Team FYC: "The Immigrant" for Original Score

Editor's Note: We're featuring individually chosen FYC's for various longshots in the Oscar race. We'll never repeat a film or a category so we hope you enjoy the variety of picks. And if you're lucky enough to be an AMPAS, HFPA, or Critics Group voter, take note! Here's Jose on The Immmigrant. 

Director James Gray has stated on many occasions that he owes his inspiration for The Immigrant to music, to be more specific: opera. How it was when he was watching Puccini’s Il Trittico at the LA Opera, with tears streaming down his face, that he realized he needed to tell this story. Inspired by Puccini’s sinful sister Angelica, he created the character of Ewa (Marion Cotillard) a Polish immigrant forced into prostitution by the conniving pimp Bruno (Joaquin Phoenix) who in a way is perversely in love with her. Gray wanted to tell a grand story about a woman in the vein of the Barbara Stanwyck films he loved, all of which were snootily referred to as “melodramas”.

And it’s precisely in this marriage of music and drama where The Immigrant proves to be absolutely sublime, Gray understood that to make an “operatic” film he needed not to exaggerate but to seek a depth of emotion heightened by the work of composer Christopher Spelman. The two have worked together in the past (going all the way back to Gray’s first film Little Odessa) and specifically they have used Puccini before, with Spelman arranging the orchestrations for the pieces used in Two Lovers.

In The Immigrant Spelman not only arranged the pre-existing opera pieces we hear throughout the film, he also composed a series of haunting melodies which both pay homage and carve their own way from where the Puccini ends. Spelman’s melancholy pieces are infused with a sense of longing that will have you humming them inexplicably days, months even, after you watch the film, making for an experience that’s quite operatic indeed.

Other FYCs 
Original Screenplay, The Babadook
Original Score, The Immigrant
Supporting Actress, Carrie Coon in Gone Girl
Visual FX, Under the Skin
Cinematography, The Homesman
Outstanding Ensembles

Thoughts I Had... While Looking at Cate Blanchett's 'Cinderella' Poster

Take it away Margaret...

• If you've got (1) Blanchett looking imperious, or better yet (2) Blanchett looking imperious in a fabulous hat, I'm already sold. I sort of hope the whole movie is just Cate posing with glacial elegance in an increasingly imposing series of chapeaux.
• Now that she's bagged Oscar #2, the time might just be right for her to try some camped-up villainy. 
       * pretending Indiana Jones 4 doesn't exist, pretending Indiana Jones 4 doesn't exist *
• I love Cate as a redhead. Reahhhlly I do.
• And oh look, It's DAISEH from Downton Abbey! Hi, Daiseh! I stopped watching your show in season 2 but I think it's safe to say whatever Julian Fellowes is doing with you, you deserve better.
• Merciful heavens, the florals are strong with this one. Is that supposed to be what makes them wicked? A heavy hand with competing patterns?
• Something about the stepsisters being decked out in those bright shades of pink and yellow makes me think of the Power Rangers. I will now be taking volunteers to write the treatment for a Cinderella/Power Rangers crossover.
• The Oscar campaign for Most Costume Design 2015 starts now. Our gal Sandy Powell should start drafting gloriously blunt acceptance sound bytes now.
• Not sure what to make of the March release date. Certainly when a big studio picture with no major competition opens in March it has potential to take off into an enormous hit (à la Eyesore in Wonderland or Oz the Great and Powerful) but by that same token it's often where weaker films get sent when they can't hold up against the blockbusters..

What does this new poster bring to your mind?

Linkless

Whoa we're getting behind on the linkages... here ya go

The Babadook order the pop-up book so that I have someone to commiserate with when it keeps us awake at nights in 2015
NYT looks at Ava DuVernay's direction of Selma
MNPP Continually undersung TFE favorite Alessandro Nivola celebrates the shortness of his shorts and how it helped A Most Violent Year win NBR's Best Picture. Hee
The Credits on the makeup work on Wild. How to keep Reese dirty?!

