What's your go-to comfort film?

by Juan Carlos Ojano

In her rock bottom, Kristen Wiig finds unexpected comfort with CAST AWAY in BRIDESMAIDS.Whether in personal heartbreaks, national tragedies, or even global catastrophies, cinema has given comfort to viewers all over the world. Time and time again, several films - from Christmas classics to rom-com favorites - have found a life not necessarily because they are deemed to be the best (although some of them are), but because these films have the capacity to be watched on a more casual setting while they are watched out of enjoyment, and most importantly, comfort. In this time of uncertainty, from the events of the last few years down to what just transpired days ago, cinema has the capacity to uplift us and make us look for the silver lining in these tough times. I would like to ask you, dear reader: what is your go-to comfort film?...

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The New Classics: Bridesmaids

By Michael Cusumano 

 

Scene: Food Poisoning
Okay, let’s talk poop jokes.

If I’m hesitant it’s not because I’m squeamish, but because I’ve found dissecting jokes to see how they work to be one of life’s less rewarding endeavors. On the other hand, I’ve noticed Bridesmaids’ uproarious food poisoning sequence seldom gets the respect it deserves. Often it’s acknowledged with some glib and subtly condescending remark along the lines of, “Ladies can be just as gross as the boys!” and I think that significantly undersells the scene. I mean, If we absolutely must make sweeping generalizations along gender lines, we would have to conclude Bridesmaids proves ladies do gross-out with infinitely more wit and sophistication than the boys... 

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"Hold on for one more day"

"Rough Night" and the State of Comedy

by Eric Blume

My assignment for TFE was a review of the movie Rough Night. But since I was not raised in a barn, nor raised by wolves, my mother once told me if you can’t find something nice to say, don’t say anything at all. So we’ll keep it short on Rough Night itself.  It’s actually depressing how bad this movie is, a twist on a rather good mainstream movie called Very Bad Things, back in the Cameron Diaz days of 1998.  That Peter Berg film had a bit of an edge as it followed several guy friends on a bachelor party who find themselves in a dead hooker situation.  Rough Night is the distaff version of this tale, but the inept script, bad performances, and bland direction make it a tough sit.  The film’s five actresses (Scarlett Johansson, Kate McKinnon, Zoe Kravitz, Jillian Bell, and Ilana Glazer) are winning, talented ladies and deserved a far better vehicle.

Sitting through Rough Night your mind may wander, as did mine, to the state of mainstream comedy in the cinema these days...

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Beauty vs Beast: Ice & Ivy

Jason from MNPP here on the occasion of Joel Schumacher's 77th birthday wondering if I'm the only one who feels like his 1997 superhero flop Batman & Robin ought to be a camp classic as revered as Showgirls... or at least Valley of the Dolls. I think the fact that the movie is actively trying to be camp, but failing, throws people off... but it only makes me love it more. It's so... queer. In all the senses. Maybe it's just that Zack Snyder's endless reign of self-seriousness has made this goofy trainwreck seem more endearing, but I manage to quote this movie far more than might be sane, and if it's ever on TV I get sucked into its dopey dreadfulness every time. The same will never be true of Batman v Superman, I'm afraid. (Unless it's Holly Hunter's scenes we're talking about, of course.)

PREVIOUSLY True Story: I was at a wedding this past weekend and they gave out Jordan Almonds! Anyway last week we forced you to take sides in the Bridesmaids battle of the Century, and I am so so proud of y'all that you went with Kristen Wiig's Annie (who'd never let a Jordan Almond get her down) to the tune of 54% -- that's meant as no knock on the brilliantly funny Rose Byrne but, well, I'll let Suzanne explain:

"I know people love Rose Byrne, but Annie is such a great character. It felt like a revolutionary political act in 2011 to make a film that focused on a female protagonist who was depressed because her business failed and she was broke."