Interview: Judy Greer on "The Descendants" & "Archer"

It can't be just that we're both from Michigan. Perhaps it's her voice on the other end of the line, which sounds too much like an old high school friend's? There's something about Judy Greer that seems familiar. No, no, I just see a lot of movies is all. It's merely the cumulative effect of her filmography, I tell myself, which often presents her to us as relatable sideshow: friend, sister, neighbor, co-worker, everywoman. Maybe she strikes casting directors this way, too. I can't imagine I'm alone in this feeling, though to our mutual amusement, this girl next door vibe she gives off turns out to be surprisingly literal. As we begin to talk the small talk stretches out and out as the revelations come. We lived 3 miles from one another as children! We went to the same dance clubs as teenagers! We were scared of the same freeways while driving!

"Anyway, hiiiiiiiiiii" she says laughing, as we reboot out conversation. We'd better get to talking about the movies!

After years and years in showbiz how does this sense of familiarity sit with her, strangers feeling like they know her. How uncomfortable must this 'Where do I know you from again?' sensation be?

"It happens to me all the time but I don't consider it a problem," she says, instantly getting the question. There was a time, she offers, that people would always actually think they knew her. At some point in changed. Now they know she's an actress but they can't quite place from where. 

Mr & Mrs Speer (Judy Greer and Matthew Lillard) in "The Descendants"Eventually that signature role will hit and there'll be no mistaking the "who?" and the "were from?" The Descendants is definitely a forward step in that direction. Though it's another brief supporting role, her Mrs. Speer is a lynchpin character in an acclaimed Oscar buzzing film at that. She can already taste the difference and is "flattered" to be included in all the promotion for the movie for such a small role. The cast has already been nominated for Best Ensemble at the BFCA Critics Choice Awards. Judy herself will announce the SAG nominees on Wednesday where The Descendants is also expected to score.

Without spoiling the film, let's just say that George Clooney's Matt King befriends her character with an agenda; he knows something about her husband that she doesn't and he wants to get closer to her in order to get to him. She only has three scenes but all are opposite Clooney himself and all three are crucial to the emotional journey of the film.

Once we got to the movies, The Descendants was the only place to start.

[Judy on Nice George, Naughty Archer, Descendant Enthusiasm and her best roles after the jump]

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"you are a part of me that i could never link without. khob-khun-ka khob-khun-ka"

Chicago Reader insightful piece on the troublesome editing of both Bridesmaids and Margaret.
Critical Condition on why Shame is his least favorite movie this year.
Mark Harris does the best job yet of mapping out that crazy weekend just past of awardage that happened to us.
OQ David Kinzer goes down the rabbit hole to bitch about Sasha Stone bitching about David Denby and Shame. Oh, the internetz.  
Fandor "The Spielberg Face" a video essay

How much do you love the dueling speeches in "Bridesmaids". I think it's the best scene." 

List Mania
IndieWire 25 Best Movie Moments of the Year
The AV Club has a communal top 15 of the year.
Scanners on Shame, The Artist, awards season backlash and the effortful compilation of one's own "best of" lists.

West Side Story Contest Winners

Whenever awards season starts coming at us full throttle it's sometimes hard to remember that what's truly important in life is not who got snubbed at the BFCAs or who might be looking at a 6th place finish in Oscar balloting.  

No, no.... What's most important in life is West Side Story and who won The Film Experience's West Side Story Blu-Ray contest. I enjoyed reading your entries so much! Honestly I wish more people had entered so I could keep on reading them. In the end I had to go all eenie meenie minie moe because there's no way I could choose by stories. So many personal memories and so much love for this film.

I wish I had 10 copies to give away. Alas, there can be only two... THE WINNERS ARE...

LEON in Texas who writes:

 My West Side Story fandom began a half a lifetime ago. After watching Titanic tying Ben-Hur's record, I became enamored with the Oscars, and made it my goal to watch all of the Best Picture winners, and decided to start with West Side Story, which was the oldest Best Picture winner my parents owned. I had seen the film once when I was two, but my memory of it was incredibly distorted. (My memory told me that the final stirring speech was delivered by the tomboy Anybodys.) I was initially a little bit hesitant about watching the film, because at the time I was not a fan of musicals at all. I had made up my mind that musicals were a drab, unrealistic experience full of boring song and dance numbers. 

That notion flew out the window when I finally saw the dazzling Prologue sequence. I was drawn into the finger-snapping music of Leonard Bernstein and the dynamic choreography of Jerome Robbins. The film gripped me in those opening scenes, and never let me go until well after the final somber chords in the credits sequence. I was so blown away that I watched the film again...and again...and again. By the end of the calendar year I had seen the movie 10 times. Even today, it remains my absolute favorite American film. 

The other winner is ANDREW in Washington who writes...

In my freshman English course when I was 14, we had spent a few weeks reading and discussing Romeo & Juliet. My English teacher decided to show us West Side Story as a class as a fun way to cap the subject. Many of the kids groaned when they found out it was a musical, but I was ecstatic since I loved musicals and had never seen West Side Story. I only knew the song "I Feel Pretty" was from it.

