Richard Glatzer, Co-Director of Still Alice (1952-2015)

Wash Westmoreland & Richard Glatzer. I believe this photo is from around the time of The Fluffer (2001)

Just two minutes after the last post, coincidentally about Still Alice but meant to be a random amusement, I read that Richard Glatzer the co-writer and co-director had died. He had been struggling with ALS for the past few years. If you'll excuse me getting a little sentimental, I'd like to tell you my personal story about him as a way of working through my sadness today.

I can't recall the exact circumstances of our meeting but just after I had moved to New York City in 1999, we began to talk over e-mail. He was quite literally my first online friend who was actually working in movies and television around the time I was trying to launch The Film Experience. If I remember correctly our online friendship was prompted by an interview I had done with Jackie Beat, my all time favorite drag queen, for my print zine (before the website). She had worked with Richard on his first film, the underseen gay indie dramedy Grief (1993). More...

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Your Daily Reminder That Julianne Moore Won an Oscar

Hat tip and Quote of the week to our friend Ali Arikan in Istanbul

Turkish bootlegs don't have time for your bullshit."
-Ali Arikan 

We Can't Wait! #11: "A Bigger Splash"

Team Experience is counting down our 15 most anticipated for 2015. Here's Nathaniel... 

Who & What: No, kids. NOT the watery pop art David Hockney painting. Not even the highly naked 70s era fictionalized bio sprung from that painting, though we'd happily see that too should someone screen it. (Curators?) What it is is FINALLY the Luca Gaudagino follow up to I Am Love which topped our charts when it was released in 2010. That film's inimitable star Tilda Swinton and its gifted cinematographer Yorick Le Saux (Only Lovers Left Alive) and editor Walter Fasano are all returning. New collaborators are production designer Maria Djurkovic (Tinker Tailor Soldier Spy, The Imitation Game), Dakota Johnson untied, and two of the best male screen actors in the world in Ralph Fiennes and Matthias Schoenaerts.  

Here's the only photo that I'm aware of from the set:

Why We're Excited About It: Swinton and Fiennes hinted at fabulous chemistry in Grand Budapest Hotel in their ultra brief screentime together. They're playing ex-lovers this time -- with Tilda married to Schoenaerts so just those names all smooshed together in a daisy chain sound like a bodice ripper for art film fans. The characters all collide on vacation in Italy including Fiennes screen daughter (Dakota Johnson) and things get... well, no spoilers but there's obviously TROUBLE and that trouble is at least somewhat sexual. It's adapted from La Piscine (1969) a French film starring the beauteous coupling of Alain Delon & Romy Schneider. If you want spoilers, go there. 

What if It All Goes Wrong: Guadagnino has been doing shorts and documentaries for the past several years after I Am Love, just as he had before that international breakthrough. Following up a masterpiece is never easy. It's probably not safe to expect something that brilliant again though we wish him enormous success so he might finally get that proposed remake of Auntie Mame with Tilda in the leading role made after all. Another concern: Margot Robbie was originally cast in Dakota's part and, ,apologies to Dakota, but that feels like a downgrade on the evidence of what we've seen so far from both of them.

When: Fox Searchlight has distribution rights for America and filming has wrapped so we'd expect a TIFF or Telluride bow followed by a November or December release if people are wild for it. But you never know. I Am Love did Venice and TIFF in 2009 and then waited until summer of 2010 for release. 

previously in We Can't Wait, Kate Winslet in The Dressmaker

5 Suggestions for that Newly Announced DumBurton Film

Manuel here with your daily Disney update. By now you’ve probably already heard that Tim Burton, he of Alice in Wonderland & Big Eyes fame has signed on to direct a live-action adaptation of beloved Disney property Dumbo. With it, of course, came cries of “IS NOTHING SACRED?!” despite large corporations (in particular the Mouse House) constantly letting us know that, no, actually nothing is. Especially when we’re all so eager to shell out money for Phase 1 of their live action remake roster.

So, rather than rehearse those conversations (“What will they turn to next; Fantasia?!”) or snarkily, if gleefully, begin to imagine what other director/Disney film pairings we could come up with (Fincher’s Ursula, Bigelow’s Mulan, Apatow’s Hercules…), I figured we’d offer some suggestions for this Dumburton film:

• Cast Andy Serkis as Dumbo (or maybe Sean Gunn who did such great work on Rocket Raccoon?)
• Steer away from casting Johnny Depp (no one wants to see his take on Timothy Q. Mouse)
• If you’ll be recruiting past collaborators, make us excited about seeing what Colleen Atwood & Dennis Gassner could do with a circus (they did such great work on Big Fish)
• Gender-bend this mostly male story; might the crows be an all-female gang? (think of it: Ricci! Davis! Ryder! Green! Pfeiffer!)
• Keep it weird (but not Mad Hatter dancing weird, more like ‘is this really a drug-induced elephant dancing sequence?’ weird).

I’m sure we all have strong opinions on this one, so let’s hear ‘em! Are you the teensiest bit excited about this or is Disney’s cash-grab go back-to-the-animation-well more unsavory than when they used it to cast Glenn Close as Cruella DeVil back in the 90s?

Chappie, or "God, How I Hated That Robot"

Michael C here. The more coarse and petty the level of online discourse becomes the more determined I am to elevate things when I add my own voice to the mix. And yet, here I am sitting down to write about Chappie, a film that announces itself as being full of Big Ideas, and all I really want to say is, “God, how I hated that robot.” 

I could couch that in more academic terms. I could say Chappie’s grating personality exemplifies the many drastic miscalculations Neill Blomkamp made in crafting his latest sci-fi parable. But let’s cut to the heart of the matter. Chappie is the worst. Not Chappie the movie, which is bad, but not as Earth-shatteringly terrible as its buzz suggests. Chappie the character, the first robot to be programmed with a soul. I hated Chappie’s cloying, chirpy voice (courtesy of District 9's Sharlto Copley). I hated the supposedly cutesy-poo way Chappie refers to himself in the third person. I hated the attempts to make me go “Awww” by having Chappie relate to the children’s book The Black Sheep. And Sweet Jesus did I hate it when a gang of thugs teaches Chappie to mimic all their irritating mannerisms. [More...]

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