Introducing... The Desiring Image

We interrupt our regularly scheduled programming to shill for someone else's. I am thrilled to point you in the direction of "The Desiring Image," a new book on contemporary queer cinema which is available to pre-order now. The author is my great friend / podcast mate Nick Davis and he's been working on this book for nearly as long as I've known him. In addition to covergirl Maxwell Demon (Jonathan Rhys-Meyers) from Todd Haynes' hallucinatory eye candy abundance (better known as Velvet Goldmine), Nick discusses Beau Travail, The Watermelon Woman, Shortbus, and Brother to Brother. I'm dying to imbibe the queer readings of David Cronenberg's Dead Ringers and Naked Lunch. I haven't yet read the book but Nick writes beautifully and his sense of humor is rare in academic writing. I am ordering my copy right now.

[Moments Later...] Done! 

Link Be a Lady Tonight

Film.com Excellent piece on the online coverage of Lynne Ramsay's no-show on Jane Got a Gun. There's just so much default anti-woman rhetoric online. Crazy that this rarely ever improves.
Slant Magazine Our friend Kurt recently visited Las Vegas and its glorious gawdy movie memories came with
AV Club Might HBO let people buy HBO Go without a cable subscription? That's such a good idea. A ton of people I know have dropped cable (too expensive) altogether since they use their computers more than their TVs. I would if I could, too.
Film.com strong list of 50 best opening sequences in movies ever. Love the inclusion of Cabaret, La Dolce Vita, and Manhattan. Bonus points: you don't have to click 50 times or even 5 to see the whole list.

MovieLine the opening credits of Oz: The Great and Powerful. I knew these would show up soon. Best part of the movie, easily showcasing charm, creativity, and wit.
CHUD "Hey girl... NO GIRL, PUT DOWN THE GUN!" Ryan Gosling is quitting acting for awhile
Empire Robert Redford could join the Marvel Universe starting with Captain America 2. (He would'a made such a great Captain America back in the 60s)
Timothy Brayton adss another toughtful thumbs up review to No's increasingly large critical pile. Seriously, what are you waiting for? Best movie of 2013 thus far. 
Coming Soon Wentworth Miller conitnues on as a screenwriter post Stoker. He'll adapt the thriller novel Scare Me. 

Art & Toons
Wimp.com a really amazing video about early animation process at Fleischer Studios. It's so crazy how much factory like manpower and technical innovation went in to things that are so computerized now.
i09 a neat very short animated cartoon on Marvel iconography from X-Men to Captain America

And... How webcomix make money, illustrated with 8 bit animation - thanks to Drawn for pointing it out

Posterized: Paul Rudd

gif via MNPPWere I to type "Paul Rudd is back in movie theaters!" one might reasonably respond, "Was he ever out of movie theaters?"

The prolific star never stops working for better or worse. This has led to a super cluttered career with blink and you'll miss it highs, "he was in that?" mixed results, and "this'll only disappoint you for a month" lows. All until the next project surfaces. Admission, co-starring Tina Fey (who we just discussed), is not winning over critics but it also doesn't seem likely to enrage some fans the way This is 40's metaphorical navel-gazing and literal butthole-gazing did. 

1995-1996 (ODD BEGINNINGS) 

1997-2012 after the jump

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10th Anniversary: That Jazzy "Chicago" Win

[Editor's Note: You know "Denny" well from the comments section. Since he's a choreographer by trade, I asked him to sound off on Dance in film. Particularly on Chicago since its win was so strangely celebrated at this year's Oscars making the show a weird mix of 2012 & 2002. Take it away, Denny. - Nathaniel R.]

a happy night for CZJ & Friends, March 23rd, 2003

Oh, how I remember the cheers.

I was at an Oscar party with a group of theater friends ten years ago when Rob Marshall’s Chicago became the first musical in thirty-five years to win the Oscar for Best Picture. It’s easy to see why everyone was excited: Following Moulin Rouge! (and to a lesser extent, Hedwig and the Angry Inch) the year before, it was clear that Hollywood was finally interested in live-action musicals not aimed at children again. There hadn’t been a major live-action Hollywood musical aimed at adults since 1996’s divisive Evita, and before that the last one was 1986’s Little Shop of Horrors. The last to receive major awards attention was 1982’s Victor Victoria (or 1983’s Yentl, depending on your definition of “major awards attention”), and a musical hadn’t won the Oscar for Best Picture since 1968’s Oliver!, a much-derided winner in a year that actually saw two musicals nominated for Best Picture (the other being Funny Girl), if you can believe it. more...

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"Road to Perdition" (Plus: Posthumous Oscars)

75th Annual Oscars ~ 10th Anniversary Special
On this very day 10 years ago, one of only two posthumous Oscars for the past decade in film was handed out. It went to Conrad Hall for his lensing of Road to Perdition (the other was Heath Ledger's). So here's one from the vaults since we did a Hit Me With Your Best Shot on it just last year. If you click on these shots, deemed best by our 'hit me' club and arranged here in narrative order, you can read more about them and why they were chosen.

It's a strange symmetry that a film as funereal as Road to Perdition would be a member of the Posthumous Oscar wins club. Here's a list of all 13 of them:

• Sidney Howard, Adapted Screenplay - Gone With the Wind (1939)
• William A Horning, Art Direction - Gigi (1958)
• William A Horning, Art Direction - Ben Hurt (1959)
• Sam Zimbalist, Best Picture - Ben Hur (1959)
• Eric Orborn, Art Direction - Spartacus (1960)
• Walt Disney, Animated Short - Winnie the Pooh and the Blustery Day (1968)
• Raymond Rasch & Larry Russell, Best Score - Limelight (1972)
• Peter Finch, Actor - Network (1976)
• Geoffrey Unsworth, Cinematography - Tess (1980)
• Howard Ashman, Best Song - "Beauty & the Beast" from Beauty & The Beast (1991)
• Thomas Goodwin, Documentary Short - Educating Peter (1992)
• Conrad Hall, Cinematography - Road to Perdition (2002)
• Heath Ledger, Supporting Actor - The Dark Knight (2008)

Art director William A Horning is the only double posthumous winner though acting legend James Dean and Disney's brilliant comeback-making composer Howard Ashman both received more than one posthumous nomination.