Link Runner

Indiewire has a handy guide for filmmakers of great perks you get from filming in various states
Maxim celebrates the influence of Die Hard 25 years after its debut
Vulture has the 25 best action movies since Die Hard
i09 shares a 60 second animated redux of Blade Runner. I normally live for this sort of thing but I don't really like this one. I think maybe it's because if you rob Blade Runner of its grandiose visuals and color and mood, you don't have much! 

Off Cinema Fun
Towleroad "the greatest shirtlesss popsicle ad ever" 
Thought Catalog "5 business lessons I learned on MTV"
Thrillist Twinkies are back! So here are great moments in the snack cake's history 

Helen Mirren © Kagan McLeodDiva Worship!
Saturday Evening Post talks to Her Fabulousity Helen Mirren 

Guardian on the exciting trend of actresses as co-writers. Greta Gerwig love for this:

Understandably, Gerwig has bristled at being described as Baumbach's "muse". "I'm OK with the term muse as long as you acknowledge the muse wrote the script, too," she told a recent interviewer. "I feel like I'm the loudest muse that the world has ever seen."

Love them both!

Yes, No, Maybe So: "12 Years a Slave"

One of our 'Most Awaited Titles of 2013' has long been 12 Years A Slave and very little of that anticipatory impatience is due to its arguable Oscar Baitiness (but yes, I've predicted it for several things back when the April Fools Predix arrived). No, ninety percent of the excitement comes by way of its director (Steve McQueen) who has yet to make a movie that's anything less than unmissable. True, he's only made two features and one of them has its very vocal detractors but if you missed Hunger or Shame it's your loss. They're two of the most striking features of the 21st century 

For his third feature he's reunited with his muse Michael Fassbender but this time the focus is on another actor, Chiwetel Ejiofor who has long been on the bubble to major stardom. 

Will this potentially potent period drama do the trick? Our Yes, No, Maybe So breakdown follows...

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Twins: Electro & Mr Freeze

Have you seen the first official still of Electro (Jamie Foxx) from The Amazing Spider-Man 2. This is it, albeit quite, um, altered by my photoshoppin' whimsy.

Can The Amazing Spider-Man 2 be as terrible as I want it to be? I mean please please please for the love of all that is holy in comic book cinema please don't be just dull and bland and redundant like The Amazing Spider-Man reboot. Please be just straight-up terrible so that you're fun to hate! Like Batman and Robin (1997)!

Emmy Nominations This Week. What Are You Betting On?

Every Emmy award discussion really ought to start with that familiar television montage trope "Previously On..." If you think about it the Emmy Awards really are like a longform television series with continuing plotlines... "Will Mad Men lose every acting nomination AGAIN? Will [insert underwatched critical favorite] finally win a Best Series nomination?", new character introductions, resurgent supporting characters, goodbyes to series regulars, and the like.

Homeland defends its title. But a lot of people didn't like Season 2.

So what did happen at least year's Emmys? A refresher: "Mad Men" was defending its Best Drama title in its fifth season and did not break the record (no show has ever won five consecutive drama series titles) losing to terrorist drama "Homeland" but the story was bleak for the SCDP everywhere since "Mad Men" struck out everywhere even MISSING a Best Costume Design nomination (it's never won) despite being the best costumed show in the history of ever; Jon Cryer "Two and a Half Men" won sympathy votes for putting up with Charlie Sheen all these years as Best Actor in a Comedy Series; Julia Louis-Dreyfus "Veep" won her third Emmy but what's more impressive is that she's won the prize for three different series now; Oscar Winners and frequent nominees were all the rage too with Julianne Moore, Kevin Costner, Jessica Lange, and Maggie Smith all picking up prizes; and the Emmys kept right on basically ignoring the beloved "Parks and Recreation" in major categories it's already deserved to win a few times. Seriously how has that show never managed a nomination for ANY of its supporting actors and actresses?

So where are we this year? I don't have my own predictions to share -- I don't claim to be an Emmy Awards expert but here are a few select ballots and a few things I'm curious about after the jump

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Box Office Notes: Pacific Rim & Sandra Bullock

giant fucking robots, the multi-franchise franchiseThis week's box office results are an example of why we can't have nice things. The top two films are both sequels. Audiences didn't get super worked up about the "original" opener, Guillermo del Toro's monster movie Pacific Rim. Yet the people decrying the general moviegoing public for "rejecting originality" -- a claim I keep hearing on twitter and on blogs -- have failed to admit that Pacific Rim looks JUST like Transformers Meets Godzilla in its advertisements. Which is not, you know a hallmark of the truly original, to look like a mashup of two excessively familiar things. Now, before I'm stomped by giant metallic or clawed kaiju feet, please note that though I haven't seen it I'm sure that Pacific Rim doesn't play like a Transformers sequel since one can't really mistake the filmmaking style of del Toro for Michael Bayisms. But audiences don't buy tickets based on how a movie is but how its perceived to be.

This wasn't a rejection of true originality. It was just a third place finish indicating half-interest in something that looked familiar but didn't sound familiar. Maybe they should have just called it Pacific Rim 2? Wouldn't it be awesome if some new franchise hopeful did just that, skipping the first film and testing the public's Pavlovian response to titles that end in numerals?

TOP O' THE CHARTS
01 DESPICABLE ME 2 $44.7 (cum. $229.2)
02 GROWN UPS 2 $42.5 *NEW*
03 PACIFIC RIM $38.3 *NEW*
04 THE HEAT $14 (cum. $112.3) Review
05 THE LONE RANGER $11.1 (cum. $71.1) Review

Of Note:  Fruitvale Station, which eerily opened on the weekend of the George Zimmerman/Trayvon Martin fiasco, opened to a big per screen averages but given the timid amount of screens it didn't make the top fifteen of the box office. If they're aggressive in expansion you'll undoubtedly see a lot of editorial attention in the media.

And Finally...
We'd just like to say "congratulations" to Sandra Bullock who has her umpteenth $100 million hit with The Heat. No, she didn't deserve an Oscar to commemorate her career but applause she does deserve in an industry that's notoriously resistant to appreciating its actresses. You have to hand it to her: she's been a draw for 20 years now and that's true staying power. Here, courtesy of box office mojo are her biggest hits (adjusted for inflation)

SANDRA'S TOP TEN
01 THE BLIND SIDE (2009) $264 
02 SPEED (1994) $230
03 A TIME TO KILL (1996) $195
04 THE PROPOSAL (2009) $174 
05 MISS CONGENIALITY (2000) $151 
06 WHILE YOU WERE SLEEPING (1995) $147 
07 TWO WEEKS NOTICE (2002)  $124 
08 * new entry * THE HEAT (2013)  $112
09 DEMOLITION MAN (1993) $111 
10 HOPE FLOATS (1998) $101

What did you spend your money on this weekend?