Review: "Jurassic World Dominion" Proves Franchise Charms Are Near Extinct

By: Christopher James

The wonderful teaser moment of a dinosaur walking through a drive-in... not in the final film.All that’s old is new again at movie theaters this summer. However, not all nostalgia plays are created equal. Top Gun: Maverick has successfully delighted audiences old and young, marrying nostalgia with strong storytelling and jaw-dropping stunts. The final chapter of the new Jurassic World trilogy tries to do the same hat trick. Bringing back the original trio - Sam Neill, Laura Dern, Jeff Goldblum - checks off the 90s nostalgia box. A doomsday plot around terrifying dino-locusts eating crops acts as the great thread bringing all our characters together. Finally, is there any spectacle quite as jaw-dropping as dinosaurs?

Unfortunately, all these elements sloppily come together in this letdown of a final chapter. Though it comes alive in fits and starts, the result is far less than the sum of its parts...

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Judy Garland @ 100: "Judgment at Nuremberg"

Team Experience is revisiting nine Judy Garland movies for her Centennial. Here's Christopher James on the star's second Oscar nomination.

Judy Garland received a Supporting Actress nomination in 1961 for her three scene performance in "Judgment at Nuremberg."

With a career that spanned over three decades, there were many points in which Judy Garland had to reinvent her image, intentionally or unintentionally. The other articles in this centennial celebration have examined Judy as the child star, the musical superstar and the complicated movie star. In conjunction with Claudio’s piece on A Star is Born, this later period of Garland’s career sought to deflect from her personal life through focusing on her powerful dramatic chops. Stanley Kramer’s Judgment in Nuremberg cast Garland in a new light… a supporting actress. However, her role as Irene Hoffman, a woman imprisoned as a teen for violating “racial pollution” law, is not short on fireworks. Garland delivers an impressive and affecting performance in just three short scenes. It's hard to argue against that year's winner (Rita Moreno for West Side Story), but Garland more than earns her Oscar nomination, the second and final of her career...

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Link World Dominion

• Variety Actors on Actors with Anne Hathaway and Jeremy Strong
• Vanity Fair interviews Julie Andrews who talks Mary Poppins, The Princess Diaries and her new voice role in Aquaman 2
• Deadline Scarlett Johansson to star in Kristin Scott Thomas' directorial debut My Mother's Wedding. We haven't seen her onscreen since Black Widow last summer but she has a lot of projects lined up now.
• MNPP gifs of Trevante Rhodes as Mike Tyson in a new Hulu miniseries called Mike

more after the jump including stop motion feature Wendell & Wild, Judy Garland's centennial, Stranger Things hairdos and music revivals, and the new Jurassic World movie...

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Doc Corner: 'The Janes' on HBO Max

By Glenn Dunks

If you were paying close enough attention to the ways the American political winds were blowing, you likely could have foreseen how relevant The Janes would ecome. Well, even more so than it already was. Still, even as recently as its Sundance premiere in January, it’s unlikely that filmmakers Tia Lessin (her first since 2013’s Citizen Koch) and Emma Pildes could have envisioned its release a mere few months late would coincide so frighteningly with the systematic dissolving of the rights their subjects were fighting for. Right in front of everybody’s eyes.

That The Janes is a film for this very moment isn’t what makes it so good. Although it helps...

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Cláudio's Best Shot Pick: Fire Island (2022)

The next episode in our series, 'Hit Me With Your Best Shot,' arrives Thursday night. This week's film is Andrew Ahn's Fire Island, which recently premiered on Hulu. You still have time to participate! In the meantime, here's Cláudio's entry:

For the past decade or so, numerous filmmakers have tried to revive the romantic comedy with varying degrees of success. And yet, it seems that the romcom's heyday will never return. Still, there's plenty of nostalgia for those days gone by when mid-budget projects of this ilk were a mainstay of any studio's output. Nowadays, every such exercise feels like an exception to the rule, a precious rarity, and a throwback. Maybe that's why the modern romcom refuses to stick, as it often comes off as a retrospective homage rather than its own thing. Or else it's too focused on justifying its existence, wanting to appear cool and hip with such alarming vehemence it ends up forgetting the basics that make these movies work.

By centering identities rarely depicted in mainstream cinema, appealing to classic literature tropes, and getting a director with a strong point of view, Fire Island avoids most of these pitfalls. It succeeds where others have stumbled, and even if it doesn't revive the romcom's Golden Age, it's pleasant summer entertainment…

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