Take Three: Burgess Meredith

Craig here with Take Three. Today: Burgess Meredith

Take One: The Sentinel (1977)
Watching Michael Winner’s high-pitched horror The Sentinel has two great side effects: one, you get some great ‘70s New York apartment porn (with the bonus of having Ava Gardner as your guide); two, you’re treated to one of Meredith’s most under seen and relishable performances. It came a year after his Supporting Actor Oscar nod for his signature role as Mickey in Rocky. He plays Cristina Raines favourite new neighbour Charles Chazen, a dotty, slightly effete, amiable and – oh yeah – imaginary elderly resident in the suspiciously cheap waterside Brooklyn Brownstone.

He lives happily with his parakeet, Mortimer (also imaginary), his cat Jezebel (the meows sound real), and a blind priest sentry guarding the apartment block from all the demons of hell. So, yes: he leads a simple, gentle life.

The Sentinel sits very much in Rosemary’s Baby’s shadow; it’s the Xmas cracker version of Polanski’s tenant-terror movie but it has charms to recommend it. But dismay occurs halfway in: Meredith disappears from the film for a considerably baffling amount of time.

There are many other notable on-the-way-up and on-the-way-out actors in the movie. Deep breath now: Chris Sarandon, José Ferrer, John Carradine, Ava Gardner, Eli Wallach, Sylvia Miles, Arthur Kennedy, Christopher Walken, Beverly D’Angelo, Jeff Goldblum, Martin Balsam, Jerry Orbach and Tom Berenger. It may well be the best ‘70s cast outside of a Poseidon Adventure or a Towering Inferno. But Meredith is the one you miss when he's gone. His part is slightly more prominent due to the role Chazen plays in the grandly dark scheme of things. He pops up, when we least expect but most want him to, to summon forth a legion of misshapen hotel guests of the dead, and then exits the film in style. Meredith invests The Sentinel, mad as it already is, with just a touch more senior tomfoolery; he also gives it its gaga ambience. Much of the film’s silly brilliance comes from him.

Take Two: Batman (1966)

Out of the four actors who played masked arch foes in the 1966 big screen adaptation of the Batman TV series, Meredith ended up with the longest career after. [The Penguin awaits after the jump]

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First and Last, Under Pressure

the first and last images and/or dialogue from motion pictures

and the first and last line of dialogue.

first: You can run but you can't hide from the Lord.
last: Good Night.

Can you guess the movie?

Cast This: "From Here To Eternity" Redux

By now you may have heard the news that an uncensored version of the famous novel From Here To Eternity, a "director's cut" to speak in film parlance, is being released on e-books next month? It will restore profanity and some homosexual content to the military epic; In the 1950s, you didn't ask and they certainly didn't want any telling (or cussing).

"THE BOLDEST BOOK OF OUR TIME... HONESTLY, FEARLESSLY ON THE SCREEN!"

It's maybe a bit corrupt of me to play a casting game with a remake I've never rooted for -- it's a terrific movie as is -- but "Cast This" is fun, isn't it? And in the case of a this new author's cut, why not? Movies have been remade for far stupider reasons. And I don't feel too bad at proposing a remake of 1955's Best Picture From Here To Eternity because it's already been remade once as a television miniseries in the late 70s.

The reinserted homosexual content would be mostly in reference to offscreen events but it got me to thinking about the movie and the fact that Frank Sinatra, an able actor and massively popular singer won an Oscar for the role that contains the content. (Basically it amounts to him being gay for pay, a hustler.)

Monty & Sinatra in From Here To Eternity | Sinatra's Oscar Win

Meanwhile Montgomery Clift, an actual homosexual and one of the defining actors of the 20th century, never won one. What a world. I don't know how close Monty ever came to winning in his four times at bat, but it would make sense that he had a reasonable shot with From Here to Eternity. It was a wildly popular film and won eight other Oscars. It's also one of those rare films where every principle member of the cast was nominated.

CAST THIS
So who would you place in the five main roles?

Prewitt & Lurene, bickering loversPrewitt (The Monty part) is a stubborn principled transfer from the Bugle corps who used to box but refuses to fight anymore... even when provoked violently. He takes up with a nightclub girl and keeps getting dragged into Maggio's troubles, some violent. This actor should be handsome and believable as a former fighter and be a bit of an enigma.

Lurene (the Donna Reed part) is a girl of somewhat shady reputation -- and conflicted about it -- who works at the nightclub where all the soldiers go for entertainment. She wants to be something other than what she is and return to the mainland (if I remember correctly?)

Maggio (the Sinatra part) is the undisciplined volatile Private and loyal friend to Prewitt, who has a hustling past and gets in bar fights and is later violently abused by a superior officer.

Karen (The Deborah Kerr part) is the Base Commandes's neglected and unfaithful wife. She takes up with the Sergeant under her husband and is eager for him to become ambitious so she can divorce her husband and marry him without, one presumes, losing her way of life. She has a great line I've never fully understood which I've written about before when she's flirting with the Sergeant and invites him in.

You're doing fine sergeant. My husband is off somewhere and it's raining outside and we're both drinking now. You probably only got one thing wrong: the lady herself. The lady is not what she seems. She's a washout if you know what I mean. And I'm sure you know what I mean.

Sgt Warden and his Captain's WifeI don't!

Like every other character in the story, she's pretty conflicted about her own desires and action.

Sgt. Warden (The Burt Lancaster part) is a man who's conflicted about cheating on his Commanding officer by bedding his wife. This actor should be masculine, confident someone you'd take orders from but who is complacent about being a cog in the machine. So a leader but not too much of one.

Obviously Sgt. Warden and Karen have to have sizzling chemistry for their legendary beach sex scene.

GO!

Sidney Lumet: 43 Feature Films, 5 Oscar Nominations, 1 Fine Career.

A goodbye with gratitude to prolific director and Honary Oscar winner Sidney Lumet who died this morning at the age of 86 from lymphoma. He was small in stature (5'5") but his legacy looms large as one of Hollywood's most prolific and beloved directors. 

He was a stage actor and a television director before moving into feature films. Actors always loved him and he returned that love guiding several of them through signature roles. He worked with some stars multiple times including, notably: Sean Connery, Timothy Hutton, James Mason, and Al Pacino. The stage-to-screen movie, the courtroom drama, the social conscience narrative, and the true crime story would never have been the same without him. He is survived by his wife of 31 years Mary Gimbel, and children and grandchildren (you'll remember that his daughter Jenny Lumet wrote the blissful Rachel Getting Married screenplay. Our thoughts go out to the family today.

After the jump, the posters for all 43 of his theatrical features with thanks to google, the IMDb and IMP!

How many have you seen?

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Review: Arthur (2011)

Since I very recently saw Arthur (1981) on Netflix Instant Watch, I had a bit of a trouble disconnecting myself from the original while watching the new version 30 years later.

Dudley & Liz vs. Russell & Greta

The more things change the more they stay the same? The comedy Arthur (1981) opened during a recession and high unemployment rates. Here we are again in 2011 when all but the richest are hurting and that drunken millionaire is rearing his head again. He's hoping you'll laugh with him or at him -- either will do as he has no shame. The first time around audiences did just that. They embraced Arthur's reckless entitlement and threw millions more into his seemingly bottomless coffer, turning the film into one of the biggest blockbusters of early 80s cinema.

The remake, also named ARTHUR (2011) is in some ways a recreation with virtually the same character in a nearly identical plot. The few changes are cosmetic. Even Arthur's net worth hasn't changed all that much...

READ THE REST @ Towleroad

What do you make of this Arthur or the earlier one?