really ought to be seen (and reviewed for that matter) on their own terms. But what if their very terms are -- "it's all connected!?" I had the exhaustive if qualified pleasure this week of attending "The Ultimate Marvel Marathon," in which select theaters across the nation played back-to-back screenings of all 11 of Marvel Studio's films. Those take you from Iron Man (2008) through to the latest superheroic orgy of mayhem known as The Avengers: Age of Ultron (2015). Between the screenings (20-30 minute breaks) were interstitials selling the television program "Marvel's Agents of SHIELD" that frequently reminded us that it was 'all connected'. Does the latest film The Avengers: Age of Ultron satisfy all on its own? My early guess -- only time will tell -- is "not so much" but then, is it really intended to? 

Seeing the movies back-to-back threw their problems into sharp relief: the movies are ultimately formulaic, disinterested in women, and have weakly conceived villains (an oddity given that good villains are such a comic book staple). They also betray an unfortunate tendency to end with a battle in which large inanimate objects frequently collide or crumble, mistaking mass destruction as the highest form of entertainment when the figurative character beats as well as, yes, literal character beatings are nearly always the most pleasurable moments.

On the plus side, the marathon was a great reminder of why blockbuster culture has been stampeding all over more intimate cinematic triumphs for a long time now. [More...]

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