Who Were The Most Beautiful Men Ever To Hit the Screen?

If you're tired of all the bickering and partisanship from this very young Oscar season (We've got 8 more weeks of people fighting about Les Miz and whether or not Zero Dark endorses torture. Have...uh... fun!) why not choose sides on a much different less weighty topic? 

Boy Culture has launched a very extensive opinion piece on the History's 100 Hottest Movie Actors. It might be the perfect antidote right about now if you honestly can't take one more "Argo F*** Yourself" joke, Ode to Lincoln, or "Jennifer or Jessica?" blog post.

Only half of Matthew's list is currently up but there's already an impressive range of eras (a list which stretches from Rudolph Valentino through Colin Farrell is okay by me, clock-wise), nationalities, talent levels (from none to cup overflowing) and fame curve in the 50 men selected. If Takeshi Kaneshiro and Jude Law aren't top ten'ers I will pay for Matthew's next optometrist visit.

Who would you put in a top ten list?

Dlink. The D is Silent

Mandatory the 100 funniest tweets of the year. Some of the movie folk who get punchlined: Liam Neeson, Helena Bonham Carter, Johnny Depp.
Nicole's Magic Scans from Paris Match -- Nicole Kidman looks great as Grace of Monaco
E! Anjelica Huston is PETA's person of the year
i09 Futuristic predictions that came true this year
The Lost Boys farewell to Peter Knegt's long running blog.
Slate I've been talking a lot recently about people being hideous jerks when it comes to the topic of Les Misérables so here is a negative review from Dana Stevens which I think is completely fairly written and actually pretty clever in some of its digs. I've only ever asked that people be fair about it and state their biases if they have them (Stevens doesn't like the source material).

Unreality looks for gender flipping of Star Wars in the cosplay community. Sadly the gallery has no Prince Leia Lee. WTF?
Cinema Blend Quentin Tarantino wants to make a third revisionist history revenge flick called Killer Crow. This saddens me as Tarantino hasn't made a non-revenge themed film since Jackie Brown. That's a long time to be working one kind of narrative template, even if you do it extremely well.
Shadow & Act the actress who plays "Coco" in Django Unchained, a slave in a French maid's uniform, speaks about her experience on the film. And while we're on the topic ...

Spike & Quentin
I feel bad for Spike Lee. I really do. Even when people are trying to be fair to him, they end up dissing him. Press Play's Steven Boone wrote an excellent provocative piece on Django Unchained that has measured compliments for Spike Lee's work but it's still basically a slap.

Not to say that Django is an exceptionally subtle piece of work. Both Spike and Quentin have a Sam Fuller tendency to go all-caps, tabloid large when staging bits of provocation that would be juicy all on their own. But let's just lay it on the table: Tarantino is the better filmmaker, by many miles.

Meanwhile We Are Respectable Negroes reviews the movie (Quentin's) that does exist but still ends up critiquing an imaginary movie that doesn't (Spike's). And though the article is really interesting and makes strong points about the imaginary movie that's maybe still wildly unfair once you stop to think about it.

Meanwhile Quentin and others like Sarah Silverman are defending the controversial rampant use of the "N" word in the movie on the grounds that it's a period piece set during the time of Slavery. Which is a basically a solid defense. But I think the reason Quentin sounds like such an asshole spelling that out is because he's always used the word rampantly in his movies, even when that excuse was nowhere to be found.

ANYWAY... Spike really was in a lose-lose situation with Django Unchained. If he spoke against it without seeing it he'd be dissed. If he made anything like it he'd be crucified whereas Tarantino is celebrated (hi, double standards). If he hadn't said anything people would have surely kept asking him to. So he said that Slavery wasnt a Spaghetti Western but a Holocaust (which is true, duh) and now everyone is pissed at him. Would they still be pissed at him if he saw the movie and still said that? I think so. 

Today's Must Read
The Vote discusses the biggest problem with Oscar this year: the early voting deadline. Jon concludes with the message I'm always trying to send to the Academy which is basically this: Stop worrying and just be you. I'm glad others are starting to carry this message because my voice was lonely and choruses are louder. The Academy is Goliath. There is no David. And yet they're constantly changing to dodge the phantom slingshots. 

13 Days...

...until Oscar nominations hit.

Are you ready?

Interview: Eddie Redmayne Talks Live-Singing, Skinny-Dipping, Name-Calling

If there's a surprise name called out as one of the Best Supporting Actors this year on Oscar Nomination morning, might it be Eddie Redmayne? The rapidly ascending 30 year-old actor, a recent Tony winner for "Red" on Broadway, stood in as surrogate for our enduring communal crush on Marilyn Monroe (Michelle Williams) in My Week With Marilyn just last season but the spotlight is even brighter now. Les Misérables' entire second act romantic structure spins on his swooning revolutionary Marius. In one of the quirks of movie awardage, male actors aren't generally honored for their facility with romantic drama, but Redmayne's secret weapon could well be his rendition of the grief stricken show-stopper "Empty Chairs at Empty Tables" in which he mourns his fallen brothers who died at the lonely barricades... at dawn. He'll undoubtedly jerk at least some tears from the Academy's acting branch this week as they finalize their ballots (due on January 3rd).

Marius is getting married! Eddie Redmayne in "Les Misérables"

I asked Redmayne about the massive pressure he must have felt approaching this famous number in Les Misérables and our conversation stretched back to Oliver! The Musical on stage and on through his non-musical duets with Cate Blanchett, Julianne Moore, and Michelle Williams in his young but vivid filmography. [More...]

Click to read more ...

Interview: Kerry Washington on "Django" & Diversity

Kerry Washington and I were both blindfolded if not gagged when we spoke about Django Unchained. Metaphorically, you'll understand. Neither of us had yet seen Quentin Tarantino's latest revisionist revenge flick when we found a window in her schedule to talk but talk we did.

Kerry Washington as "Broomhilda" in Django Unchained

Amusingly we had quite different feelings about not having yet seen it. I was desperate to attend a screening. Kerry was, apparently, not. When I asked her if she enjoyed watching her films she laughed with a "No!" and a shudder...

It's a process I force myself to endure. Usually not more than once.

For the rest of us the prospect of seeing one of the screen's most stunning actresses is a lot more enticing than 'something to endure'. Since Kerry's big screen roles have rarely been as sizeable as her talent, a key role from an A list auteur is something to treasure while we have it.

In Django Unchained, Kerry found herself in the unusual position of playing a relatively non-verbal part considering the dialogue heavy nature of Tarantino pictures. She plays Broomhilda von Shaft, the wife of freed slave Django (Jamie Foxx) who aims to rescue her from the sadistic plantation of Calvin Candie (Leonardo DiCaprio) where she currently resides.

Our conversation about Django, her TV work, and the politics of her screen career is after the jump.

Click to read more ...