Box Office: Smart Dogs, Ab'ed Warriors, and Speed Racers

Because animated films have good legs at the box office, Mr Peabody continued to walk up right and traded places with the muscle-bound warriors of the 300 sequel for first place.  

BOX OFFICE
01 MR PEABODY & SHERMAN $21.2 (cum. $63.1) Tim's thoughts
02 300: RISE OF AN EMPIRE $19.1 (cum. $78.3)
03 NEED FOR SPEED $17.8 *NEW*
04 NON-STOP  $10.6 (cum. $68.8) Amir's Review 
05 TYLER PERRY'S SINGLE MOM'S CLUB $8.3 *new* 
06 THE LEGO MOVIE $7.7 (cum. $236.9) Nathaniel's Review
07 SON OF GOD $5.4 (cum. $50.8)
08 THE GRAND BUDAPEST HOTEL $3.6 (cum. $4.7)
09 FROZEN $2.1 (cum. $396.3) Review | Let it Go | Jonathan Groff Interview
10 VERONICA MARS $2.0 *NEW* 

The LEGO Movie is way way out front for biggest hit of 2014 thus far but I have to admit that I'm surprised that Frozen which is now 2013's third biggest hit, far exceeding anyone's expectations, is folding up and moving out of theaters for DVD already. If they had kept milking it a bit, it probably could have passed Iron Man 3's gross. You can only make that theatrical money once, really (unless they invent 4D and retrofit) But I guess they're eager for the DVD/BluRay cash. Most of the Best Picture nominees are still in theaters but like Frozen are on DVD very very soon. They're now losing a ton of screens but you can see their final totals here (Nebraska and Her ended the season as the lowest grossers and Gravity and American Hustle as the bonafide sensations).

The big story of the weekend is surely Wes Anderson's success. The Grand Budapest Hotel was welcoming aton of new guests with the week's best per screen average. It vaulted into the top ten despite showing on roughly 3,000 less screens than the other movies. The smaller story is that Denis Villeneuve's mind trip Enemy (reviewed) starring Jake Gyllenhaal² only opened on one screen? One screen? What were they thinking? It's so hard to get attention when you're only on one screen

What did you see this weekend, my people? I hope you were watching Eternal Sunshine and are joining us for Tuesday night's "Hit Me With Your Best Shot"?

 I'll admit that I fell into a weird Netflix hole of Scandal Season 2 because I could barely get out of bed. I guess my body finally collapsed from Oscar season adrenaline withdrawal? (I'll be fine tomorrow I hope). I don't respect Scandal exactly but now I see why people tune in each week. I had tuned in for a few Season 1 episodes and thought it was very poorly written trash. At the end of each Season 2 episode we turned to each other and said "Scandal!" in our best loud whisper faux shock voices on account of the, uh, scandalousness. So I guess in Season 2 it transformed into good trash tv. Either that or I lowered my standards. Which is possible with Tony Goldwyn and Kerry Washington steaming up my TV screen. The supporting cast though I find surprisingly  weak for such a successful show.

Review: "Enemy" Pits Gyllenhaal Against Gyllenhaal

This review originally appeared in my column at Towleroad

Have you ever read Jose Saramago's "Blindness"? That genius novel, about a sudden epidemic that renders the whole world blind, is hugely unsettling in content. It's also experimental in form. No character is named, the two protagonists are only referred to as "The Doctor" and "The Doctor's Wife", and punctuation is so scarce that there's nothing to guide you; you have to feel your own way through the blocks of words. The film version in 2008, which starred Mark Ruffalo and Julianne Moore, was too traditional in execution and couldn't capture the mad confusion and haunting power of the book. I haven't read Saramago's novel "The Double" upon which the new film Enemy is based but no one is playing it safe in the transfer this time. This is the kind of movie that feels like a true transfer of surreal text to visuals.

When I attended the Toronto Film Festival last fall, I didn't know what to make of Denis Villeneuve's hallucinatory thriller, which is as far removed from his other recent mainstream thriller (Prisoners, reviewed) as it could be. As far as I can tell the new movie is about a university teacher (Jake Gyllenhaal) who, while absentmindedly watching a video at home, sees a movie actor (Jake Gyllenhaal) who looks exactly like him. His initial shock gives way to curiousity and then to obsession. Things only get weirder from there... 

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Recommended Instant Watch: "Pit Stop"

Just a heads up that one of last year's best festival titles is playing on Netflix Instant Watch. Yen Tan's Pit Stop unfortunately never saw theatrical release but it won a few festival prizes along its way including from my jury at the Nashville Film Festival (Best Screenplay) and we've mentioned it a couple of times her via Glenn at New Fest and my interview with Yen Tan at Towleroad.

The romantic drama follows two lonely gay men in rural Texas named Gabe and Ernesto (Bill Heck and Marcus DeAnda) who are both struggling to move on with their lives after painful breakups. Their paths occasionally cross but they aren't aware of each other -- it's not exactly a visible or social gay community -- until the final act of the movie.  

If you've ever seen Yen Tan's Ciao (2008), which has a much different plot but a similar romantic trajectory, you know that he favors slow simmers to boiling drama. Those types of films are always easier sits in movie theaters when you're less distracted by other screens but I'm hoping people give it a shot for home viewing because by the end its generated strong and cumulative emotions. And bonus points, most of the actors are very good (indie darling Amy Seimetz is typically fine as Gabe's ex-wife). All that and it contains one of the hottest yet modest and emotionally moving sex scenes in recent years.

Plus this cut from Ernesto to Gabe, both cuddling with their pets, made my heart melt.

The cut is actually in reverse but I had to lead with the cat. 

ICYMI

A new Saturday tradition since it's the slowest day for the site and some of you don't visit every day *sniffle* and we don't want you to miss anything so catch up over the weekend, why don't you?

Save the Dates SAG, BAFTA, GLOBE, OSCAR ceremony dates announced
Endless Awards  Best Cameos - the film bitch awards continue
Your Vote? Beauty vs. Beast "cleavagey slutbomb" vs. "the chosen one" - why haven't you voted? I know you love the greatest TV show evah!
⬅ And yes I'm shamelessly trying to sway your votes
Some Doodling "Spark" Nathaniel draws the Marquise
Casting Problems More Leading Roles for Women and More Roles (at all) for Disabled Actors and Hollywood's love of White-Washing are three super-related topics that were big talking points this week round the web
Good Talk  "True Looking" this report on the season finales of Looking and True Detective garnered the most comments this week.
Most Talk "Podcast Finale" - the gang's all here to wrap up awards season
Most Important Oscar Coverage Index and a plea for subscriptions to keep the site healthy. We need about 290 more of you!

DON'T FORGET TO WATCH ETERNAL SUNSHINE OF THE SPOTLESS MIND THIS WEEKEND.

2004's best picture (not AMPAS stamped alas) turns 10 years old on Wednesday next week and on Tuesday night at 9 PM we'll celebrated by kicking off the fifth season of "Hit Me With Your Best Shot" - to play along just post your favorite shot somewhere with a short explanation and we'll link up. 

Day of Rest (feat. Evan Rachel Wood)

Shhhhhhhhhhh. I'm sleeping in today. I promise my bed is more comfortable than the on that Evan Rachel Wood is cavorting on in this old photoshoot (I believe it was from Flaunt Magazine?).

Happy Ides of March day. Remember how good she was in that?

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