"The Age of Scorsese" Photos

Editorial photoshoots that recreate old movies are always good for both smiles and grimaces. The latest in this long chain of stars playing other stars (a motif we've discussed before) involves the films of Martin Scorsese in Harper's Bazaar "The Age of Scorsese" photographed by Jason Schmidt. 

I was thrilled to see two underappreciated actors (and real life marrieds) Alessandro Nivola & Emily Mortimer in The Aviator parts that brought Leo & Cate Oscar attention. For what it's worth, Mortimer has a sweet small role in Scorsese's Hugo (see previous post) as a flower shop girl to follow her sick small role in Shutter Island.

As you'd rightly expect they're adorable while discussing the shoot in the accompanying videos.

Emily: We were worried about not having chemistry in our shot. It's a still frozen in time from a movie so it's a different thing trying to... and also our faces at those angles don't necessearily look as good as Cate Blanchett and...
Allesandro: Speak for yourself.
Emily: Well, you're much more handsome than Leonardo DiCaprio. Obviously.  

Love.

Meanwhile, can we please declare a moratorium on using Jodie Foster's Taxi Driver underage hooker as a iconic look for child stars? It's like a rite of passage for them but you'd think people would get tired of tarting them up by now! So here's Chloe Moretz as. Keanu Reeves gets the DeNiro role. 

There's a few more over at Harper's Bazaar involving Goodfellas,  Alice Doesn't Live Here Anymore (Emily Blunt) and Gangs of New York (Christina Hendricks and Jack Huston... Christina is a definite improvement over the original but, then, it's kind of Cameron Diaz's worst performance.) 

Finally, Kate Bosworth attempts to channel La Pfeiffer (the guy playing DDL is uncredited) from The Age of Innocence.

Anyone pretending to be Michelle Pfeiffer is going to be a problem for me but ..Bosworth? Hmmm. To her credit in the video that accompanies the article, Kate echoes Elizabeth Olsen's recent confession calling LaPfeiffer "one of my favorite actresses of all time" so I guess we'll forgive her for treading on hallowed frizzy-haired ground.

Naked Gold Man: The "Breakthrough" Business

This week, let's talk beginnings and breakthroughs.

The annual Hollywood Awards, which announced their awards and nominees on Friday (previously noted), aren't typically considered part of the Oscar race. Unofficially-officially the National Board of Review's early December announcement is still the kick-off though the Gotham Awards (late November) have been rising as an alternative "first stop" in power. Still, the Hollywood Awards are glance at in order to see which publicity teams are working overtime to gather kindling for awards fire. Of particular interest, I think, is the plethora of "breakthrough" awards that they hand out. Breakthrough Awards are nearly always more PR driven than other categories by their very nature regardless of worthiness of whoever is honored. That's not a judgement but a neutral statement.

If breakthrough awards didn't exist, it would be much harder for young talents to be competitive in an awards race. They don't come into any contest with the advantages of pre-sold media interest, critical reputation, or habitual preferencing. The only advantage newbies have each year is nascent; people of all shapes, sizes, and ages (including Oscar voters) like receiving shiny new toys to play with at Christmas. Make of this what you will but this lone advantage is quite potent for actresses and often inconsequential for actors.  

But you made me feel...
Yeah you made me feel shiny and new
Like a virgin 

If you stop to think about it from a publicity perspective, Breakthrough Awards are very much like those old Vanity Fair Hollywood covers. Yes, there were probably teams of editors or creative directors selecting the 9 to 13 cover beauties, but those same beauties were essentially culled from whichever young "up and coming" stars had management teams that were able to bend Conde Nast's ears in the first place.

Vanity Fair's 2010 "Dolls". Five of them are in awards-hopeful films this year: Carey Mulligan (SHAME), Mia Wasikowska (ALBERT NOBBS & JANE EYRE), Emma Stone (THE HELP), Anna Kendrick (50/50) and Evan Rachel Wood (THE IDES OF MARCH)

The Hollywood Awards are but the first organization of many to come to name their favorite shiny new toys of 2011. They offer up not one, not two, not three, not four but FIVE (whew) for us to play with. CONSIDER...

Click to read more ...

'hey, girl. I got you these links.'

Film Critic Why We Need More Female Directors
Feminist Ryan Gosling 'Hey girl. Anne Fausto-Sterling has a theory that five categorical sexes would help break constrictive gender noms, but the only sex I need is you.' LOL! Best new novelty tumbler alert.
WQXR "Movies on the Radio" is streaming a long tribute to the music of Pixar to honor Steve Jobs in passing. Have a listen. 

The Front Row interesting piece on sex in the movies (by way of the two Fassy pictures) though I disagree with quite a lot of it. I personally don't think there's enough nudity/sex in the movies, given it's place in the general fabric of life nor do I think Shame is particularly coy about bodies.
Ultra Culture has quite a different view on Shame but loves it.
The WOW Report Cher being her awesome self, cheering Chaz on.  
Liz Smith reminds us why Tom Cruise is still a star, despite it all. With references to other legendary actors and actresses.
Empire this will only mean something to you if you loved the über indie Primer (which put so many big budget sci-fi movies to shame) many years ago. Its debut director Shane Carruth is finally working on another movie. 

