Review: Daniel Craig's last stand in "No Time To Die"

by Deborah Lipp

No Time To Die explicitly advertises itself as “the conclusion” of a series that began with Casino Royale (2006), so there’s no spoiler in talking about No Time to Die (2021) as the conclusion of Daniel Craig’s James Bond series. I will keep major spoilers out, but I will certainly talk about this film in a way that understands it in the context of the Bond franchise, and as a “conclusion” of sorts. Fair warning and all that.

As we have come to expect from the Bond films of the last twenty or so years, No Time to Die is lavishly produced, has an A-list cast, and is beautiful to look at. As a standalone film, it’s good, perhaps very good, but the whole point of No Time to Die is that it isn't a standalone film. As a “conclusion,” it makes you ask questions: About James Bond and his future, about Daniel Craig and his legacy, about what a Bond film ultimately is...

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Tweetweek

Another collection of showbiz-related tweets curated for you for laughs, thought experiments, and discussion.

Who’s ready pic.twitter.com/hndg4Pk6kD

— Russell (@RussellFalcon) October 7, 2021

More after the jump including residual check lols, a very true hot take on Passing, Timothee Chalamet as Willy Wonka, and the death of the Sunset Boulevard dream...

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NYFF: I Remember "Memoria"

by Jason Adams

You can quite literally say that Memoria begins with a bang, as its inciting incident is just that -- a loud noise waking someone from sleep. But as far as it ending with a whimper, well, the only whimper its end will summon will be your own, as the lights come up and you realize your mind's been blown and that you're desperate to get back into the zen dream-state that Apichatpong Weerasethakul and his on-screen co-conspirator Tilda Swinton have lulled you into. I've spent the past week since seeing the film in just such a state of want. And so the news of the film's not-normal release pattern (which was weirdly the film headline I saw upon exiting the film -- further proof this movie actually transports you into its own reality?) has brought me both joy and sadness. A melancholia of its own.

In case you missed the news Memoria will travel the country, one art-house theater to another, only screening on one screen at a single time and never, not ever they say, hitting streaming...

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Asian Film Awards: "Wife of a Spy" and "Voice of Silence" are winners

by Nathaniel R

The Asian Film Awards, which used to be held early in the year are now a fall event, organized jointly with the Hong Kong, Busan, and Tokyo Film Festivals. The prizes were divvied up across multiple countries so there's a little something for everyone though the big winner was Japan's Wife of a Spy (a winner at Venice in 2020) which took Best Film, Best Actress, and Best Costume Design and recently had a brief US theatrical release from Kino Lorber. South Korea's Voice of Silence also made a fine showing taking Best New Director and Best Actor for popular 35 year-old star Yoo Ah-In (Burning and #Alive). Most of the films honored are 2020 films so dont expect much of a direct correlation between what countries submit to the Oscars this year as most of these were eligible for submission last season. The full list of nominees and winners is after the jump... 

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Smackdown '37 - The Podcast Companion

by Nathaniel R

150 years ago on this very day the Great Chicago Fire of 1871 began. It raged for three days (October 8th-10th), ravaging most of the city and killing hundreds. In the blockbuster movie In Old Chicago (1937), which we discuss on this Podcast, the cause of the fire is pinned firmly on careless Mrs O'Leary (Alice Brady) and her cow. A new report from the AP for the fire's anniversary says  that there's no evidence to suggest they were the culprits; the widely believed and Hollywood-endorsed story may have sprung from the virulent anti-Irish prejudice of the time. That's just a little anecdote to share since we're finally publishing the podcast portion of the 1937 Smackdown which is now officially the season finale (the other years we had planned to do will have to wait a few months)

Thanks to our guests Chelsea whose letterbox review of Stage Door is "hot girls unite", Pamela who has a hot take on the sexworker trope in Dead End, Tim who makes his case as the world's biggest Stella Dallas fan, and Boyd who shares a possibly apocryphal but amazing stunt double story from In Old Chicago. Hope you enjoy the conversation! 

SMACKDOWN 1937