Hey U Guys interviews the always welcome Judy Greer on Men Women and Children and Ant-Man
Dissolve Sundance announces its titles for 2015. I should probably go again but haven't committed yet
Carpetbagger interviews costume designer Albert Wolsky on Birdman's briefs and super suit
In Contention Kris interviews TFE's communal husband, cinematographer Bradford Young (Selma / A Most Violent Year) 
Awards Daily mad scramble of wide open Oscar year
Heat Vision Suicide Squad, which I guess is a Batman movie without Batman (isn't TV's Gotham already covering that beat), gets an all star cast: Smith, Hardy, Robbie, Jai Courtney and Jared Leto as the Joker risking Heath comparisons less than a decade later. Yikes.
Boy Culture on Madonna's much talked about new Interview photoshoot 
The Atlantic Joe Reid thanks the NYFCC for expanding rather than narrowing the Oscar conversation this year (may other orgs and associations and circles do likewise)
/Film everyone is talking about the Fantastic Four synopsis which I find incredibly strange since its the vaguest thing ever and everyone already knows it (four young people are cosmically transformed in super odd ways and have to face an enemy that was once a friend - duh!)
Variety a bunch of major screenplays are ineligible for the WGA awards this year including The Theory of Everything and Selma
Daily Mail Kathleen Turner profiled for Dumb and Dumber To

I don't look like I did 30 years ago, get over it.

Sorry Kathleen, I'll never get over you! Then or now. (Though I'll skip this type of cameo and wait for the next great stage performance)

Absolute Must Read of the Day
Garden & Gun 98 year-old two-time Oscar winner Olivia de Havilland gets sassy remembering her career and Gone With the Wind (1939). On working with some of the greatest directors of all time from George Cukor to William Wyler...

They didn’t get the performances out of me. I gave the performances to them.

Videos o' the Day
Louis Virtel details all the reasons why Madonna is the greatest celebrity of all time. And David Ehrlich countsdown his 25 favorites of the year with a neato montage with wonderful music choices

THE 25 BEST FILMS OF 2014: A VIDEO COUNTDOWN from david Ehrlich on Vimeo.

Top Ten / List Manic Season Begins
John Waters the inimitable director does his annual duty for Artforum. It's always refreshingly eclectic and this year he loves Maps to the Stars and Nymphomaniac
Washington Post from Boyhood to Under the Skin 
AV Club kicks off it's best & worst of the year with comedy albums, least essential albums (heh) and worst tv. ouch.
The Film Stage looks at the best of 2014 according to Cahiers du Cinema from Under the Skin to Love is Strange
Sight & Sound from Boyhood to Mr Turner

THE FILM EXPERIENCE's YEAR IN REVIEW begins Dec 11th
[Lee Pace doesn't believe us! ------->]
I've seen nearly all the films one has to see (but I have about 10 more I'd like to screen or rescreen before the list-making proper). We'll have a couple of days of "Cinematic Shame" beginning on the 11th to cleanse the palette and from December 14th through January 14th is when "everything is awesome" and we celebrate the Best Ofs. But, as you know it's tough to keep up 'in the season' so some lists/categories from Year In Review will obviously trickle out after the Oscar nominations on January 15th. Stay tuned!

Breaking: Oh Jimmy! Daniel Craig Returns as 007 in "Spectre"

It wouldn't be accurate to call James Bond the mother the father of all franchises since serialized storytelling was with us since the very beginning of the recorded image. Nevertheless it does sometimes feel like James Bond pioneered the art of staying in the game. It maybe even influenced the rebooting craze long before it had a name with its continual cosmetic surgery; can you imagine how expensive it is to make Timothy Dalton look like Pierce Brosnan and then like Daniel Craig?

Daniel Craig is among the sexiest mofos on the planet but perhaps this is why he looks so beat up all the time? Either that or because people have been torturing him onscreen from the very beginning.

