Winona Ryder @ 50: the iconic "Heathers"

Team Experience is celebrating Winona Ryder this week as we approach her 50th birthday

By Christopher James

Some talents are undeniable. Winona Ryder’s rise to stardom was quick. Her first leading role, as Veronica in Heathers, was only her fifth film. However, the ease at which she conveyed the dark comedy’s tricky tone spoke to a talent well beyond her years. In its theatrical release in the spring of 1989 Heathers barely made a dent at the box office, only grossing $1.1 million domestically. Today, it stands as one of the defining roles of her Ryder’s career. It was a launching pad and announcement to the world. She is neither achild star nor a scene stealer, but a leading lady with a one-of-a-kind screen persona.

Not only is Heathers my favorite performance from Winona Ryder, it also ranks as one of the best performances of a high school student ever. Veronica is on the Mount Rushmore of teen heroines alongside Cher from Clueless, Cady Heron from Mean Girls, Lady Bird and, of course, Carrie. In so many ways, Veronica combines attributes of all of those characters...

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Barbie's Dream Link

• Coming Soon Ryan Gosling will play Ken to Margot Robbie's Barbie in the movie by Greta Gerwig. Still trying to figure out what they could do with this that Toy Story didn't already do brilliantly
• Gr8ter Days Peter Scolari (Bosom Buddies, Girls) has passed away
• / Film Raised by Wolves season 2 coming in 2022
• People Jamie Lee Curtis speaks about her journey having a trans daughter, Ruby

More after the jump including an exciting movie project for Kate Winslet, Harriet Walter, a role Oscar Isaac passed on, and Timothée Chalamet and Zendaya giggling...

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Winona Ryder @ 50: "Beetlejuice. Beetlejuice. Beetlejuice"

Team Experience is celebrating Winona Ryder this week as she turns 50.

by Ginny O'Keefe

He’s the ghost with the most, babe. It’s Beetlejuice. The wacky, morbid and over the top 1988 Tim Burton joint  revolves around Adam and Barbara Maitland (Alec Baldwin and Geena Davis) a couple living in an idyllic Connecticut countryside. They are tragically killed after their car swerves off a bridge and into a river. The thing is the film keeps following them and their perspective. Tracing their steps all the way back home which is when they realize…they’re dead! Once home they discover a book titled "Handbook for the Recently Deceased". Soon enough their house is sold to the Deetz family. Charles, his wife Delia and their daughter Lydia all moving out into the country from New York City. They begin to tear apart the house and make it their own. Barbara and Adam want them gone so it’s time to start haunting. Eventually they turn to someone (or something in the form of Michael Keaton) they never should have for help: Betelgeuse (pronunciation: beetle juice). 

The greatness of this film is its supreme wackiness. Nothing is too out there for this movie. It’s got sandworms, moving sculptures, Harry Belafonte musical numbers, dead caseworkers, Catherine O’Hara wearing gloves as a headband, goofy production design, and a perfect balancing of message and escapism. My favorite character in the film is Lydia played by the great Winona Ryder...

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Tweetweek

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The aesthetic, the world-building, the pulsing drama of Dune...truly incomparable pic.twitter.com/5PVm2UxH09

— Beatrice Loayza (@bealoayza) October 22, 2021

More Dune plus Rita Wilson, Tom Holland, actressexual jokes etcetera after the jump...

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On "Marriage Italian Style" and "The Shop on Main Street"

by Nathaniel R

Have you either of these classics of mid 60s international cinema? In one of the strangest timetables in Oscar history, both of these two film's leading ladies were honored with Best Actress Oscar nominations but neither in the year their film was honored:  Sophia Loren (Marriage Italian Style) was nominated for Best Actress in 1964; Ida Kaminska (The Shop on Main Street) was nominated for Best Actress in 1966; inbetween those Oscar years the films themselves were nominated for Best Foreign Language Film of 1965 (now called Best International Feature Film).  

I was thrilled to rejoin Juan Carlos Ojano on "One Inch Barrier" to discuss 1965's Best international race, a strong vintage, which also included the family drama Blood on the Land (Greece), the very horny Dear John (Sweden), and the supernatural Kwaidan (Japan). We discuss Best Actress, Oscar's resistance to Asian cinema, sex in cinema, and Sophia Loren's magnetism...