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Wednesday
Dec102014

Interview: Introducing Carrie Coon, 2014's Most Exciting New Actress

Carrie Coon at the premiere of Gone Girl in NYCActors who can register potently in all three acting mediums are less common than you'd think. Some movie stars are duds on stage (and vice versa) and, though it's becoming less of an issue as mediums shift and even merge, you can sometimes spot noticeable scale shifts in charisma in the actors who jump back and forth between TV and film as if one is the place they were born to live in and the other a nice place to visit. The lines may be blurring as more and more actors make a habit of doing all three but some actors seem right everywhere. It's not the medium but the acting itself that's their true home.

Carrie Coon is not a superstar (yet) -- "I'm not famous," she insists as we settle into our conversation about her breakthrough year -- but whichever medium you first caught her in, chances are you've already fallen. In a shockingly swift and continuous series of firsts over the past year and a half she's logged her first Broadway show (Who's Afraid of Virginia Woolf?, Tony Nomination 2013) her first series regular TV (The Leftovers, expect nominations any second now) and her first film (Gone Girl, a huge hit, and inarguably one of the most talked about features of the year even if its awards season prospects are still hard to read).

Perhaps it's a case of mutual Midwestern ease but our hastily scheduled phone call feels not unlike meeting a very cool stranger a party who is completely chill and ready to TALK.

Our conversation on Gone Girl & The Leftovers is after the jump...

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Wednesday
Dec102014

A Year with Kate: This Can't Be Love (1994)

Episode 50 of 52: In which Katharine Hepburn starred in a movie with Jason Bateman, which will make every game of Six Degrees of Kevin Bacon you play significantly easier.

This is it. We’ve reached the final year of Katharine Hepburn’s career. Did Kate know that the three films she made in 1994 would be her last? Did she feel herself slowing down and decide that sixty two years in the spotlight were enough? Since she made no official announcement, it’s impossible to know Kate’s reasons for sure. Still, considering this was Kate’s last starring role, This Can’t Be Love feels like a retirement announcement.

Kate’s first final film was This Can’t Be Love, another TV movie starring Katharine Hepburn as Katharine Hepburn. Actually, she plays Marion Bennett, a world-renowned, Academy Award-winning actress who eschews public life and spends a lot of time being loveably grouchy to her chauffeur (an adorable puppydog-ish Jason Bateman). In Bennett’s younger days, she’d had a torrid offscreen affair with her co-star Michael Reyman (Anthony Quinn). Umpteen years later, Reyman has re-entered Marion’s life, but his intentions are more than merely amorous.

It’s a formula we know well by now, so let’s just settle in and enjoy it. Sprinkle the script with references to Kate’s career, add bits of Quinn’s womanizing past, mix in an opposites attract romance that sounds almost-but-not-quite-unlike Tracy & Hepburn, shake vigorously, and let the sophomoric senior squabbling begin. I actually considered making a drinking game out of counting Katharine Hepburn meta-references, but realized I’d get alcohol poisoning in the first hour. The African Queen, her brother Tom, Coco, her childhood nickname “Jimmy,” Song of Love, and even Rooster Cogburn get a shoutout. My favorite comes from Kate directly. It's a bit of dialog meant to echo the statue metaphor from The Philadelphia Story: “He put me on a pedestal. Good view, but awfully lonely up there.”

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Wednesday
Dec102014

How to be SAG Snubbed Even When You're Nominated

As is our annual tradition we like to peruse the credits of the SAG Ensemble nods to see who got left out despite their film's nomination. The Film Experience started this kind of analysis ten years ago when The Aviator had some really dumb exclusions and inclusions but lots of other sites now cover the injustice. We never get credit for starting this line of Norma Rae righteous anger but, that said, at least a lot of people have it now.

Did SAG think her face looked like she'd licked a homelessman's ass?