Case in point: This is not an image from the new Bond film but from the Cate Blanchett film Elizabeth (1998)

The new Bond film which begins production in 4 days and arrives in theaters on November 2015 is the 24th official entry in the series (though there are a two apocryphal films as well) and will be called Spectre. It's worth noting that this is, like Skyfall, a very short title. The shortest Bond titles (though not running times) since Dr. No (1962) which kicked off the whole series! Sam Smith will be doing the theme song.

Sadly, the casting doesn't seem very imaginative since Christoph Waltz is among the villians (i'm sorry but I'm done with him post Big Eyes. His range is shrinking which is quite an overachievement since he already won two Oscars for the same performance!) 

The cast in order of TFE's current levels of fandom...
Daniel Craig as Bond, James Bond (returning)
Ralph Fiennes as M (returning)
Lea Seydoux as Madeleine Swann (new)
Ben Whishaw as Q (returning)
Naomie Harris as Moneypenny (returning)
Andrew Scott as Denbigh (new)
Monica Bellucci as Lucia Sciarra (new)
David Bautista as Mr Hinx (new)
Rory Kinnear as Tanner (recurring)
Christoph Waltz as Oberhauser (new)

Do you think Lea's AMAZING entrance in Ghost Protocol inspired her future Bond Girl femme fatale role (say yes, that's rhetorical)

Do you see every Bond film or wait for the general cultural response?  Given Skyfall's historic gross and Oscar over-performance (doubling the entire franchises's Oscar tally!) do you think they're in for another zeitgeist hit and awards contender. Or do you think this one is bound to be a bit of a letdown?

Interview: Toa Fraser and the 'Cool Runnings' of the foreign language race.

Glenn here. If you had ever wondered what a pre-colonial New Zealand western may look like, Toa Fraser's The Dead Lands just may be it. The film's story of revenge taken by a Maori chieftain's son after the slaughter of his tribe and family is very typical fodder for the western genre, but with its use of indigenous languages (a language that itself has been slaughtered throughout history) mixed with local mythology and lore, the film proves an entirely unique proposition. It's only the third foreign language submission in the small island nation's history, and the first to be set before white settlement. I spoke to the director last week, just a few days before his film received the biggest haul of nominations at the New Zealand Film Awards. The Dead Lands received 14 nominations and will face stiff competition from the inspirational chess drama The Dark Horse with 13. We talked about about the festival circuit, Oscar campaigning, being the underdog, historic authenticity, costuming and more.

 You have recently played at Toronto and London film festivals, and now you're a submission for the Oscar, how have these last few months of yours been taking this film around the world.

It's been amazing. We only finished the movie a few weeks before we went to Toronto and I had only seen it once in its entirety before we screened it at Toronto so it was kind of a high stakes game. We had, I think, six cast members come to Toronto and be a part of the experience, so it was a great premiere and we were very happy with the way that it was received. We were very grateful. And then to get back to London for the festival was also great. We had a great big group of Maori come down to the show and stand proudly at the side of the stage without telling us they were coming. They all had a great time. And then back to New Zealand for the premiere there, so it's been a bit of a whirlwind, but I am very proud of the movie and love talking about it. Good times.

Have you by any chance been given any education on campaigning techniques when it comes to the Oscar? Is it a big deal in New Zealand or do you take it stride?

We are the Cool Runnings of the foreign language race [laughs]. You know, I think we're only the third ever from New Zealand…

Yeah, it is, after The Orator (2011) and White Lies (2013).

Yeah, and we're up against some formidable and very established industries that make movies in languages other than English. So, we under no pretense we have… we're the underdog in this game, but in terms of strategy? No. I understand there are very strict rules and so I'm anxious not to suck up. We're from New Zealand, we're very play by the rules types.

More on Peter O'Toole, costumes, and action choreograhy after the jump...

James Rolleston, Lawrence Makoare and Toa Fraser on the set of 'The Dead Lands'

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