A conversation with a secret SAG voter

by Nathaniel R

A special treat for you today, dear readers. Yesterday I spoke to a SAG voter I've known for awhile now about their ballot choices.  I can't reveal their identity, of course, since they're not allowed to speak publicly about their votes. But we can share that they are actively working in the industry, and they do read The Film Experience from time to time (hence how we are acquainted).

We hope this conversation offers some incites into what it's like to get a ton of screeners at the end of the year and have to make these choices for your ballot.

NATHANIEL: Hello! Thanks for agreeing to do this. I know you've been a member of the Screen Actors Guild for some years but is this your first time serving on the actual Nominating Committee?

SAG VOTER: Yes. I  got an email in the summer that I had been randomly selected and whether I could meet the requirements. I was excited to influence the awards in a small way. But honestly, I think I saw visions of advance screenings dancing in my head.

And, now you're probably just sitting at home watching screener after screener. So glamorous! 

I haven’t left my couch (thanks, COVID) and I could open a DVD store. (But of course, SAG legal team, I will not. I will destroy them all as required by law.)

Before the avalanche of screeners hit, what had you seen that you were already a fan of?

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Sidney Poitier (1927-2022)

by Nathaniel R

The Oscar winning actor Sidney Poitier has died at the age of 94 in the Bahamas, leaving a remarkable legacy behind. Do you remember when you first became aware of Sidney Poitier? It can be difficult to pinpoint for stars of his magnitude. The most legendary actors become so much a part of the cultural fabric that it feels as if they have always existed. As if they have always been part of the very conception of "Hollywood" as our dream machine, as if the cinema couldn't have existed without them. But this is not strictly true. Hollywood had no room for any sidney poitiers before Sidney Poitier. His undeniable charisma and dramatic talent were potent enough to force Tinseltown's gates open, and reconceptualize who could be a movie star. And, it must be said, his good timing helped too...

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The Link Boat

• The Guardian goes on a long stroll with Tilda Swinton and her dogs. She remains a fascinating conundrum
• AV Club Rooney Mara to play Audrey Hepburn in a biopic
• Vogue a profile of Squid Game's key actress Hoyeon Jung
• Cartoon Brew interesting stats piece about the very active European animation industry but the small audiences for the films. Did you know that Russia is second only France in the number of animated films produced (outside of the US/Japan obviously) 

More after the jump including Oscar's crowdpleasing trouble, Jonathan Majors, the alliterations of The Lost Daughter, Gal Gadot's Cleopatra, and Zendaya in Valentina...

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Interview: Lin-Manuel Miranda on "Encanto" and "tick, tick...BOOM!"

by Nathaniel R

at the world premiere of "tick, tick, BOOM!"

I had the pleasure of interviewing Lin-Manuel Miranda in November while he was doing press for Encanto, now streaming on Disney+ with its soundtrack doing great business, too. He was energetic and smiling and gave great quote. Just a few days later, in a significantly less arranged moment, we came face-to-face the night of tick, tick... BOOM!'s premiere in Los Angeles. The response to the movie that night couldn't have been dreamier. He looked elated if significantly more tired than he had over Zoom. He admitted at the party that the entire week was a total blur. Just the week? The entire past year has been one Lin-Manuel Miranda highlight after another. So much so that we named him one of our top three entertainers of the year. In addition to questions about Encanto, tick, tick...BOOM!, and Hamilton, I made sure to ask him how he finds time for sleep.

[This interview has been edited for clarity.]

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Peter Bogdanovich (1939-2022)

by Eric Blume

Oscar-nominated director Peter Bogdanovich has died at age 82.  Famous primarily for directing three classic films consecutively early in his career, he was a true lover of the medium and a key influence on fostering in a new energy in American cinema during the 1970s. 

Bogdanovich's early career was as a film programmer for New Yorks' Museum of Modern Art.  He watched over 400 films a year and kept reviews for each one of them.  His passion for and understanding of film got him a gig as assistant to Roger Corman, who helped him direct his first film, Targets, in 1968.  This led to the three-film master stretch for which Bogdanovich is most remembered and treasured...

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