Curio: Lily Tomlin, Movie Fan

Alexa here. To celebrate Lily Tomlin's 75th birthday tomorrow I dug up this 1983 issue of the ill-fated "The Movies" magazine from my collection. In it, Tomlin shares her film memories, especially those during her time as a teen usherette. The lengthy diary-like piece, filled with teen snapshots and written with wife and longtime collaborator Jane Wagner, reveals Tomlin to be a true film obsessive, discussing various modes of screen charisma ("inner glow" versus "outer twinkle"), her sexual awakening via B-movies, the damage Brigitte Bardot did to her, and her feminist critique of Annie Hall. Here are some choice excerpts.

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Yes No Maybe So: "The Rewrite"

Hugh Grant returns to the romantic comedy genre in "The Rewrite". Here's Matthew Eng to break it down for us in our Yes No Maybe So way

YES

• Marisa Tomei
• Marisa Tomei
• Marisa Tomei
• Let me say it again. Marisa. Tomei. I’ll take her wherever I can get her, and I’d watch The Rewrite if only as a dolled-up delivery system for the most undervalued Oscar-winning actress working today. Why active, actress-friendly directors like David O. Russell and Woody Allen have yet to scoop her up and make a comedic muse out of her is totally beyond comprehension. She’s moving, miffed, and magnificent in Love is Strange, giving a pitch-perfect supporting performance, in the purest sense of the term. And she seems to be serving up her usual best here (i.e. rich, relaxed, and revealing character work) and top-lining (!) the damn thing as Hugh Grant’s older screenwriting pupil/inevitable love interest and she also seems to have a scene where she adorably re-creates the “Born to Hand Jive” scene from Grease with two little girls, and so for that and for My Marisa, I’ll be there.

more and the trailer itself after the jump...

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Beauty Break: Stars in Chains

I was all prepared to write a short and snappy post about Historical Inaccuracies via Hot Bodies when I saw Adrien Brody buffed and chained for Houdini. Only then I looked at photos of the actual Houdini and it wasn't such a stretch after all. He must have spent as much time in the gym as he did locked in vaults underwater. Houdini, a new two night miniseries about the famous magician and escape artist, premieres tomorrow on the Discovery Channel.

Let's ignore for the moment that Adrien Brody has had a very strange career post-Oscar (and pre-Oscar come to think of it). Can he get back in the awards game with this. Or, rather, does History Channel ever win Emmy attention? You tell me, Emmy experts.

And we thank Brody for the sudden beauty break inspiration. Let's ogle stars all chained up, some even voluntarily, with a gallery after the jump. I mean, can you guess who this is for instance?

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Yes, No, Maybe So: Jon Stewart's Rosewater

Amir here, anxiously over-analyzing the trailer for Jon Stewart’s directorial debut. Rosewater tells the story of Maziar Bahari, an Iranian-Canadian journalist who was arrested following the Green Revolution riots, when Iranians protested against the controversial presidential elections of 2009. At the time, Daily Show host Jon Stewart followed the story in great detail. That publicity was instrumental in Bahari’s eventual release and Stewart's interest in the events has evidently not subsided since. Rosewater stars TFE favorite Gael García Bernal as Bahari.

The trailer and our usual YNMS treatment after the jump...

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Review: Robin Wright at "The Congress"

Amir is here with your second review of the weekend...

The Congress, Ari Folman’s follow-up to his brilliant debut feature, the animated documentary Waltz with Bashir, starts rather normally. The opening shot is a staggeringly beautiful close-up of a tearful Robin Wright (playing an imaginary version of herself) as her agent Al’s (Harvey Keitel) voiceover informs us that her career is in tatters. Robin has hit the film industry’s glass ceiling age of 45 and with an already troubled reputation as a difficult actress to work with, her options are quickly dwindling. Al is trying to convince her to sell her digital image rights to the Miramount studio headed by Jeff (a remarkably greasy Danny Houston). This would mean that the studio will use her scanned image to create characters in future films in exchange for a fat paycheque and her right to ever act again.

Everything about this opening setup is promising, signifying a film that is aware of the fears and tensions within the entertainment industry. The Congress is ripe with smart ideas and astute observations about the challenges that technology presents to the men and women active in cinema. [more...]

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