Sofia Coppola's "Little Mermaid" Can You Imagine It?

I'm going to have months of fun fantasizing about what this film will be like. According to Variety, Sofia Coppola is in talks to helm a new version of "The Little Mermaid", the flexible originally quite gloomy Hans Christian Anderson tale of a mermaid who gave up her life for the love of a human. The project, which once belonged to Joe Wright who is now working on a different sort of tale with fairies, called Pan (but we've discussed that enough recently), was aiming to mantain the original unhappy ending.

Though it's easy to giggle trying to juxtapose Sofia Coppola's high end lost rich girl aesthetic onto the familiar tale -- check out this tweet for a good LOL -- once you stop to consider even for a minute it's not that large a stretch.

Coppola does like to dramatize the hazy inchoate longings of fish out of water girls, whether that's Scarlett Johansson wandering lux hotels and karaoke bars in Tokyo or Marie Antoinette suddenly abandoned by her family for life in a new country as their queen. The other films don't readily connect as easily but since those are her two best and both are less directly tied to privileged Hollywood types, it might be a really great idea to shake up Coppola's increasingly Californian filmography.

What was your first reaction. And your second?

Linkomaniac Pt. 1

The Daily Beast talks to Uma Thurman about Lars von Trier and gender politics
Five Thirty Eight parses Shakespeare and finds that Romeo & Juliet have a relationship that's not totally based on getting to know one another. Duh!
The Wire reviews Doll & Em, a new miniseries starring Emily Mortimer 

Playbill Katharine McPhee has landed a series lead gig in a CBS show called Scorpion. (I guess they never saw Smash?)
Salon on the eve of the release of Divergent, a reminder that not every YA best-seller aiming for Hunger Games phenom status succeeds: Beautiful Creatures, City of Ember, The Host and more...
The Guardian Brittany Murphy's final film, Something Wicked, is completed four years after her death
Vulture 294 "issues" Glee has addressed in its first 99 episodes
Variety they went really young casting Peter Pan for that self proclaimed "international" and "diverse" Pan film which keeps casting white people in all the roles (so I guess what they mean by diverse is international and all ages). The boy's name is Levi Miller

Today's Long Read
The complete short story "The Birds" which inspired Alfred Hitchcock's 1963 classic and will inspire the remake (argh) which might star Naomi Watts and be directed by Diederik Van Rooijen -- which I keep hoping will be cancelled -- is available online if you've never read it. It's from Daphne du Maurier who Hitchcock obviously liked as she also wrote Rebecca. (Thanks to Sasha for pointing it out.)

Kate Winslet is FINALLY a Star

Here is abstew on Kate Winslet's star ceremony

 

Ladies and gentlemen, the ground of Los Angeles literally shook in anticipation of Kate Winslet's star today.

Don't worry, that earthquake in LA yesterday morning was all just a PR stunt orchestrated to commemorate the unveiling of the Oscar winner's star on the Hollywood Walk of Fame! (That Divergent budget must be massive.) But a little ground swell didn't stop people from coming out to celebrate Kate's star at Hollywood and Vine. Kathy Bates, wearing a fabulous black and white mumu, auditioned to appear alongside Carrot Top in his Vegas act as she debuted a prop-heavy comedy routine about Kate having to clean her own star. But so Kate's not embarrassed by doing so, Bates supplied her with an "I'm NOT Kate Winslet" T-shirt. And I immediately went on eBay to buy a knock-off of it. Shailene Woodley (see Divergent this Friday!) spoke off the cuff about how Kate was always prepared and pleasant on set and then got a little choked up as she spoke of what an amazing role model she is. (Kathy Bates was seen gathering her things and mumbling, "sure, go the cheap sentimental route...) 

Kate, who joked that she had a breast-pump in hand as the earthquake rumbled that morning (always boobs with her), gave a short but sweet speech about how honored she was. She also pointed out that Titanic was 18 years ago (well, technically 17, but I'm sure filming it made it feel much longer) mainly just to remind us all that we're old if we remember seeing it in the theatre. But honestly, I'm kinda thrilled that she finally has a star! I mean, Jennifer Lopez, Vin Diesel, and Jennifer Aniston all have them–it was time. Now, she's just got to get working on that Tony in her EGOT to complete her collection...

The video, which really starts at about 1:21, is below. That Kathy Bates bit kinda has to be seen to be believed.

Curio: Rob, Always and Forever

Alexa here. Before the Oscar ceremony this year I flashed back to Rob Lowe's low of 1989, dancing with Snow White, and I wished the ceremony would still include that tastelessness of yore.  Alas, while times have changed since then, and a different form of tackiness prevails, Rob has remained as doable, er, durable as ever. I wanted to join Nathaniel in celebrating his half century on this planet with some fan curios, vintage and handmade, that showcase his early years, especially my favorite teen dream film, The Outsiders.

On to the raging hormones... 

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Veronica Mars and the Case of 'What Is Cinematic'?

Glenn here to discuss Veronica Mars. Did you see it this weekend?  Maybe you streamed it on demand or (like me) trekked to a cinema to see it on the big screen and watch the crowd collectively laugh at the exploits of Neptune, California’s best young private detective. Either way, I find it hard to believe that anybody who loved the series wouldn’t also find the film a whole bunch of fun. I know I did, and even if it does spend a lot of its time providing lip service to fans, given its Kickstarter origins there was never any hope for a Twin Peaks: Fire Walk with Me style reinvention, you know? Not at all.

Among those who admitted to not having seen the show prior to the film, many complained that it looked like a 100-minute extended 'very special episode' of a series. While it’s hard to argue that creator/director/writer Rob Thomas pushes the envelope for the new larger canvas, I almost feel like that's missing the point. But I find it interesting that many were calling into the question the notion of what makes something cinematic.

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