The Critical Condition on Take Shelter. I haven't written about this movie and I guess maybe I won't, but I am quite in agreement with what Mark says right here.
Movie|Line no Liberace for your future Oscar predictions; the Steven Soderbergh biopic is going to HBO.
Serious Film doesn't think Oscar voters should forget these performances from earlier in the year and I must say they're interesting choices.
fourfour distills Downton Abbey for ya with giggles and sighs.

Today's Must Read Miranda July shoplifts for The New Yorker in "Free Everything". I heart. The New Yorker is the best magazine. The writing is always so good that it doesn't even matter what the topic is. I recent finished a multi-page essay on Taylor Swift and it felt like a thrilling page turner and I could not care less about Taylor Swift. 

Yes, No, Maybe So: "The Avengers"

It's finally here, he says robotically. Nearly every day is Avengers day online with paparazzi shots, interviews, stills, clips, posters, and whatnot, so the trailer just means that this is a Tuesday. But we must mark the occasion. It's how we do. And if "Earth's Mightiest Heroes" are going to assemble, we'll be there for roll call.

There can be only one... CHRIS.

The movie pits the collected superheroes against Loki (Tom Hiddleston) who holds the cosmic cube that The Red Skull lost (I think? Someone get me a "previously on" clip reel) because we have to braid the individual stories of the most recent Marvel movies (Thor and Captain America) back together with the two Iron Man movies where Nick Fury (who didn't get his own movie) was collecting heroes. They're even yanking The Incredible Hulk back in to the mix though surely nobody remembers dangly story threads from ye olden times of 2008. The only thing I remember from that movie was that Edward Norton lived in the jungle and then they poisoned the air so he turned green and lept through a glass walkway until he landed on a grassy field where he fought tanks until it was rainy and time to snuggle with Liv Tyler who was married to Phil Dunphy??? And somewhere in there was Tim Roth playing with chemicals and his own body? I can't remember. I'm guessing it won't be important because they save Mark Ruffalo (Hulk #3) for that mandatory "surprise the trailer isn't over!" joke tag at the end.

YES NO MAYBE SO breakdown and the actual trailer after the jump.

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Cast This! All Black "Steel Magnolias"

Everyone is doing it... why shouldn't we? I caught the news on Twitter where everyone I follow (but particularly Joe & Mark) were sounding off about who they'd like to see in the just announced remake of Steel Magnolias (for Lifetime) which will use an all black cast. Since blacktresses and the unfortunate dearth of roles for them are one of our pet topics here at The Film Experience we can't really let this one go without a discussion.

Clockwise from top left: Hannah (Annelle), Maclaine (Ouiser), Parton (Truvy), Field (M'Lynn), Dukakis (Clairee), and Roberts (Shelby)

The original film, a big hit in 1989 that has had an infinite DVD shelf life with the gays, gave Julia Roberts her first Oscar nomination. It was another Oscar vehicle at the time for Sally Field, a star-laden adaptation of a hit play that opened in November, but the only thing Oscar ended up noticing was Julia Roberts all fresh faced and quivering ginormous lips. At the time Sally Field loved to lay claim to discovering Julia though it was the nascent superstar's fourth film to hit theaters.  

She's mine!

Yes, I saw it in theaters. Shut up. I know my 80s movie stories are totally aging me. It can't be helped! This will happen to some of you when they start remaking 90s and 00s movies like Total Recall and  Spider-M (oh wait. damn). The cast at the time was NOT listed alphabetically but had to deal with old fashioned 'whose the biggest star right now?' billing so it went like so...

• SALLY FIELD as "M'Lynn" the no nonsense mom who worries herself sick over her reckless life-loving diabetic daughter 
• DOLLY PARTON as "Truvy" the big haired big hearted owner of the beauty shop where the cast continually congregates.
• SHIRLEY MACLAINE as "Ouiser" the mean spirited wealthy brunt of many of the jokes 
• DARYL HANNAH as "Annelle" the bumbling beauty shop apprentice and born again Christian. 'Her personal troubles will not interfere with her ability to do good hair.'
• OLYMPIA DUKAKIS as "Clairee" Ouiser's wise-cracking bestie, also rich, but infinitely better-tempered.
• ...and JULIA ROBERTS as "Shelby" a fragile young bride who is desperate to have a normal life

The cast (sans Dukakis) at the NYC premiere in November 1989

So which black actresses would you cast in these roles?
EXTRA POINTS to anyone who manages to recast Tom Skeritt's and Dylan McDermott's parts, too. [Psssst. Shamelessly name dropping alert: Dylan McDermott was at that Hugo screening on Monday night, just 8 seats away from me!]
DOUBLE EXTRA POINTS to anyone who manages to recast it without using Viola Davis or Octavia Spencer who, trust, aren't going to be hurting for offers post The Help.
TRIPLE EXTRA POINTS to anyone who can do it using Steel Magnolia's formula at the time (4 previous Oscar nominees or winners, 2 absolute legends, 1 current sex symbol de-glammed and 1 newbie who is clearly on her way to major stardom)

Go!