The First Lady, Ep. 1 - 'That White House'

by Eric Blume

Showtime's limited series The First Lady kicked off its premiere episode last week. It's a bit of a mixed bag out of the gate. The episode consists of several 10-minute-ish scenes covering each of our protagonists:  Michelle Obama (Viola Davis); Betty Ford (Michelle Pfeiffer); and Eleanor Roosevelt (Gillian Anderson).  A ticker on the bottom of the screen whisks us backward and forward between these women whose stories are about forty years apart from each other. 

There's not a great deal of grace in this back-and-forth execution, feeding us small glimpses of each lady in semi-satisfying increments that don't seem to have a meaningful connection between them outside of generic "I'm my own person" theme.  It's probably easiest to tackle these three stories independently, because episode one doesn't give us much of a linking thread or powerful throughline yet, and because there are pleasures to be had within the confines of this awkward setup...

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Best Shot Index: The act of looking in 'The Last Picture Show'

by Nathaniel R

Bronze Medal choice for Best Shot

The power of Peter Bogdanovich's unassuming breakout feature, The Last Picture Show (1971) sneaks up on you. It's often called a coming-of-age film which is not inaccurate but... coming to what? and of which age? It's mosaic of characters ranges in age from teenagers to senior citizens and at times it feels like they're not so much coming into something as never leaving it; They're lost souls in a ghost town. If you've never seen the film you might assume that a movie theater is a main character but not really. The theater is just one of the haunts that the central trio of high school seniors (Jeff Bridgess, Cybill Shepherd, and Timothy Bottoms) kill time at. They're less interested in the movie than in making out in the back row, anyway...

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Touring 'The First Lady' Suites

By Abe Friedtanzer

Showtime’s new anthology series The First Lady debuted this past weekend. The series looks simultaneously at three First Ladies throughout history: Eleanor Roosevelt (Gillian Anderson) in the 1930s and 40s, Betty Ford (Michelle Pfeiffer) in the 1970s and Michelle Obama (Viola Davis) in the 2000s and 2010s. The Film Experience will be covering its run (more soon on invididual episodes). 

The network is rolling out a very specific type of red carpet to celebrate the series as it begins airing. Reporting for The Film Experience I was able to visit one of the First Lady Suites, which is a transformed presidential suite at the Ritz-Carlton in downtown Los Angeles. This is also happening in New York, Chicago, and Washington D.C. This was quite the lavish and detailed visual experience.

I snapped a few photos to complement my written descriptions of the visit…

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Counter-Point: The 50 “Best” Rom-Coms (Pre-’90s)

by Mark Brinkerhoff

That sound you heard this week? It likely was #FilmTwitter collectively reeling from reading The Ringer staff’s list of the 50 “best” romantic comedies of all time. What prompted such a breathless response, however, was that only one of the films on the instantly infamous list pre-dated the 1980s, and it *wasn’t* Annie Hall. No, that Best Picture-winning, genre-redefining classic didn’t make the top *50*, Harold and Maude did. 

Now far be it for me to quibble about anything the late, great Hal Ashby made (namely Harold and Maude) but the otherwise ignorance of literally more than half a century of not only the very best rom-coms, but some of the finest films of all time—period—can’t go unnoticed. So with that, here’s a non-exhaustive, chronological list of the “best” rom-coms from the genre’s Golden Age in the ’30s through its modernization in the ’70s/’80s with links to where you can watch them...

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Cláudio's Best Shot Pick: The Last Picture Show (1971)

The next episode of our series, 'Hit Me With Your Best Shot,' arrives tonight. It's focused on Peter Bogdanovich's The Last Picture Show. You still have time to participate! Here's Cláudio's entry.

Bogdanovich drops the audience inside a cold domestic scene early in The Last Picture Show. In the Farrow household, resentments and disappointments permeate the air, each individual stuck in their little bubble of dissatisfied placidity. Together yet alone, the Farrows' silence is a nervous thing, like a fly's wilting buzz as it suffocates in insecticide. Perchance to disrupt the muted disquiet, the matriarch enters her daughter's room and sparks a conversation. She tries to advise the younger woman, so she doesn't make the same mistakes her mother did. Mistakes like staying in their small Texan town, dying from boredom like the fly dies from bug spray.

"Everything's flat and empty here. There's nothing to do." – says Ellen Burstyn's Lois, her words reverberating through the film's most potent images…

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