My best friend and I were in the corner and we absolutely loved it, especially Rita Moreno. Every time she was on screen we were captivated by her, and couldn't breathe during the scene where Anita is nearly raped. We quietly cried together in the corner during the ending and immediately both got the soundtrack when we got home. From then on we spent many times together breaking out into the songs, especially "America" and "Tonight". We still do so to this day!  What I think I remember best, was how quiet the class was when it ended. And numerous kids were whispering "That was actually pretty good!", many of the same ones that were dreading having to actually watch a musical!  It just goes to show you, that people who stay away from things deemed "uncool" can miss out on so many great things.

CONGRATULATIONS!!!

The studio tells me your BluRays are in the mail today. Thanks to everyone who entered and who loves West Side Story. Fans of WSS are my kind of people. 

More on the 1961 Oscar Winner will come...

BFCA 'Critics Choice' Nominees: It's Hugo vs. The Artist

As you may or may not know, I am a member of the Broadcast Film Critics Association. So this weekend, I rushed to turn in my ballot hoping against hope that my tiny voice will save them from their own relentless interest in predicting the Oscars above all else. I hoped, for example, that here is where you'd see a bit of Off Oscar movement for some of the interesting divisive movies such as Melancholia or critical hit only performances like Olivia Colman's in Tyrannosaur or things only critics have seen but that they lovedlovedloved like A Separation (Trust: I'm far from the only one.) While hope springs eternal, this year they held on tight to just what you'd expect: Oscar predictions! There are about 250 members of the BFCA -- you can see a list here --  and remarkably none of us are named Peter Travers though as a group we seem to collectively share his Oscar-hewing choices under the guise of "My opinion - screw Oscar!" (teehee). But what can you do?!

Movieloving duo The Artist and Hugo led the nominations with 11 nods apiece. Let's look at each category. The "Critics Choice" Awards will be held on January 12th, 2012 and broadcast on VH1 as per usual. This year's hosts will be Rob Huebel and Paul Scheer.

BEST PICTURE

• The Artist
• The Descendants
• Drive
• Extremely Loud and Incredibly Close
• The Help
• Hugo
• Midnight in Paris
• Moneyball
• The Tree of Life
• War Horse 

(SOLE) SURPRISE / BAD NEWS FOR: I really thought Harry Potter and the Deathly Hallows Part 2 would place her given that so many media types (many of them BFCA members) are obsessed with those massive franchises - especially when/because they're ending. Otherwise this is just what you'd expect for an Oscar prediction + DRIVE which, yes, I voted for. Duh!
THREAT TO WIN: I think you're looking at Hugo vs. The Artist and not just due to the nomination count. 

It's HUGO vs. THE ARTIST, each with 11 nominations

BEST DIRECTOR

• Stephen Daldry, Extremely Loud and Incredibly Close
• Michel Hazanavicius, The Artist
• Alexander Payne, The Descendants
• Nicolas Winding Refn, Drive
• Martin Scorsese, Hugo
• Steven Spielberg, War Horse

SURPRISE: Refn's genre effort paid off. And Spielberg's schmaltz-a-thon? That's not a surprise but: Yikes. I guess the BFCA really thinks War Horse will score big with Oscar. Perhaps it shall. Otherwise, it's exactly as you'd expect though I'm pleased to see Refn squeeze in to the Oscar predictions.
BAD NEWS FOR: Woody Allen for Midnight in Paris. He hasn't been nominated for Best Director at the Oscars in a very long time. One wonders if they'll want to welcome him back this year given the "comeback" story with his film's surprise hit status. 
THREAT TO WIN: I'm assuming the BFCA members will swerve towards Scorsese with a combo of hero worship and genuine love for his new film. 

BEST ACTRESS 

• Viola Davis, The Help
• Elizabeth Olsen, Martha Marcy May Marlene
• Meryl Streep, The Iron Lady
• Tilda Swinton, We Need To Talk About Kevin
• Charlize Theron, Young Adult
• Michelle Williams, My Week With Marilyn

SURPRISE: This is good news for Olsen and Swinton who are both still in the fight for an Oscar nod despite films that are more alienating than Oscar goes for. 
BAD NEWS FOR: From an Oscary standpoint this is another nail in Glenn Close's Albert Nobbs coffin. From the needed a boost file, this is a tough blow for Olivia Colman and Kirsten Dunst.

THREAT TO WIN: The BFCA likes to give Meryl Streep best actresses wins and, extraordinarily, they like to do it with ties. It keeps happening (tied with Anne Hathaway in 2008, tied with Sandra Bullock for 2009). so expect her to win her third in 4 years in January... but...

poll by twiigs.com

COMPLETE NOMINATIONS AND MORE COMMENTARY AFTER THE JUMP.

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Curio: Cinema Comics

Alexa here. I've never been a huge follower of comic culture (although a graphic novel or two has found its way to my heart, such as Asterios Polyp.)  In fact, I've learned of the existence of certain comics because of the film version: I first took notice of The X-Men thanks to Hugh Jackman's Wolverine, and Watchmen may have been an acclaimed graphic novel, but I'd never heard of it until Zack Snyder took it on.  So I'm getting a twisted pleasure from the reversal in these comic versions of films I spotted on etsy.

Sarah Silverman (no, not not that one) sells hand-drawn comic zines looking to Audrey Hepburn, Margot Tennenbaum and The Devil Wears Prada for inspiration. You can buy copies here. They'd make cute stocking stuffers at only $11 each.

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