If you aren't familiar SAG uses a system whereby only actors with solitary title cards are official nominees for the Cast category. This means if you are famous in a bit part and have a good agent you are more likely to be an official nominee than the unknown who delivered a better performance in possibly a much larger role than yours but had to share his or her card. There are occasionally exceptions to this rule; no actors in Woody Allen films get their own title cards, so in those cases SAG uses the first roll call title card but not the second and we see this solution with Birdman this year which does not give its cast separate billings.

What this means is that sometimes the person giving the single best performance in a film, like Corey Stoll in Midnight in Paris a few years back gets the snub because they weren't famous enough even though they undoubtedly contributed to the nomination happening in the first place. Stoll is now famous enough to get his own title card which he can thank Midnight in Paris and all the things it led to (like House of Cards) for but at the time, despite inarguably contributing to the nomination appeal, he was left out. 

It's really an unfortunate system that a union like SAG should consider revamping: it essentially awards the rich and powerful and demeans the little guy which is kind of a union no-no, you know? So let's look at who's nominated (officially) and who's not from the nominated casts. Though, as I've often been reminded by those defending SAG, it is worth noting that the non-nominate nominees (errrr) still get some kind of 'congrats' citation from SAG and something to put on their resume and nobody really balks when they fudge the officialness and declare themselves a best cast nominee!

BEST CAST NOMINATIONS
(Listed in order of billing. This year proves to be far less egregious than past years in terms of thoughtless shunnings. But it's a tradition at The Film Experience so we'll soldier on through it)

BIRDMAN
Michael Keaton, Zach Galifanakis, Edward Norton, Andrea Riseborough, Amy Ryan, Emma Stone, Naomi Watts [They all share an end-credit title card - like how woody allen films do it, with only Keaton interrupting the alphabetization] 

Who got the boot:  Lindsay Duncan, Merrit Wever, and Jeremy Shamos share the second actor credits page. The Emmy winning Wever, of Nurse Jackie fame, is blink and you'll miss her as the stage manager so it's no great loss in terms of a citation but surely Lindsay Duncan, who is rather key to the narrative as the much-discussed fearsome critic "Tabitha," should have been the exception to the rule and among the nominees. I believe Shamos plays the "terrible" actor that Mike Shiner (Norton) replaces in the play within the movie. Bill Camp (the crazy homeless man!) and Damion Young are the only other actors with a shared credit card.

BOYHOOD
Patricia Arquette, Eller Coltrane, Lorelei Linklater, "and" Ethan Hawke [title cards end credits] 

Only "grandma" is left out of Boyhood's blood relative nominees

Who got the boot: Though this seems somewhat fair given the 12 years that the immediate fictional family put into the project, there are a few other players who stuck around a year or three or four with highlighted roles. So you could complain (though I'm never in the mood for complaining when it comes to this gift of a movie) about the lack of Libby Vallari (Grandma) especially. There's also Barbara Chisolm as the mom's protective generous friend (Carol) or either of mom's drunk later husbands Marco Perella (as Professor Welbrock) or Brad Hawkins (as Jim)

GRAND BUDAPEST HOTEL
Ralph Fiennes, F Murray Abraham, Mathieu Almaric, Adrien Brody, Willem Dafoe, Jeff Goldblum, Harvey Keitel, Jude Law, Bill Murray, Edward Norton, Saoirse Ronan, Jason Schwartzmann, Lea Seydoux, Tilda Swinton, Tom Willinson, Owen Wilkinson, and  "Introducing" Tony Revolori

Grand Budapest has an insanely large cast so it makes sense that not everyone can be included. Sorry, prison gang!

Who got the boot: With the largest cast nominated, 17 players, all the important players as well as a few famous cameos are accounted for. So no complaints. Of those not "officially" included my votes for most memorable would go to Giselda Volodi as Serge's doomed club-footed sister and Florian Lukas as "Pinky" in the jail. Others might miss the cameos by the "The Society of the Crossed Keys" Wes Anderson regulars Bob Balaban, Wally Wolodarski and Waris Ahluwalia share that title card. 

THE IMITATION GAME
Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Allen Leech, Matthew Beard, "with" Charles Dance, "and" Mark Strong [title cards after prologue]

Who got the boot: Among the government corralled code-breaking teams James Northcote (who was also in Nymphomaniac and Belle this year) as "Jack Good" is left out, as are the young actors Alex Lawther and Jack Bannon who play Alan Turing and his mate Christopher in their boys school youth. And I might be a teeny tiny bit annoyed to see Tuppence Middleton left out since I loved her scene(s?) as "Helen" - and because she gifted Turing and Team with their scripted 'Eureka!' moment with all her flirtatious you know? But overall the nomination here is inclusive enough.

THEORY OF EVERYTHING 
Eddie Redmayne, Felicity Jones, Charlie Cox, Emily Watson, Simon McBurney, "and" David Thewlis.  [title cards end credits]

Harry Lloyd was Best Friend to Hawking, but doesn't get to enjoy the awards spoils

Who got the boot: The only principal cast members who got title cards but were left our are Maxine Peake and Harry Lloyd who had to share a card. This is a shame. Both Lloyd and Peake have major roles as Hawking's speech therapist of sorts and his best friend respectively so this is disappointing. Those are certainly much bigger parts and more impressive performances than, say, Emily Watson whose role Nick famously and hilariously summarized in our podcast as

You haven't met me. You should go to church. Bye!" 

 

What did you think of the SAG Cast Nominations, readers? Which films were you upset to see left out and which film are you rooting for for the win? 

Wednesday
Dec102014

SAG Noms: Surprises, Snubs, Sexism, Stunts

The nominations were announced live here (by Eva Longoria and Ansel Elgort) and on TBS & TNT. My wrong predictions were back here.

Though I have many pet peeves about the way the actors guild decides and divvies up its honor, here's one that's wildly underdiscussed online and I don't think it's at all insignificant or petty. Each year they refuse to alphabetize correctly, always listing Male Actor categories BEFORE Female Actor categories. That might make sense at the Oscars since "Actor" does comes before "Actress" in the alphabet if not in our hearts, but "Female" does not  come AFTER "Male" when you alphabetize and yet SAG always lists the men first. Highly sexist if you ask me though they are obviously super self-righteous about not calling women "Actresses". Go figure. 

If you don't think this is sexist consider this subliminal perhaps subconscious related value judgement: Drama is always listed before Comedy in their press releases though that's also not alphabetically justified. 

So The Film Experience always course-corrects for SAG by listing female actors first. Of course we do that with the Oscars too which is alphabetically incorrect since we use "Actress" but in our case it isn't a subliminal but a purposeful value judgement. Duh! Women are better than men. 

NOMINATIONS & COMMENTARY (ALL CATEGORIES) ARE AFTER THE JUMP

MOVIES

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Wednesday
Dec102014

‘Selma’ Wins Big at the AAFCA Awards & NAACP Image Award Nominations

Margaret here with a look at the nominees for the 2014 NAACP Image Awards, as well as the winners of the African American Film Critics Association year-end prizes.

It continues to be a good season for Selma, which racked up eight Image Award nominations-- especially impressive when you consider that there are only seven categories. (Six of its nominations are for acting.) Period drama Belle and James Brown biopic Get On Up both received five nominations each, and the music industry romantic drama Beyond the Lights earned three.

The AAFCA announced their awards, naming Selma best picture alongside nine other outstanding films. The AAFCA Top Ten Films of 2014 are as follows in order of distinction: 

  • SELMA
  • THE IMITATION GAME
  • THE THEORY OF EVERYTHING
  • BIRDMAN
  • BELLE
  • TOP FIVE
  • UNBROKEN
  • DEAR WHITE PEOPLE
  • GET ON UP
  • BLACK OR WHITE

A complete list of AAFCA winners, and Image nominees (some interesting stuff - now with double the Viola Davis!)  after the jump...

Click to read more ...